SigPhiSigPhi

Saggi di Ralph Waldo Emerson

Ralph Waldo Emerson

Lingua:
inglese
Stato:
Opera completa
Autorialità:
Scritta dall'autore
Stato del testo:
Nessun rumore di scansione rilevato (misura automatica su tutto il testo, non verificata a mano)
Estensione:
~96.200 parole · 457 passi
Cita quest'opera
  • APARalph Waldo Emerson. (n.d.). Essays by Ralph Waldo Emerson [Saggi di Ralph Waldo Emerson]. Digital reproduction: SigPhi. https://sigphiai.com/it/works/ralph-waldo-emerson/essays-by-ralph-waldo-emerson
  • MLARalph Waldo Emerson. Essays by Ralph Waldo Emerson [Saggi di Ralph Waldo Emerson]. Digital reproduction, SigPhi, https://sigphiai.com/it/works/ralph-waldo-emerson/essays-by-ralph-waldo-emerson.
  • ChicagoRalph Waldo Emerson. Essays by Ralph Waldo Emerson [Saggi di Ralph Waldo Emerson]. Digital reproduction, SigPhi. https://sigphiai.com/it/works/ralph-waldo-emerson/essays-by-ralph-waldo-emerson.

Riferimento all’edizione riprodotta. SigPhi è la riproduzione digitale. Anno, editore e traduttore compaiono quando noti; «n.d.» indica un anno sconosciuto.

Di che cosa tratta

Un volume che raccoglie in un libro solo tutte e due le serie di saggi.

Contesto e storia

Una nota sull'edizione: tutte e due le serie compaiono anche a parte nel catalogo (Essays — First Series ed Essays — Second Series). Non è un doppione: questo è il volume raccolto e quelle sono le unità originali del 1841 e del 1844. Restano tutti e tre, e chi confronta le copie non ne deve ritirare nessuna.

Contesto editoriale, non una fonte citabile: a differenza dei passi dell'opera, questi dati non si possono verificare sul corpus.

Estratto dell’edizione disponibile
must settle its value in his mind. What is nature to him? There is never a beginning, there is never an end, to the inexplicable continuity of this web of God, but always circular power returning into itself.[12] Therein it resembles his own spirit, whose beginning, whose ending, he never can find,--so entire, so boundless. Far too as her splendors shine, system on system shooting like rays, upward, downward, without center, without circumference,--in the mass and in the particle, Nature hastens to render account of herself to the mind. Classification begins. To the young mind everything is individual, stands by itself. By and by it finds how to join two things and see in them one nature; then three, then three thousand; and so, tyrannized over by its own unifying instinct, it goes on tying things together, diminishing anomalies, discovering roots running under ground whereby contrary and remote things cohere and flower out from one stem. It presently learns that since the dawn of history there has been a constant accumulation and classifying of facts. But what is classification but the perceiving that these objects are not chaotic, and are not foreign, but have a law which is also a law of the human mind? The astronomer discovers that geometry, a pure abstraction of the human mind, is the measure of planetary motion. The chemist finds proportions and intelligible method throughout matter; and science is nothing but the finding of analogy, identity, in the most remote parts. The ambitious soul sits down before each refractory fact; one after another reduces all strange constitutions, all new powers, to their class and their law, and goes on forever to animate the last fiber of organization, the outskirts of nature, by insight. Thus to him, to this school-boy under the bending dome of day, is suggested that he and it proceed from one Root; one is leaf and one is flower; relation, sympathy, stirring in every vein. And what is that root?…

Leggi questa edizione →

← Torna a Ralph Waldo Emerson