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Tratti inglesi

Ralph Waldo Emerson

Lingua:
inglese
Stato:
Opera completa
Autorialità:
Scritta dall'autore
Stato del testo:
Testo pulito
Estensione:
~67.600 parole · 321 passi
Cita quest'opera
  • APARalph Waldo Emerson. (n.d.). Tratti inglesi. SigPhi. https://sigphiai.com/it/works/ralph-waldo-emerson/english-traits
  • MLARalph Waldo Emerson. "Tratti inglesi." SigPhi, https://sigphiai.com/it/works/ralph-waldo-emerson/english-traits.
  • ChicagoRalph Waldo Emerson. Tratti inglesi. SigPhi. https://sigphiai.com/it/works/ralph-waldo-emerson/english-traits.

Di che cosa tratta

Tratti inglesi (1856): quel che Emerson vide in Inghilterra in due viaggi.

Contesto e storia

Un libro di viaggio che è soprattutto un ritratto del carattere nazionale, scritto da qualcuno che gli inglesi li ammirava e insieme se ne diffidava. Contiene le sue conversazioni con Carlyle e con Wordsworth.

Contesto editoriale, non una fonte citabile: a differenza dei passi dell'opera, questi dati non si possono verificare sul corpus.

Come comincia
I have been twice in England. In 1833, on my return from a short tour in Sicily, Italy, and France, I crossed from Boulogne, and landed in London at the Tower stairs. It was a dark Sunday morning; there were few people in the streets; and I remember the pleasure of that first walk on English ground, with my companion, an American artist, from the Tower up through Cheapside and the Strand, to a house in Russell Square, whither we had been recommended to good chambers. For the first time for many months we were forced to check the saucy habit of travellers' criticism, as we could no longer speak aloud in the streets without being understood. The shop-signs spoke our language; our country names were on the door-plates; and the public and private buildings wore a more native and wonted front. Like most young men at that time, I was much indebted to the men of Edinburgh, and of the Edinburgh Review,--to Jeffrey, Mackintosh, Hallam, and to Scott, Playfair, and De Quincey; and my narrow and desultory reading had inspired the wish to see the faces of three or four writers,--Coleridge, Wordsworth, Landor, De Quincey, and the latest and strongest contributor to the critical journals, Carlyle; and I suppose if I had sifted the reasons that led me to Europe, when I was ill and was advised to travel, it was mainly the attraction of these persons. If Goethe had been still living, I might have wandered into Germany also. Besides those I have named (for Scott was dead), there was not in Britain the man living whom I cared to behold, unless it were the Duke of Wellington, whom I afterwards saw at Westminster Abbey, at the funeral of Wilberforce. The young scholar fancies it happiness enough to live with people who can give an inside to the world; without reflecting that they are prisoners, too, of their own thought, and cannot apply themselves to yours.…

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