Mary: A Fiction
- Lingua:
- inglese
- Stato:
- Opera completa
- Autorialità:
- Scritta dall'autore
- Stato del testo:
- Testo pulito
- Estensione:
- ~25.900 parole · 123 passi
Cita quest'opera
- APAMary Wollstonecraft. (n.d.). Mary: A Fiction. SigPhi. https://sigphiai.com/it/works/mary-wollstonecraft/mary-a-fiction
- MLAMary Wollstonecraft. "Mary: A Fiction." SigPhi, https://sigphiai.com/it/works/mary-wollstonecraft/mary-a-fiction.
- ChicagoMary Wollstonecraft. Mary: A Fiction. SigPhi. https://sigphiai.com/it/works/mary-wollstonecraft/mary-a-fiction.
Di che cosa tratta
Mary: A Fiction (1788): il suo primo romanzo.
Contesto e storia
Scritto mentre faceva l'istitutrice in Irlanda e prima che fosse nota per qualcosa. La protagonista si sposa per obbligo familiare e trova la vita che ha fuori dal matrimonio. I temi di tutta la sua opera ci sono già, senza l'argomentazione filosofica che poi li avrebbe sorretti.
Contesto editoriale, non una fonte citabile: a differenza dei passi dell'opera, questi dati non si possono verificare sul corpus.
L'exercice des plus ſublimes vertus deve et nourrit le genie, | ROUSSEAU. LONDON; >} PRINTED FOR I. JONNSON, ST. PAUL'S CHURCH-YARD. MDCCLXXIYIID. n m —« CY 7 OI Saad Lf a EE "om PS HE * htm SF KTESEMEN Tc: * 0 Fad * this Fiction, the Author attempts to develop a charaQer different from thoſe generally portrayed. This woman Is neither a Clariſſa, 5 a Lady G—, nor a * Sophie, —It would be vain to mention the va- rious modifications of theſe models, . it would to remark, how widely artiſts wander from nature, when they copy the originals of great * Rouſſeau, ©: 0h I: N delineating. e Heroine of Eq —. ADVERTISEMENT. maſters. They catch the groſs parts; but the ſubtile ſpirit eva- Porates; and not having the juſt ties, affectation diſguſts, when grace was expected to charm. | Thoſe compoſitions only have power to delight, and carry us wil- ling captives, where the ſoul of the author is exhibited, and ani- mates the hidden ſprings. Loft in a pleaſing enthuſiaſm, they live in the ſcenes they repreſent; and do not meaſure their ſteps in a beaten track, folicitus to gather expected flowers, and bind them in a wreath, accord- 8 the preſeribed rules of art. pf 1 2 Theſe ADVERTISEMEN T. pf 1 2 Theſe ADVERTISEMEN T. Theſe choſen few, wiſh to ſpeak for themſelves, and not to be an echo—even of the ſweeteft ſounds —or the reflector of the moſt ſub- lime beams. The paradiſe they ramble in, muſt be of their own creating—or the proſpe& ſoon grows inſipid, and not varied by a vivifying principle, fades and dies. In an artleſs tale, without epiſodes, the mind of a woman, who has thinking powers is diſplayed. The female organs have been thought + here give the Reviewers an opportunity of being very witty about the Paradiſe of Fools, &c, 5 too ADVERTISEMENT. too weak for this arduous employ- ment; and experience ſeems to juſtify the ' aſſertion.…
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