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Mabinogion

Mabinogion

Lingua:
inglese
Stato:
Opera completa
Autorialità:
Anonima o composita
Stato del testo:
Testo pulito
Estensione:
~100.000 parole · 495 passi
Cita quest'opera
  • APAMabinogion. (n.d.). Mabinogion. SigPhi. https://sigphiai.com/it/works/mabinogion/the-mabinogion
  • MLAMabinogion. "Mabinogion." SigPhi, https://sigphiai.com/it/works/mabinogion/the-mabinogion.
  • ChicagoMabinogion. Mabinogion. SigPhi. https://sigphiai.com/it/works/mabinogion/the-mabinogion.

Di che cosa tratta

Il Mabinogion: i racconti gallesi medievali, in un volume.

Contesto e storia

Undici storie da manoscritti del Trecento che conservano materiale molto più antico: Pwyll, Branwen, la caccia al cinghiale Twrch Trwyth, e le prime apparizioni di Artù nella letteratura europea. **Attenzione: il catalogo ha anche i volumi 1, 2 e 3, e non si è verificato se questo li contenga.** Il caso è aperto.

Contesto editoriale, non una fonte citabile: a differenza dei passi dell'opera, questi dati non si possono verificare sul corpus.

Come comincia
Whilst engaged on the Translations contained in these volumes, and on the Notes appended to the various Tales, I have found myself led unavoidably into a much more extensive course of reading than I had originally contemplated, and one which in great measure bears directly upon the earlier Mediæval Romance. Before commencing these labours, I was aware, generally, that there existed a connexion between the Welsh Mabinogion and the Romance of the Continent; but as I advanced, I became better acquainted with the closeness and extent of that connexion, its history, and the proofs by which it is supported. At the same time, indeed, I became aware, and still strongly feel, that it is one thing to collect facts, and quite another to classify and draw from them their legitimate conclusions; and though I am loth that what has been collected with some pains, should be entirely thrown away, it is unwillingly, and with diffidence, that I trespass beyond the acknowledged province of a translator. In the twelfth and thirteenth centuries there arose into general notoriety in Europe, a body of “Romance,” which in various forms retained its popularity till the Reformation. In it the plot, the incidents, the characters, were almost wholly those of Chivalry, that bond which united the warriors of France, Spain, and Italy, with those of pure Teutonic descent, and embraced more or less firmly all the nations of Europe, excepting only the Slavonic races, not yet risen to power, and the Celts, who had fallen from it.…

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