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Cape Cod

Henry David Thoreau

Lingua:
inglese
Stato:
Opera completa
Autorialità:
Scritta dall'autore
Stato del testo:
Nessun rumore di scansione rilevato (misura automatica su tutto il testo, non verificata a mano)
Estensione:
~76.200 parole · 362 passi
Cita quest'opera
  • APAHenry David Thoreau. (n.d.). Cape Cod. Digital reproduction: SigPhi. https://sigphiai.com/it/works/thoreau/cape-cod
  • MLAHenry David Thoreau. Cape Cod. Digital reproduction, SigPhi, https://sigphiai.com/it/works/thoreau/cape-cod.
  • ChicagoHenry David Thoreau. Cape Cod. Digital reproduction, SigPhi. https://sigphiai.com/it/works/thoreau/cape-cod.

Riferimento dell'edizione che SigPhi riproduce: SigPhi ne è la riproduzione digitale, non l'editore. L'anno dell'edizione non figura nei metadati (da qui «n.d.») e il traduttore compare solo quando è noto.

Di che cosa tratta

Il libro che Thoreau ricavò da quattro viaggi a Cape Cod fra il 1849 e il 1857: il più cupo e il più divertente dei suoi.

Contesto e storia

Comincia con una scena che fissa il tono: il giorno in cui arriva, una nave di emigranti irlandesi è appena naufragata e la spiaggia è piena di cadaveri che la gente va identificando. Di lì Thoreau percorre a piedi la costa esterna, quella che dà sull'oceano aperto, e scrive della sabbia, della ferocia del mare, dei naufragi, degli abitanti — pescatori, ostricai, un vecchio che gli racconta bugie magnifiche — e della vegetazione che resiste dove non c'è terra. La natura di qui non è quella di «Walden»: non consola nessuno e non è fatta per noi. Uscì postumo nel 1865, ed è il libro in cui il suo umore asciutto è più visibile.

Contesto editoriale, non una fonte citabile: a differenza dei passi dell'opera, questi dati non si possono verificare sul corpus.

Come comincia
absorb the greater part of the old clothes of the Cape, leaving but few rags for the pedlers. The wind-mills on the hills,—large weather-stained octagonal structures,—and the salt-works scattered all along the shore, with their long rows of vats resting on piles driven into the marsh, their low, turtle-like roofs, and their slighter wind-mills, were novel and interesting objects to an inlander. The sand by the road-side was partially covered with bunches of a moss-like plant, _Hudsonia tomentosa_, which a woman in the stage told us was called “poverty-grass,” because it grew where nothing else would. I was struck by the pleasant equality which reigned among the stage company, and their broad and invulnerable good-humor. They were what is called free and easy, and met one another to advantage, as men who had at length learned how to live. They appeared to know each other when they were strangers, they were so simple and downright. They were well met, in an unusual sense, that is, they met as well as they could meet, and did not seem to be troubled with any impediment. They were not afraid nor ashamed of one another, but were contented to make just such a company as the ingredients allowed. It was evident that the same foolish respect was not here claimed for mere wealth and station that is in many parts of New England; yet some of them were the “first people,” as they are called, of the various towns through which we passed. Retired sea-captains, in easy circumstances, who talked of farming as sea-captains are wont; an erect, respectable, and trustworthy-looking man, in his wrapper, some of the salt of the earth, who had formerly been the salt of the sea; or a more courtly gentleman, who, perchance, had been a representative to the General Court in his day; or a broad, red-faced Cape Cod man, who had seen too many storms to be easily irritated; or a fisherman’s wife, who had been waiting a week for a coaster to leave Boston, and had at…

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