SigPhiSigPhi

Timeo

Platone

Lingua:
inglese
Stato:
Opera completa
Autorialità:
Scritta dall'autore
Stato del testo:
Testo pulito
Estensione:
~80.400 parole · 382 passi
Cita quest'opera
  • APAPlatone. (n.d.). Timeo. SigPhi. https://sigphiai.com/it/works/plato/timaeus
  • MLAPlatone. "Timeo." SigPhi, https://sigphiai.com/it/works/plato/timaeus.
  • ChicagoPlatone. Timeo. SigPhi. https://sigphiai.com/it/works/plato/timaeus.

Di che cosa tratta

Il racconto di come fu fatto il mondo: un artefice divino che ordina il caos guardando a un modello eterno, insieme a una cosmologia, a una fisica dei quattro elementi e a una fisiologia umana.

Contesto e storia

Per tutto il Medioevo latino questo fu quasi l'unico Platone che l'Occidente potesse leggere, ed è per questo che ha plasmato il pensiero cristiano sulla creazione molto più del resto della sua opera. È anche la fonte di Atlantide, nominata qui e nel Crizia e in nessun altro testo antico.

Contesto editoriale, non una fonte citabile: a differenza dei passi dell'opera, questi dati non si possono verificare sul corpus.

Come comincia
Of all the writings of Plato the Timaeus is the most obscure and repulsive to the modern reader, and has nevertheless had the greatest influence over the ancient and mediaeval world. The obscurity arises in the infancy of physical science, out of the confusion of theological, mathematical, and physiological notions, out of the desire to conceive the whole of nature without any adequate knowledge of the parts, and from a greater perception of similarities which lie on the surface than of differences which are hidden from view. To bring sense under the control of reason; to find some way through the mist or labyrinth of appearances, either the highway of mathematics, or more devious paths suggested by the analogy of man with the world, and of the world with man; to see that all things have a cause and are tending towards an end—this is the spirit of the ancient physical philosopher. He has no notion of trying an experiment and is hardly capable of observing the curiosities of nature which are ‘tumbling out at his feet,’ or of interpreting even the most obvious of them. He is driven back from the nearer to the more distant, from particulars to generalities, from the earth to the stars. He lifts up his eyes to the heavens and seeks to guide by their motions his erring footsteps. But we neither appreciate the conditions of knowledge to which he was subjected, nor have the ideas which fastened upon his imagination the same hold upon us.…

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