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Nature

Ralph Waldo Emerson

Lingua:
inglese
Stato:
Opera completa
Autorialità:
Scritta dall'autore
Stato del testo:
Nessun rumore di scansione rilevato (misura automatica su tutto il testo, non verificata a mano)
Estensione:
~15.600 parole · 74 passi
Cita quest'opera
  • APARalph Waldo Emerson. (n.d.). Nature. Digital reproduction: SigPhi. https://sigphiai.com/it/works/ralph-waldo-emerson/nature
  • MLARalph Waldo Emerson. Nature. Digital reproduction, SigPhi, https://sigphiai.com/it/works/ralph-waldo-emerson/nature.
  • ChicagoRalph Waldo Emerson. Nature. Digital reproduction, SigPhi. https://sigphiai.com/it/works/ralph-waldo-emerson/nature.

Riferimento all’edizione riprodotta. SigPhi è la riproduzione digitale. Anno, editore e traduttore compaiono quando noti; «n.d.» indica un anno sconosciuto.

Di che cosa tratta

Natura (1836): il testo, scritto a trent'anni, che ha fondato il trascendentalismo americano.

Contesto e storia

Pubblicato anonimo e senza clamore, ma c'è dentro tutto Emerson: la natura come linguaggio, l'occhio che diventa trasparente, e la domanda sul perché dovremmo guardare il mondo con gli occhi dei morti. Una nota sull'edizione: questo testo è anche dentro il volume Miscellanies embracing Nature, addresses, and lectures, che è nel catalogo. Non sono un doppione — sono due unità editoriali diverse, e restano tutte e due.

Contesto editoriale, non una fonte citabile: a differenza dei passi dell'opera, questi dati non si possono verificare sul corpus.

Estratto dell’edizione disponibile
petulance, when we explore the steady and prodigal provision that has been made for his support and delight on this green ball which floats him through the heavens. What angels invented these splendid ornaments, these rich conveniences, this ocean of air above, this ocean of water beneath, this firmament of earth between? this zodiac of lights, this tent of dropping clouds, this striped coat of climates, this fourfold year? Beasts, fire, water, stones, and corn serve him. The field is at once his floor, his work-yard, his play-ground, his garden, and his bed. "More servants wait on man Than he'll take notice of."-- Nature, in its ministry to man, is not only the material, but is also the process and the result. All the parts incessantly work into each other's hands for the profit of man. The wind sows the seed; the sun evaporates the sea; the wind blows the vapor to the field; the ice, on the other side of the planet, condenses rain on this; the rain feeds the plant; the plant feeds the animal; and thus the endless circulations of the divine charity nourish man. The useful arts are reproductions or new combinations by the wit of man, of the same natural benefactors. He no longer waits for favoring gales, but by means of steam, he realizes the fable of Aeolus's bag, and carries the two and thirty winds in the boiler of his boat. To diminish friction, he paves the road with iron bars, and, mounting a coach with a ship-load of men, animals, and merchandise behind him, he darts through the country, from town to town, like an eagle or a swallow through the air. By the aggregate of these aids, how is the face of the world changed, from the era of Noah to that of Napoleon! The private poor man hath cities, ships, canals, bridges, built for him.…

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