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Giulia o la nuova Eloisa

Jean-Jacques Rousseau

Lingua:
inglese
Stato:
Opera completa
Autorialità:
Scritta dall'autore
Stato del testo:
Testo pulito
Estensione:
~310.000 parole · 1496 passi
Cita quest'opera
  • APAJean-Jacques Rousseau. (n.d.). Giulia o la nuova Eloisa. SigPhi. https://sigphiai.com/it/works/jean-jacques-rousseau/eloisa-or-a-series-of-original-letters
  • MLAJean-Jacques Rousseau. "Giulia o la nuova Eloisa." SigPhi, https://sigphiai.com/it/works/jean-jacques-rousseau/eloisa-or-a-series-of-original-letters.
  • ChicagoJean-Jacques Rousseau. Giulia o la nuova Eloisa. SigPhi. https://sigphiai.com/it/works/jean-jacques-rousseau/eloisa-or-a-series-of-original-letters.

Di che cosa tratta

Romanzo per lettere: Julie e il suo precettore Saint-Preux si amano, la differenza di ceto lo vieta, e lei sposa Wolmar cercando di rifarsi una vita intorno al dovere.

Contesto e storia

Uscì nel 1761 col titolo Julie, ou la Nouvelle Héloïse e fu il libro più venduto del secolo: sono documentati lettori che scrissero a Rousseau in lacrime chiedendogli se Julie fosse davvero esistita. Questa è una traduzione inglese del Settecento, in cui il romanzo s'intitola Eloisa; per citare Rousseau il testo è il francese.

Contesto editoriale, non una fonte citabile: a differenza dei passi dell'opera, questi dati non si possono verificare sul corpus.

Come comincia
Great cities require public theatres, and romances are necessary to a corrupt people. I saw the manners of the times, and have published these letters. Would to heaven I had lived in an age when I ought rather to have thrown them in the fire! Though I appear only as the editor of this work, I confess that I have had some share in the composition. But am I the sole author, and is the entire correspondence fictitious? Ye people of the world, of what importance is it to you? Certainly, to you, it is all a fiction. Every honest man will avow the books which he publishes. I have prefixed my name to these letters, not with a design to appropriate them to myself, but that I might be answerable for them. If they deserve censure, let it fall on me; if they have any merit, I am not ambitious of the praise. If it is a bad book, I am the more obliged to own it: I do not wish to pass for better than I am. As to the reality of the history, I declare that, though I have been several times in the country of the two lovers, I never heard either of Baron D’Etange, his daughter, Mr. Orbe, Lord B----, or Mr. Wolmar. I must also inform the reader that there are several topographical errors in this work; but whether they are the effect of ignorance or design, I leave undetermined. This is all I am at liberty to say: let every one think as he pleases. The book seems not calculated for an extensive circulation, as it is not adapted to the generality of readers. The stile will offend people of taste, to austere men the matter will be alarming, and all the sentiments will seem unnatural to those who know not what is meant by the word virtue.…

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