Tratti inglesi
- Lingua:
- inglese
- Stato:
- Opera completa
- Autorialità:
- Scritta dall'autore
- Stato del testo:
- Nessun rumore di scansione rilevato (misura automatica su tutto il testo, non verificata a mano)
- Estensione:
- ~67.600 parole · 321 passi
Cita quest'opera
- APARalph Waldo Emerson. (n.d.). English Traits [Tratti inglesi]. Digital reproduction: SigPhi. https://sigphiai.com/it/works/ralph-waldo-emerson/english-traits
- MLARalph Waldo Emerson. English Traits [Tratti inglesi]. Digital reproduction, SigPhi, https://sigphiai.com/it/works/ralph-waldo-emerson/english-traits.
- ChicagoRalph Waldo Emerson. English Traits [Tratti inglesi]. Digital reproduction, SigPhi. https://sigphiai.com/it/works/ralph-waldo-emerson/english-traits.
Riferimento all’edizione riprodotta. SigPhi è la riproduzione digitale. Anno, editore e traduttore compaiono quando noti; «n.d.» indica un anno sconosciuto.
Di che cosa tratta
Tratti inglesi (1856): quel che Emerson vide in Inghilterra in due viaggi.
Contesto e storia
Un libro di viaggio che è soprattutto un ritratto del carattere nazionale, scritto da qualcuno che gli inglesi li ammirava e insieme se ne diffidava. Contiene le sue conversazioni con Carlyle e con Wordsworth.
Contesto editoriale, non una fonte citabile: a differenza dei passi dell'opera, questi dati non si possono verificare sul corpus.
'Government should direct poor men what to do. Poor Irish folk come wandering over these moors. My dame makes it a rule to give to every son of Adam bread to eat, and supplies his wants to the next house. But here are thousands of acres which might give them all meat, and nobody to bid these poor Irish go to the moor and till it. They burned the stacks, and so found a way to force the rich people to attend to them.' We went out to walk over long hills, and looked at Criffel, then without his cap, and down into Wordsworth's country. There we sat down, and talked of the immortality of the soul. It was not Carlyle's fault that we talked on that topic, for he had the natural disinclination of every nimble spirit to bruise itself against walls, and did not like to place himself where no step can be taken. But he was honest and true, and cognizant of the subtile links that bind ages together, and saw how every event affects all the future. 'Christ died on the tree: that built Dunscore kirk yonder: that brought you and me together. Time has only a relative existence.' He was already turning his eyes towards London with a scholar's appreciation. London is the heart of the world, he said, wonderful only from the mass of human beings. He liked the huge machine. Each keeps its own round. The baker's boy brings muffins to the window at a fixed hour every day, and that is all the Londoner knows or wishes to know on the subject. But it turned out good men. He named certain individuals, especially one man of letters, his friend, the best mind he knew, whom London had well served. On the 23th August, I went to Rydal Mount, to pay my respects to Mr. Wordsworth. His daughters called in their father, a plain, elderly, white-haired man, not prepossessing, and disfigured by green goggles. He sat down, and talked with great simplicity. He had just returned from a journey.…
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