My hand steals to the lapel of my coat, and a deep sense of gratification comes over me, as I feel the nitro-glycerine cartridge secure in the lining. I smile at the imaginary carpenter. Useless preparations! I have, myself, prepared for the event. No, they won't hang me. My hand caresses the long, narrow tube. Go ahead! Make your gallows. Why, the man is putting on his coat. Is he done already? Now he is turning around. He is looking straight at me. Why, it's Frick! Alive?...My brain is on fire. I press my head against the bars, and groan heavily. Alive? Have I failed? Failed?...II Heavy footsteps approach nearer; the clanking of the keys grows more distinct. I must compose myself. Those mocking, unfriendly eyes shall not witness my agony. They could allay this terrible uncertainty, but I must seem indifferent.
Would I "take lunch with the Chief"? I decline, requesting a glass of water. Certainly; but the Chief wishes to see me first. Flanked on each side by a policeman, I pass through winding corridors, and finally ascend to the private office of the Chief. My mind is busy with thoughts of escape, as I carefully note the surroundings. I am in a large, well-furnished room, the heavily curtained windows built unusually high above the floor. A brass railing separates me from the roll-top desk, at which a middle-aged man, of distinct Irish type, is engaged with some papers.
"Good morning," he greets me, pleasantly. "Have a seat," pointing to a chair inside the railing. "I understand you asked for some water?"
"Yes."
"Just a few questions first. Nothing important. Your pedigree, you know. Mere matter of form. Answer frankly, and you shall have everything you want."
His manner is courteous, almost ingratiating.
"Now tell me, Mr. Berkman, what is your name? Your real name, I mean."
"That's my real name."
"You don't mean you gave your real name on the card you sent in to Mr. Frick?"
"I gave my real name."
"And you are an agent of a New York employment firm?"
"No."
"That was on your card."
"I wrote it to gain access to Frick."
"And you gave the name 'Alexander Berkman' to gain access?"
"No. I gave my real name. Whatever might happen, I did not want anyone else to be blamed."
"Are you a Homestead striker?"
"No."
"Why did you attack Mr. Frick?"
"He is an enemy of the People."
"You got a personal grievance against him?"
"No. I consider him an enemy of the People."
"Where do you come from?"
"From the station cell."
"Come, now, you may speak frankly, Mr. Berkman. I am your friend. I am going to give you a nice, comfortable cell. The other--" "Worse than a Russian prison," I interrupt, angrily.
"How long did you serve there?"
"Where?"
"In the prison in Russia."
"I was never before inside a cell."
"Come, now, Mr. Berkman, tell the truth."
He motions to the officer behind my chair. The window curtains are drawn aside, exposing me to the full glare of the sunlight. My gaze wanders to the clock on the wall. The hour-hand points to V. The calendar on the desk reads, July--23--Saturday. Only three hours since my arrest? It seemed so long in the cell..."You can be quite frank with me," the inquisitor is saying. "I know a good deal more about you than you think. We've got your friend Rak-metov."
With difficulty I suppress a smile at the stupidity of the intended trap. In the register of the hotel where I passed the first night in Pittsburgh, I signed "Rakhmetov," the name of the hero in Chernishevsky's famous novel.
"Yes, we've got your friend, and we know all about you."
"Then why do you ask me?"
"Don't you try to be smart now. Answer my questions, d'ye hear?"
His manner has suddenly changed. His tone is threatening.
"Now answer me. Where do you live?"
"Give me some water. I am too dry to talk."
"Certainly, certainly," he replies, coaxingly. "You shall have a drink. Do you prefer whiskey or beer?"
"I never drink whiskey, and beer very seldom. I want water."
"Well, you'll get it as soon as we get through. Don't let us waste time, then. Who are your friends?"
"Give me a drink."
"The quicker we get through, the sooner you'll get a drink. I am having a nice cell fixed up for you, too. I want to be your friend, Mr. Berkman. Treat me right, and I'll take care of you. Now, tell me, where did you stop in Pittsburgh?"
"I have nothing to tell you."
"Answer me, or I'll--" His face is purple with rage. With clenched fist he leaps from his seat; but, suddenly controlling himself, he says, with a reassuring smile: "Now be sensible, Mr. Berkman. You seem to be an intelligent man. Why don't you talk sensibly?"
"What do you want to know?"
"Who went with you to Mr. Frick's office?"
Impatient of the comedy, I rise with the words: "I came to Pittsburgh alone. I stopped at the Merchants' Hotel, opposite the B. and O. depot. I signed the name Rakhmetov in the register there. It's a fictitious name. My real name is Alexander Berkman. I went to Frick's office alone. I had no helpers. That's all I have to tell you."
"Very good, very good. Take your seat, Mr. Berkman. We're not in any hurry. Take your seat. You may as well stay here as in the cell; it's pleasanter. But I am going to have another cell fixed up for you. Just tell me, where do you stay in New York?"
"I have told you all there is to tell."
"Now, don't be stubborn. Who are your friends?"
"I won't say another word."
"Damn you, you'll think better of it. Officers, take him back. Same cell."
* * * * * Every morning and evening, during three days, the scene is repeated by new inquisitors. They coax and threaten, they smile and rage in turn. I remain indifferent. But water is refused me, my thirst aggravated by the salty food they have given me. It consumes me, it tortures and burns my vitals through the sleepless nights passed on the hard wooden bench. The foul air of the cell is stifling. The silence of the grave torments me; my soul is in an agony of uncertainty.
CHAPTER VI THE JAIL I The days ring with noisy clamor. There is constant going and coming. The clatter of levers, the slamming of iron doors, continually reverberates through the corridors. The dull thud of a footfall in the cell above hammers on my head with maddening regularity. In my ears is the yelling and shouting of coarse voices.
"Cell num-ber ee-e-lev-ven! To court! Right a-way!"
A prisoner hurriedly passes my door. His step is nervous, in his look expectant fear.
"Hurry, there! To court!"
"Good luck, Jimmie."
The man flushes and averts his face, as he passes a group of visitors clustered about an overseer.
"Who is that, Officer?" One of the ladies advances, lorgnette in hand, and stares boldly at the prisoner. Suddenly she shrinks back. A man is being led past by the guards. His face is bleeding from a deep gash, his head swathed in bandages. The officers thrust him violently into a cell. He falls heavily against the bed. "Oh, don't! For Jesus' sake, don't!" The shutting of the heavy door drowns his cries.
The visitors crowd about the cell.
"What did he do? He can't come out now, Officer?"
"No, ma'am. He's safe."
The lady's laugh rings clear and silvery. She steps closer to the bars, eagerly peering into the darkness. A smile of exciting security plays about her mouth.
"What has he done, Officer?"
"Stole some clothes, ma'am."
Disdainful disappointment is on the lady's face. "Where is that man who--er--we read in the papers yesterday? You know--the newspaper artist who killed--er--that girl in such a brutal manner."
"Oh, Jack Tarlin. Murderers' Row, this way, ladies."
II The sun is slowly nearing the blue patch of sky, visible from my cell in the western wing of the jail. I stand close to the bars to catch the cheering rays. They glide across my face with tender, soft caress, and I feel something melt within me. Closer I press to the door. I long for the precious embrace to surround me, to envelop me, to pour its soft balm into my aching soul. The last rays are fading away, and something out of my heart is departing with them...But the lengthening shadows on the gray flagstones spread quiet. Gradually the clamor ceases, the sounds die out. I hear the creaking of rusty hinges, there is the click of a lock, and all is hushed and dark.
* * * * * * * * * * The silence grows gloomy, oppressive. It fills me with mysterious awe. It lives. It pulsates with slow, measured breathing, as of some monster. It rises and falls; approaches, recedes. It is Misery asleep. Now it presses heavily against my door. I hear its quickened breathing. Oh, it is the guard! Is it the death watch? His outline is lost in the semi-darkness, but I see the whites of his eyes. They stare at me, they watch and follow me. I feel their gaze upon me, as I nervously pace the floor. Unconsciously my step quickens, but I cannot escape that glint of steel. It grimaces and mocks me. It dances before me: it is here and there, all around me. Now it flits up and down; it doubles, trebles. The fearful eyes stare at me from a hundred depressions in the wall. On every side they surround me, and bar my way.
I bury my head in the pillow. My sleep is restless and broken. Ever the terrible gaze is upon me, watching, watching, the white eyeballs turning with my every movement.
III The line of prisoners files by my cell. They walk in twos, conversing in subdued tones. It is a motley crowd from the ends of the world. The native of the western part of the State, the "Pennsylvania Dutchman," of stolid mien, passes slowly, in silence. The son of southern Italy, stocky and black-eyed, alert suspicion on his face, walks with quick, nervous step. The tall, slender Spaniard, swarthy and of classic feature, looks about him with suppressed disdain. Each, in passing, casts a furtive glance into my cell. The last in the line is a young negro, walking alone. He nods and smiles broadly at me, exposing teeth of dazzling whiteness. The guard brings up the rear. He pauses at my door, his sharp eye measuring me severely, critically.
"You may fall in."
The cell is unlocked, and I join the line. The negro is at my side. He loses no time in engaging me in conversation. He is very glad, he assures me, that they have at last permitted me to "fall in." It was a shame to deprive me of exercise for four days. Now they will "call de night-dog off. Must been afeared o' soocide," he explains.
His flow of speech is incessant; he seems not a whit disconcerted by my evident disinclination to talk. Would I have a cigarette? May smoke in the cell. One can buy "de weed" here, if he has "de dough"; buy anything 'cept booze. He is full of the prison gossip. That tall man there is Jack Tinford, of Homestead--sure to swing--threw dynamite at the Pinkertons. That little "dago" will keep Jack company--cut his wife's throat. The "Dutchy" there is "bugs"--choked his son in sleep. Presently my talkative companion volunteers the information that he also is waiting for trial. Nothing worse than second degree murder, though. Can't hang him, he laughs gleefully. "His" man didn't "croak" till after the ninth day. He lightly waves aside my remark concerning the ninth-day superstition. He is convinced they won't hang him. "Can't do't," he reiterates, with a happy grin. Suddenly he changes the subject. "Wat am yo doin' heah? Only murdah cases on dis ah gal'ry. Yuh man didn' croak!" Evidently he expects no answer, immediately assuring me that I am "all right." "Guess dey b'lieve it am mo' safe foah yo. But can't hang yo, can't hang yo." He grows excited over the recital of his case. Minutely he describes the details. "Dat big niggah, guess 'e t'ot I's afeared of 'm. He know bettah now," he chuckles. "Dis ah chile am afeared of none ov'm. Ah ain't. 'Gwan 'way, niggah,' Ah says to 'm; 'yo bettah leab mah gahl be.' An' dat big black niggah grab de cleaveh,--we's in d'otel kitchen, yo see. 'Niggah, drop dat,' Ah hollos, an' he come at me. Den dis ah coon pull his trusty li'lle brodeh," he taps his pocket significantly, "an' Ah lets de ornery niggah hab it. Plum' in de belly, yassah, Ah does, an' he drop his cleaveh an' Ah pulls mah knife out, two inches, 'bout, an' den Ah gives it half twist like, an' shoves it in 'gen." He illustrates the ghastly motion. "Dat bad niggah neveh botheh _me_ 'gen, noh nobody else, Ah guess. But dey can't hang me, no sah, dey can't, 'cause mah man croak two weeks later. Ah's lucky, yassah, Ah is." His face is wreathed in a broad grin, his teeth shimmer white. Suddenly he grows serious. "Yo am strikeh? No-o-o? Not a steel-woikeh?" with utter amazement. "What yo wan' teh shoot Frick foah?" He does not attempt to disguise his impatient incredulity, as I essay an explanation. "Afeared t' tell. Yo am deep all right, Ahlick--dat am yuh name? But yo am right, yassah, yo am right. Doan' tell nobody. Dey's mos'ly crooks, dat dey am, an' dey need watchin' sho'. Yo jes' membuh dat."
* * * * * There is a peculiar movement in the marching line. I notice a prisoner leave his place. He casts an anxious glance around, and disappears in the niche of the cell door. The line continues on its march, and, as I near the man's hiding place, I hear him whisper, "Fall back, Aleck." Surprised at being addressed in such familiar manner, I slow down my pace. The man is at my side.
"Say, Berk, you don't want to be seen walking with that 'dinge.'"
The sound of my shortened name grates harshly on my ear. I feel the impulse to resent the mutilation. The man's manner suggests a lack of respect, offensive to my dignity as a revolutionist.
"Why?" I ask, turning to look at him.
He is short and stocky. The thin lips and pointed chin of the elongated face suggest the fox. He meets my gaze with a sharp look from above his smoked-glass spectacles. His voice is husky, his tone unpleasantly confidential. It is bad for a white man to be seen with a "nigger," he informs me. It will make feeling against me. He himself is a Pittsburgh man for the last twenty years, but he was "born and raised" in the South, in Atlanta. They have no use for "niggers" down there, he assures me. They must be taught to keep their place, and they are no good, anyway. I had better take his advice, for he is friendly disposed toward me. I must be very careful of appearances before the trial. My inexperience is quite evident, but he "knows the ropes." I must not give "them" an opportunity to say anything against me. My behavior in jail will weigh with the judge in determining my sentence. He himself expects to "get off easy." He knows some of the judges. Mostly good men. He ought to know: helped to elect one of them; voted three times for him at the last election. He closes the left eye, and playfully pokes me with his elbow. He hopes he'll "get before that judge." He will, if he is lucky, he assures me. He had always had pretty good luck. Last time he got off with three years, though he nearly killed "his" man. But it was in self-defence. Have I got a chew of tobacco about me? Don't use the weed? Well, it'll be easier in the "pen." What's the pen? Why, don't I know? The penitentiary, of course. I should have no fear. Frick ain't going to die. But what did I want to kill the man for? I ain't no Pittsburgh man, that he could see plain. What did I want to "nose in" for? Help the strikers? I must be crazy to talk that way. Why, it was none of my "cheese." Didn't I come from New York? Yes? Well, then, how could the strike concern me? I must have some personal grudge against Frick. Ever had dealings with him? No? Sure? Then it's plain "bughouse," no use talking. But it's different with his case. It was his partner in business. He knew the skunk meant to cheat him out of money, and they quarreled. Did I notice the dark glasses he wears? Well, his eyes are bad. He only meant to scare the man. But, damn him, he croaked. Curse such luck. His third offence, too. Do I think the judge will have pity on him? Why, he is almost blind. How did he manage to "get his man"? Why, just an accidental shot. He didn't mean to-- The gong intones its deep, full bass.
"All in!"
The line breaks. There is a simultaneous clatter of many doors, and I am in the cell again.
IV Within, on the narrow stool, I find a tin pan filled with a dark-brown mixture. It is the noon meal, but the "dinner" does not look inviting: the pan is old and rusty; the smell of the soup excites suspicion. The greasy surface, dotted here and there with specks of vegetable, resembles a pool of stagnant water covered with green slime. The first taste nauseates me, and I decide to "dine" on the remnants of my breakfast--a piece of bread.
* * * * * I pace the floor in agitation over the conversation with my fellow-prisoners. Why can't they understand the motives that prompted my act? Their manner of pitying condescension is aggravating. My attempted explanation they evidently considered a waste of effort. Not a striker myself, I could and should have had no interest in the struggle,--the opinion seemed final with both the negro and the white man. In the purpose of the act they refused to see any significance,--nothing beyond the mere physical effect. It would have been a good thing if Frick had died, because "he was bad." But it is "lucky" for me that he didn't die, they thought, for now "they" can't hang me. My remark that the probable consequences to myself are not to be weighed in the scale against the welfare of the People, they had met with a smile of derision, suggestive of doubt as to my sanity. It is, of course, consoling to reflect that neither of those men can properly be said to represent the People. The negro is a very inferior type of laborer; and the other--he is a _bourgeois_, "in business." He is not worth while. Besides, he confessed that it is his third offence. He is a common criminal, not an honest producer. But that tall man--the Homestead steel-worker whom the negro pointed out to me--oh, _he_ will understand: he is of the real People. My heart wells up in admiration of the man, as I think of his participation in the memorable struggle of Homestead. He fought the Pinkertons, the myrmidons of Capital. Perhaps he helped to dynamite the barges and drive those Hessians out of town. He is tall and broad-shouldered, his face strong and determined, his body manly and powerful. He is of the true spirit; the embodiment of the great, noble People: the giant of labor grown to his full stature, conscious of his strength. Fearless, strong, and proud, he will conquer all obstacles; he will break his chains and liberate mankind.
V Next morning, during exercise hour, I watch with beating heart for an opportunity to converse with the Homestead steel-worker. I shall explain to him the motives and purpose of my attempt on Frick. He will understand me; he will himself enlighten his fellow-strikers. It is very important _they_ should comprehend my act quite clearly, and he is the very man to do this great service to humanity. He is the rebel-worker; his heroism during the struggle bears witness. I hope the People will not allow the enemy to hang him. He defended the rights of the Homestead workers, the cause of the whole working class. No, the People will never allow such a sacrifice. How well he carries himself! Erect, head high, the look of conscious dignity and strength-- The prisoner with the smoked glasses leaves the line, and advances in response to the guard's call. Quickly I pass along the gallery, and fall into the vacant place, alongside of the steel-worker.
"A happy chance," I address him. "I should like to speak to you about something important. You are one of the Homestead strikers, are you not?"
"Jack Tinford," he introduces himself. "What's your name?"
He is visibly startled by my answer. "The man who shot Frick?" he asks.
An expression of deep anxiety crosses his face. His eye wanders to the gate. Through the wire network I observe visitors approaching from the Warden's office.
"They'd better not see us together," he says, impatiently. "Fall in back of me. Then we'll talk."
Pained at his manner, yet not fully realizing its significance, I slowly fall back. His tall, broad figure completely hides me from view. He speaks to me in monosyllables, unwillingly. At the mention of Homestead he grows more communicative, talking in an undertone, as if conversing with his neighbor, the Sicilian, who does not understand a syllable of English. I strain my ear to catch his words. The steel-workers merely defended themselves against armed invaders, I hear him say. They are not on strike: they've been locked out by Frick, because he wants to non-unionize the works. That's why he broke the contract with the Amalgamated, and hired the damned Pinkertons two months before, when all was peace. They shot many workers from the barges before the millmen "got after them." They deserved roasting alive for their unprovoked murders. Well, the men "fixed them all right." Some were killed, others committed suicide on the burning barges, and the rest were forced to surrender like whipped curs. A grand victory all right, if that coward of a sheriff hadn't got the Governor to send the militia to Homestead. But it was a victory, you bet, for the boys to get the best of three hundred armed Pinkertons. He himself, though, had nothing to do with the fight. He was sick at the time. They're trying to get the Pinkertons to swear his life away. One of the hounds has already made an affidavit that he saw him, Jack Tinford, throw dynamite at the barges, before the Pinkertons landed. But never mind, he is not afraid. No Pittsburgh jury will believe those lying murderers. He was in his sweetheart's house, sick abed. The girl and her mother will prove an alibi for him. And the Advisory Committee of the Amalgamated, too. They know he wasn't on the shore. They'll swear to it in court, anyhow-- Abruptly he ceases, a look of fear on his face. For a moment he is lost in thought. Then he gives me a searching look, and smiles at me. As we turn the corner of the walk, he whispers: "Too bad you didn't kill him. Some business misunderstanding, eh?" he adds, aloud.
Could he be serious, I wonder. Does he only pretend? He faces straight ahead, and I am unable to see his expression. I begin the careful explanation I had prepared: "Jack, it was for you, for your people that I--" Impatiently, angrily he interrupts me. I'd better be careful not to talk that way in court, he warns me. If Frick should die, I'd hang myself with such "gab." And it would only harm the steel-workers. They don't believe in killing; they respect the law. Of course, they had a right to defend their homes and families against unlawful invaders. But they welcomed the militia to Homestead. They showed their respect for authority. To be sure, Frick deserves to die. He is a murderer. But the mill-workers will have nothing to do with Anarchists. What did I want to kill him for, anyhow? I did not belong to the Homestead men. It was none of my business. I had better not say anything about it in court, or-- The gong tolls.
"All in!"
VI I pass a sleepless night. The events of the day have stirred me to the very depths. Bitterness and anger against the Homestead striker fill my heart. My hero of yesterday, the hero of the glorious struggle of the People,--how contemptible he has proved himself, how cravenly small! No consciousness of the great mission of his class, no proud realization of the part he himself had acted in the noble struggle. A cowardly, overgrown boy, terrified at to-morrow's punishment for the prank he has played! Meanly concerned only with his own safety, and willing to resort to lying, in order to escape responsibility.
The very thought is appalling. It is a sacrilege, an insult to the holy Cause, to the People. To myself, too. Not that lying is to be condemned, provided it is in the interest of the Cause. All means are justified in the war of humanity against its enemies. Indeed, the more repugnant the means, the stronger the test of one's nobility and devotion. All great revolutionists have proved that. There is no more striking example in the annals of the Russian movement than that peerless Nihilist--what was his name? Why, how peculiar that it should escape me just now! I knew it so well. He undermined the Winter Palace, beneath the very dining-room of the Tsar. What debasement, what terrible indignities he had to endure in the role of the servile, simple-minded peasant carpenter. How his proud spirit must have suffered, for weeks and months,--all for the sake of his great purpose. Wonderful man! To be worthy of your comradeship...But this Homestead worker, what a pigmy by comparison. He is absorbed in the single thought of saving himself, the traitor. A veritable Judas, preparing to forswear his people and their cause, willing to lie and deny his participation. How proud I should be in his place: to have fought on the barricades, as he did! And then to die for it,--ah, could there be a more glorious fate for a man, a real man? To serve even as the least stone in the foundation of a free society, or as a plank in the bridge across which the triumphant People shall finally pass into the land of promise?
A plank in the bridge...In the _most_.[5] What a significant name! How it impressed me the first time I heard it! No, I saw it in print, I remember quite clearly. Mother had just died. I was dreaming of the New World, the Land of Freedom. Eagerly I read every line of "American news." One day, in the little Kovno library--how distinctly it all comes back to me--I can see myself sitting there, perusing the papers. Must get acquainted with the country. What is this? "Anarchists hanged in Chicago." There are many names--one is "Most." "What is an Anarchist?" I whisper to the student near by. He is from Peter,[6] he will know. "S--sh! Same as Nihilists." "In free America?" I wondered.
[5] Russian for "bridge."
[6] Popular abbreviation of St. Petersburg.
How little I knew of America then! A free country, indeed, that hangs its noblest men. And the misery, the exploitation,--it's terrible. I must mention all this in court, in my defence. No, not defence--some fitter word. Explanation! Yes, my explanation. I need no defence: I don't consider myself guilty. What did the Warden mean? Fool for a client, he said, when I told him that I would refuse legal aid. He thinks I am a fool. Well, he's a _bourgeois_, he can't understand. I'll tell him to leave me alone. He belongs to the enemy. The lawyers, too. They are all in the capitalist camp. I need no lawyers. They couldn't explain my case. I shall not talk to the reporters, either. They are a lying pack, those journalistic hounds of capitalism. They always misrepresent us. And they know better, too. They wrote columns of interviews with Most when he went to prison. All lies. I saw him off myself; he didn't say a word to them. They are our worst enemies. The Warden said that they'll come to see me to-morrow. I'll have nothing to say to them. They're sure to twist my words, and thus impair the effect of my act. It is not complete without my explanation. I shall prepare it very carefully. Of course, the jury won't understand. They, too, belong to the capitalist class. But I must use the trial to talk to the People. To be sure, an _Attentat_ on a Frick is in itself splendid propaganda. It combines the value of example with terroristic effect. But very much depends upon my explanation. It offers me a rare opportunity for a broader agitation of our ideas. The comrades outside will also use my act for propaganda. The People misunderstand us: they have been prejudiced by the capitalist press. They must be enlightened; that is our glorious task. Very difficult and slow work, it is true; but they will learn. Their patience will break, and then--the good People, they have always been too kind to their enemies. And brave, even in their suffering. Yes, very brave. Not like that fellow, the steel-worker. He is a disgrace to Homestead, the traitor...
* * * * * I pace the cell in agitation. The Judas-striker is not fit to live. Perhaps it would be best they should hang him. His death would help to open the eyes of the People to the real character of legal justice. Legal justice--what a travesty! They are mutually exclusive terms. Yes, indeed, it would be best he should be hanged. The Pinkerton will testify against him. He saw Jack throw dynamite. Very good. Perhaps others will also swear to it. The judge will believe the Pinkertons. Yes, they will hang him.
The thought somewhat soothes my perturbation. At least the cause of the People will benefit to some extent. The man himself is not to be considered. He has ceased to exist: his interests are exclusively personal; he can be of no further benefit to the People. Only his death can aid the Cause. It is best for him to end his career in the service of humanity. I hope he will act like a man on the scaffold. The enemy should not gloat over his fear, his craven terror. They'll see in him the spirit of the People. Of course, he is not worthy of it. But he must die like a rebel-worker, bravely, defiantly. I must speak to him about it.
The deep bass of the gong dispels my reverie.
VII There is a distinct sense of freedom in the solitude of the night. The day's atmosphere is surcharged with noisome anxiety, the hours laden with impending terrors. But the night is soothing. For the first time I feel alone, unobserved. The "night-dog has been called off." How refinedly brutal is this constant care lest the hangman be robbed of his prey! A simple precaution against suicide, the Warden told me. I felt the naive stupidity of the suggestion like the thrust of a dagger. What a tremendous chasm in our mental attitudes! His mind cannot grasp the impossibility of suicide before I have explained to the People the motive and purpose of my act. Suicide? As if the mere death of Frick was my object! The very thought is impossible, insulting. It outrages me that even a _bourgeois_ should so meanly misjudge the aspirations of an active revolutionist. The insignificant reptile, Frick,--as if the mere man were worth a terroristic effort! I aimed at the many-headed hydra whose visible representative was Frick. The Homestead developments had given him temporary prominence, thrown this particular hydra-head into bold relief, so to speak. That alone made him worthy of the revolutionist's attention. Primarily, as an object lesson; it would strike terror into the soul of his class. They are craven-hearted, their conscience weighted with guilt,--and life is dear to them. Their strangling hold on labor might be loosened. Only for a while, no doubt.