8. See Fragments, p. 108, KW VII (SV IV 269); G. Heinrich v. Schubert, Die Symbolik des Traumes (Bamberg: 1821; ASKB 776), p. 38.
9. See Letters, Letter 262, KW XXV.
Notes to Pages 457-63 663 10. Kierkegaard by this time had been a university student for four years, ostensibly in theology. Five years later, he completed doctoral work in phi- losophy (although in that faculty the degree was called Magister at the time).
12. Polyenus, Strategemata, VII, 9, relates the anecdote that Cambyses’ army, during the siege of Pelusium, drove ahead of them animals sacred in Egypt in order to deter shooting by the besieged. See Anxiety, p. 40, KW VIII (SV IV 312).
13. Claudius Pulcher before the sea battle near Drepanum (249 s.c.). See Cicero, On the Nature of the Gods, II, 3 (7); M. Tullii Ciceronis opera omnia, I-IV and index, ed. Johann August Ernesti (Halle: 1757; ASKB 1224-29), IV, p. 514; Cicero De natura deorum Academica, tr. H. Rackham (Loeb, New York: Putnam, 1933), p. 129; Valerius Maximus, Sammlung merkwiirdiger Reden und Thaten, 1, 4, 3, tr. Friedrich Hoffmannn (Stuttgart: 1828-29; ASKB 1296), p. 32.
14. The basis for the text is Efterladte Papirer, I-VIII, ed. Hans Peter Barfod and Hermann Gottsched (Copenhagen: 1869-81), I, p. 43, in which the Latin phrase appears as a section title and is not in editorial brackets.
15. See Deuteronomy 34:1-4, with reference to Mt. Nebo rather than to Tabor, and Numbers 14:20-25.
16. The coastal road running north from Copenhagen, which was and is the main route to the amusement park at Bakken (Dyrehaugen or Dyrehav- sbakken) in Dyrehaven, a large woods with many deer (therefore Deer Park).
17. The goddess Thetis sought in vain to prevent fulfillment of the proph- ecy of Achilles’ death in the Trojan war by dressing him as a woman. See Paul Friedrich A. Nitsch, neues mythologisches Wérterbuch, I-II, rev. Friedrich Got- thilf Klopfer (Leipzig, Sorau: 1821; ASKB 1944-45), I, pp. 18-19 (Tethys).
18. See Postscript, KW XII (SV VII 314-15).
19. See note 16 above.
20. Cf. Fragments p. 6, KW VII (SV IV 177).
21. See Hans Lassen Martensen, review of Johan Ludvig Heiberg, ‘‘Indled- ningsforedrag til den i November 1834 begyndte logiske Cursus paa denn kongelige militaire Hoiskole,” Maanedsskrift for Litteratur, XVI, 1836, pp. 515-28, espe- cially p. 517.
22. The practice of beginning any historical discussion with creation.
23. The reference is to an epistemological view that explains the corre- spondence of object and perception by way of the interaction of body and soul.
24. The preceding lines touch lightly on Hegel’s concept of movement and becoming in logic and time. In 1714, King Carl XII of Sweden made his fa- mous ride from Turkey to the fortress Stralsund in Poland in sixteen days, av- eraging about seventy-five miles a day. When he arrived, his boots had to be cut off. See Karl Friedrich Becker, Verdenshistorie, |-XII (Copenhagen: 1822- 664 Notes to Pages 464-66 29; ASKB 1972-83), [X, pp. 78-79. To the shoemaker, the immediate is an ab- straction: ‘‘boots without feet.” The dialectical movement of boots and feet fitting each other is expressed by the squeaking. Unity is achieved when the boots have quit squeaking and fit the feet so perfectly that boots and feet can be separated only as they were in the case of Carl XII.
25. Selskabet for Trykkefrihedens rette Brug (The Society for the Right Use of Freedom of the Press), founded 1835. See Kjobenhavnsposten, 105, May 2, 1835; Dansk Folkeblad, I, 1835, p. 1.
26. See Fear and Trembling, p. 69, KW VI (SV III 118).
28. The fictiona’ object of address in a fictional epistolary exchange. See note 1 above.
29. See Nikolai Frederik Severin Grundtvig, Christlige Preedikener eller Son- dags Bog, I-III (Copenhagen: 1827-30; ASKB 222-24), III, 26, especially pp. 584 and 592-95. See Postscript, KW XII (SV VII 28-33).
30. October 30, 1826. See Kjendelse og Dom i Sagen Dr. Professor H. Clausen contra forhenverende residerende Capellan N.F.S. Grundtvig, ed. Jens Diderik Roed (Copenhagen: 1826), pp. 21-22. Instead of replying to criticism in Kir- kens Gjenma@le (1825) by N.F.S. Grundtvig, Henrik Nikolai Clausen had in- stituted an injury case in court. Grundtvig lost and was given a small fine and lifetime censorship (lifted in 1837).
31. Jakob Joseph von Gérres, Die christliche Mystik, I-IV’? (Regensburg, Landshut: 1836-42; ASKB 528-32), I, p. vii (ed. tr.): “Since he [Napoleon] dis- appeared and the restoration spun out its boring allegories and the juste milieu discharged its high-flown metaphors, everything has again become a romantic wilderness, and young Germany sits in the swamp, and young Switzerland and young Italy and young France and young Spain and Britannia, and carves whistles from the reeds and whistles and crows and cooes and wooes in all keys: apparently it is nothing but the stymphalic birds that wait for their Her- cules to chase them away with his rattle. Thus all present time becomes myth; in the end even criticism will no longer be able to resist the mythologizing principle; it becomes a fly on the nose of the world giant and cleanses its wings with its legs and does spotwork backward for further cleansing.”
32. See note 1.
33. A further characterization of the pseudonymous Faustian writer as a doubter, even to the point of radical doubt (suicide). See note 1 above.
34. The fictional recipient of the Faustian letter. See note 1 above.
35. Kierkegaard had a brother, Niels Andreas Kierkegaard (April 30, 1809), who died September 21, 1833, in Paterson, New Jersey, U.S.A., two years after he had emigrated.
36. Kierkegaard had a brother, Seren Michael Kierkegaard (March 23, 1807), who died September 14, 1819, from an accident while playing at school.
37. See Works of Love, KW XVI (SV XX 327-29), Notes to Pages 467-70 665 38. See Matthew 10:30; Luke 12:7.
39. See p. 19.
40. See p. 32.
41. See G. J. Wenzel, Manden af Verden eller Grundseetninger og Regler for Af- stand, Tekke, fiin Levensmaade og sand Hoflighed, tr. Niels Thoroup Bruun (Co- penhagen: 1818), p. 98.
42. The long delayed letter from Brazil arrived on the day of the widow’s remarriage. See note 1 above on the Faustian letters.
43. There is a shift in the relation of the visible pole-star to the true pole. Here the brother says that the movement of life from happiness to the sorrow of separation is an expression of a single, unchangeable love, just as the shift- ing position of the visible pole-star is an expression of its relation to the true pole. The metaphor is epitomized in the arithmetic symbol.
44. The manuscript of this entry is missing. Hans Peter Barfod (E.P., I, pp. 18-20) gives the date as December 2, with no year, and places it together with entries from 1833. The editors of the Papirer place it in the period 1836-37. In his catalog of the journals and papers, Barfod calls this entry a draft of a letter. In tone and in some details, it is much like the ‘“Diapsalmata”’ in Either/Or, I, pp. 19-43, and belongs together with Pap. I A 328 as a substantial element in Kierkegaard’s projected pseudonymous work by a Faustian doubter. See note 1.
45. Cf. p. 33.
46. Cf. pp. 26, 28.
47. See Carl Christian Rafn, Nordiske Keempehistorier, I-II] (Copenhagen: 1823; ASKB 1993-95), I, pp. 96-99.
48. A mysterious German youth who in 1828 appeared in Nurnberg with- out any knowledge of his past or awareness of his identity. See Kjebenhavns flyvende Post, 65, 66, 70, 71, 73, August 15, 18, September 1, 5, 12, 1828, pp. 269-72, 273-76, 292, 295-96, 304.
49. See note 28 above.
50. See Anxiety, p. 51, KW VIII (SV IV 332); Postscript, KW XII (SV VII 138).
51. Cf. p. 33.
52. See p. 424 (where a saying of Caligula is used); Either/Or, Il, pp. 99, 187, KWiV (SV IL 91, 169).
53. The suffix gal(e) in the Danish Nattergal (nightingale) means “‘to sing” (hence night-singer), but gal also means “‘mad, insane”’ (hence English “gale,” a furious or ‘“‘mad” wind). The word-play here has been shifted to the relation between “moon” and “lunatic” as the best possible approximation in trans- lation.
54. See II Samuel 11-12; For Self Examination, KW XXI (SV XII 325-27).
55. Cf. p. 21.
56. Cf. pp. 26, 40.
57. Aplay by Ludvig Holberg, Den Danske Skue-Plads, I-VI (Copenhagen: 1788), V, no pagination; Comedies by Holberg, tr. Oscar James Campbell and 666 Notes to Pages 470-80 Frederic Schenck (New York: American-Scandinavian Foundation, 1914), pp. 119-78.
58. See JP Ill, NUMBERS, CROWD, MASS, PUBLIC.
59. See p. 20.
60. See, for example, pp. 26, 28; Repetition, pp. 173-74, KW V1 (SV III 210- 11); Anxiety, p. 99, KW VIII (SV IV 369).
61. Seep. 25.
62. Cf. p. 19.
63. See Johann Georg Hamann, Hamann’s Schriften, I-VI, ed. Friedrich Roth and G. A. Wiener (Berlin, Leipzig: 1821-43, ASKB 536-44), I, p. x.
64. St. Simeon Stylites (c. 390-459) was the first of the Stylites or pillar as- cetics. See From the Papers, KWI (SV XIII 54).
65. See Anxiety, p. 51, KW VIII (SV IV 332); Postscript, KW XII (SV VII 138).
66. See Holberg, Den honnette Ambition, III, 1; Danske Skue-Plads, V, no pagination.
68. See Works of Love, KW XVI (SV IX 116-19).
69. “Med Forlov, i hvilken Skole har Professor Sibbern lert dansk Stiil (Excuse me, in what school has Professor Sibbern [one of Kierkegaard’s esteemed pro- fessors of philosophy] learned how to write Danish)?” by C. F. Reiffenstein, editor and former pastrycook, in Raketten med Stjerner, ed. C, F. Reiffenstein, 141, December 10, 1836, pp. 169-74. J. K. Blok Toxen (1776-1848) was a lin- guist and writer and Frederik Lange (1798-1862) a teacher.
70. See Stages, KW XI (SV 260-61).
71. See Works of Love, KW XVI (SV IX 104-05, 116-17). Love in its differ- ent varieties and their roots and manifestations is a constant theme in Kierke- gaard’s various works. Works of Love is the one volume that concentrates particularly on this theme.
72. Aristotle, Metaphysics, 993 b; Politics 1290 b-1291 a; Aristoteles graece, I- Ul, ed. Immanuel Bekker (Berlin 1831; ASKB 1074-75), II, pp. 993, 1290 b- 1291 a; The Works of Aristotle, I-XII, ed. J. A. Smith and W. D. Ross (Oxford: Oxford University Press, 1908-52), VII, X.
73. Uber Lenaw’s Faust. Von Johannes M...n. (Stuttgart: 1836). Kierkgaard’s reference is to Perseus, ed. J. L. Heiberg, I, June 1837, pp. 91-164, which has a Danish version (under the name H. Martensen) with the title Be- tragtninger over Ideen af Faust, med Hensyn paa Lenaus Faust. See Hans Lassen Martensen, Af mit Levnet, I-III (Copenhagen: 1882-83), I, pp. 183-87.
75. See H Samuel 11-12; For Self-Examination, KW XXI (SV XII 325-27).
76. Omission indicated by editor H. P. Barfod in E.P., I, pp. 127-28, the only extant text of this entry.
77, The Carpocratians (c. 2-6), who held that one ought to experience all forms of good and evil in the process of regaining union with the divine. See Karl Hase, Kirkehistorie, tr. Christian Winther and Theodor Schorn Notes to Pages 480-512 667 (Copenhagen: 1837; ASKB 160-66), p. 88; Anxiety, p. 103, KW VIII (SV IV 372).
78. See Visebog indeholdende udvalgte danske Selskabssange, ed. Andreas Sei- delin (Copenhagen: 1814; ASKB 1483), p. 400.
79. Seep. 95.
80. See Nikolaus Lenau (pseud. of Nikolaus Niembsch), Faust (Stuttgart, Tiibingen: 1836), pp. 49-51.
81. See note 73 above.
82. See note 77 above.
83-87. Presumably by the fictitious author of the “Faustian Letters.” See note 1 above.
89-93. See note 83 above.
94. Each of entries Pap. III A 220-26 is on a slip of paper and undated. Ed- itor H. P. Barfod (E.P.) dates them uncertainly as 1842 (?) and editors P. A. Heiberg and V. Kuhr (Pap.) date them as 1840-42(?). Their contents seem to mark them as items for possible use in Either/Or.
95. The right of a feudal lord to sleep with a vassal’s wife on the wedding night.
96. See Luke 7:11-15.
97. The Latin expression here is usually used in the form disjecti membra poé- tae, literally, “the dismembered limbs of a poet.’’ See Horace, Satires, 1, 4, 62; Horatii Flacci opera (Leipzig: 1828, ASKB 1248), p. 401; Horace Satires, Epistles and Ars Poetica, tr. H. Rushton Fairclough (Loeb, New York: Putnam, 1929), pp. 52-53. Presumably this entry is the title for the following entries Pap. III A 228-41 (in the back of a green notebook marked JJ and containing entries LI A 227-41), all of which belong together with III A 242 and 243, which are on a sheet inside a folder marked “The earliest rudiments of Either/Or. The green book, some items that were not used.” This folder most likely contained III A 244-46 also. See Stages, KW XI (SV VI 64).
98. See, for example, Fragments, p. 36, KW VII (SV IV 203).
99. See ibid., pp. 26-33 (195-201); Stages, KW XI (SV VI 138).
101. See note 97 above.
102. The motto is printed on the cover of Journal EE (Pap. II A 341-576), February 1-September 23, 1839.
103. See John 6:63.
104. Carl F. Flogel, Geschichte der komischen Literatur, I-IV (Liegnitz, Leip- zig: 1784-87; ASKB 1396-99), I, p. 50, (ed. tr.).
105. The editors of the large Danish dictionary, Ordbog over det danske Sprog, do not know the origin of this expression either, but the editors of the German equivalent, Grimm, Deutsches Worterbuch, claim a clue to the German cognate mutterallein: absolutely alone as in the mother’s womb.
668 Notes to Pages 513-39 108. See Mythologie der Feen und Elfen vom Urspringe dieses Glaubens bis auf die neuesten Zeiten, aus dem Englischen tibersetzt v. O.L.B. Wolff, I-11 (Weimar: 1828), I, pp. 131-32.
109. See Genesis 25:29-34.
110. Friedrich Heinrich v. der Hagen, Erzahlungen und Marchen, I-II (Prenz- lau: 1825), I, pp. 147-52, 156-209.
111. See Ecclesiastes 1:9.
112. In Norse mythology, the Midgard-serpent, world-serpent, lay at the bottom of the sea, and its coils encircled the earth. See Adam Gottlob Oeh- lenschlager, ‘“‘Thors Fiskeri,” Nordens Guder (Copenhagen: 1837; ASKB 1600), pp. 100-05, especially p. 103; The Gods of the North, tr. William Edward Frye (London: 1845), pp. 117-21.
113. Cf. Genesis 2:17, 3:4; Sickness unto Death, p. 18, KW XIX (SV IX 132).
114. Dionysius Longin vom Erhabenen, tr. C. H. Heineken (Dresden: 1737; ASKB 1129).
116. Stephani the Younger, Apothekeren og Doctoren (music by Ditters v. Dittersdorf), tr. Lars Knudsen (Copenhagen: 1789).
117. In Norse mythology, Thor was challenged in various ways by Utgard Loki; each challenge involved an enormous deception, such as in the drinking bout. See, for example, Oehlenschlager, ‘“‘Giegleriet i Utgard,” Nordens Guder, pp. 51-69; Frye, pp. 45-80.
118. Printed in Berlin in 1810.
119. According to the Danish editors, the word is not found in Lucian, who does, however, use 6udvexQog (companion in death) in Dialogues of the Dead, II, 1; Luciani samosatensis opera, I-IV (Leipzig: 1829; ASKB 1131-34), I, p. 180; Lucian, I-VIII, tr. A. M. Harmon, K. Kilburn, et al. (Loeb, Cambridge: Har- vard University Press, 1913-67), VII, p. 14: “‘fellow shade.”
120. See Diogenes Laertius, Lives of Eminent Philosophers, II, 93-94; Diogenis Laértii de vitis philosophorum libri X, I-II (Leipzig: 1833; ASKB 1109), I, pp. 102-03; Diogen Leertses filosofiske Historie, 1-H], tr. Borge Riisbrigh (Copen- hagen: 1812; ASKB 1110 -11), I, p. 96; Lives of Eminent Philosophers, I-II, tr. R. D. Hicks (Loeb, New York: Putnam, 1925), I, p. 223: The school of Hegesias, as it is called, adopted the same ends, namely pleasure and pain. In their view there is no such thing as gratitude or friend- ship or beneficence, because it is not for themselves that we choose to do these things but simply from motives of interest, apart from which such conduct is nowhere found. They denied the possibility of happiness, for the body is infected with much suffering, while the soul shares in the sufferings of the body and is a prey to disturbance, and fortune often disappoints. From all this it follows that happiness cannot be realized. Moreover, life and death are each desirable in turn. But that there is anything naturally pleasant or unpleasant they deny; when some men are pleased and others pained by Notes to Pages 539-77 669 the same objects, this is owing to the lack or rarity or surfeit of such objects. Poverty and riches have no relevance to pleasure; for neither the rich nor the poor as such have any special share in pleasure. Slavery and freedom, no- bility and Jow birth, honour and dishonour, are alike indifferent in a calcu- lation of pleasure. To the fool life is advantageous, while to the wise it is a matter of indifference.
121. Wilhelm Gottlieb Tennemann, Geschichte der Philosophie, I-VIII (Stutt- gart: 1844-45; ASKB 827-30).
122. In the Danish game Gnavspil, if the one who has the counter with the picture of a house does not want to make an exchange, he says “Go to the next house.” See Fear and Trembling, p. 100, KW VI (SV II 147); Fragments, p. 22, KW VII (SV IV 191).
124. Cf. Den Romerske Keisers Mark. Aurel. Antonins Leveregler for sig selv, tr. Christian Bastholm (Copenhagen: 1805), p. 272.
125. Horace, Odes I, 3, 9-16; Opera, pp. 9-11; Horace The Odes and Epodes, tr. C. E. Bennett (Loeb, New York: Putnam, 1930), pp. 12-13: Oak and triple bronze must have girt the breast of him who first committed his frail bark to the angry sea, and who feared not the furious south-west wind battling with the blasts of the north, nor the gloomy Hyades, nor the rage of Notus, than whom there is no mightier master of the Adriatic, whether he choose to raise or calm the waves.
126. Cf. p. 32: “Pressing Done Here {Her rulles].” In the present entry, the sign painter has substituted ‘‘o”’ for “‘u’’ and thereby has not only coined a verb from the noun Rolle but has also capitalized it.
127. Bellerophon was a Greek legendary hero who tamed the winged horse Pegasus. He fell in an attempt to fly to Olympus on Pegasus. See Nitsch, I, p. 412.
128. Karl Rosenkranz, Schelling Vorlesungen, gehalten in Sommer 1842 an der Universitat zu Kénigsberg (Danzig: 1843; ASKB 766).
129. Ovid, The Art of Love; P. Ovidii Nasonis opera quae exstant, I-III, ed. A. Richter (Leipzig; 1828; ASKB 1265), I, p. 237; Ovid The Art of Love and Other Poems, tr. J. H. Mozley (Loeb, Cambridge: Harvard University Press, 1957), p. 83, 235-36: Night, storm, long journeys, cruel pains, all kinds of toil are in this dainty camp.“ 130. Jens Peder Tonder (1773-1836) was murdered by Petri Claudi F. E. Worm. See Udvalg af danske og udenlandske Criminelsager, I-IV, ed. F. M. Lange (Copenhagen: 1831-41; ASKB 926-31) IV, pp. 66-68, 97-99, 353-55, 374-79; V, pp. 113-15, 243-45, 267.
132. See Holberg, Erasmus Montanus, I, 3, Danske Skue-Plads, V, no pagi- nation; Comedies, p. 124.
670 Notes to Pages 577-86 135. Augustin E. Scribe, La Dame Blanche (Den hvide Dame), tr. Thomas Overskou (Copenhagen: 1826). See Letters, Letters 62, 239, pp. 126, 336, KW XXV.
136. See Letters, Letter 54.
137. Ovid, The Art of Love; Opera, I, p. 234; Loeb, pp. 76-77.
138. Ovid, Amores, I, 5, 19-22; Opera, 1. p. 131; Ovid Heroides and Amores, tr. Grant Showerman (Loeb, Cambridge: Harvard University Press, 1858), pp. 334-35.
140. See F. A. Moritz Retzsch, Umrisse zu Goethe’s Faust (Stuttgart: 1834- 36; ASKB U91), II, plate 1.
BIBLIOGRAPHICAL NOTE For general bibliographies of Kierkegaard studies, see: Jens Himmelstrup, Soren Kierkegaard International Bibliografi. Co- penhagen: Nyt Nordisk Forlag Arnold Busck, 1962.
Aage Jorgensen, Soren Kierkegaard-litteratur 1961-1970,...1971- 1980. Aarhus: Akademisk Boghandel, 1971, 1982; Kierkegaardi- ana, XII, 1982.
Francois Lapointe, Soren Kierkegaard and His Critics: An Interna- tional Bibliography of Criticism. Westport, Connecticut: Green- wood Press, 1980.
Kierkegaard: A Collection of Critical Essays, ed. Josiah Thompson. New York: Doubleday (Anchor Books), 1972.
Soren Kierkegaard’s Journals and Papers, 1, ed. and tr. Howard V. Hong and Edna H. Hong, assisted by Gregor Malantschuk. Bloomington, Indiana: Indiana University Press, 1967.
For topical bibliographies of Kierkegaard studies, see Soren Kierke- gaards’s Journals and Papers, I-IV, 1967-75.
INDEX A,7 Abel, and Cain, 286 absence, and presence, 222-23 absolute, the, 300; erotic love as, 212, 381; and the relative, 513 abstraction, the abstract: and the concrete, 55; human beings as, 546; the immediate as pure, 463; of reflection, 95; world of, 559-60 accident, accidentality, the acciden- tal, 47-48, 300, 419; and Don Juan, 106; and occasion, 233-34 Achilles, 35 acorn, see analogy act, engagement as, 372 action, 118; absolute, 150; dramatic, 247; in opera, 120; and knowl- edge, xiii; in tragedy, 142-44; tragic, 150; unity of, 117-18 actress: in Dresden, 410 actual, actuality, 32, 249, 628; Cor- delia’s, 345; disappearing from, 306, 554; and idea, 238, 489; and imagination, xiii; and novels, 249; and other world, 306, 554; and poetry, 305, 392; and possibility, xii; secrecy implicit in, 234; and theater, 466; and thought, xiii Adam, 286, 430; ear of, 472; and Eve, 286 Adelung, Johann Christoph, 605 admiration: absolute object of, 300; highest, 290; and indifference, 290 ad se ipsum, 17 Aeneas, 197 Aeolus, 400 Aeschylus, The Eumenides, 633; Pro- metheus Bound, 644; Werke, 611 aeterno modo, 39, 40 affair(s): with Cordelia, 307-08; age, the: conformity to, 472; desire in, 22; nature of, 27; fallaciousness of, 479; happy, 315. See also old age; past age; present age Agnes, 394 Aladdin, xi Alcibiades, xviii Alectryon, 445 Allah, 484 Alpheus: and Arethusa, 440-41 Amager, 19 America, 291, 548 amphiboly, 161 analogy: acorn, 210; bitter drink, 26; bookkeeper, 32, 278; castle, 21, 510; cave, 483; clown and fire, 30; country road, 248; distress at sea, 204; dwarf, 29; eagle’s nest, 42; egg and genius, xix; elephant, 524; farmer, 455; fishing, 482; flash, 129; flies, 471, 513; Florine, 214; flower, 453; four-leaf clover, 239; galley slave, 482; geese and ducks, 474; ghost(s), 206; genius and egg, xix; harem, 32, 525; hiker, 308; horse(s), 21, 41; kan- garoos, 38; kingdom(s), 65; King- fisher, 560; knight and cape, 363; left hand and right hand, xvii; Li- neburger swine, 524; pasha, 22, 511; painting, 76; pebble, 129; pendulum, 170; perspiration, 299; plant, 80; pronoun, 22; prostitute, 518; Proteus, 175, 498-99; rain, 170; rich man and poor man, 412- 13; river, 407; road, 538-39; sea, 324; sheep, 403; sheva, 22; shoe- 674 analogy (cort.) maker, 463; sorrow, 21, 513; spec- tacles, 24; spider, 24, 556; spin- ning top, 24; spinning wheel, 170- 71; staggers, 291; tableau, 108-09; Thor, 77; trees, 330; turkey cocks, 325; water lily, 424; waves, 92; wax, 487; weaving, 324; wren, 238 Ancaeus, 226 Andersen, Hans Christian: letter to Kierkegaard, xix; Only a Fiddler, xix annoyance, 471 Antigone, 153-54, 156, 160-64, 227, 541, 543; as bride, 157; as bride of grief, 158; death of, 164; as epic character, 162; fate of, 156; Greek, 156, 158, 160-61; and Ismene, 542; love of, 161; modern, 160; secret of, 161, 162-63, 164 anxiety, 155, 204, 303, 310, 314, 493, 525, 567; as sympathetic an- tipathy, 493; of Victor Eremita, 310; and grief, 155; Don Giovanni as, 129; of Elvira, 204; meaning of, 542; and first sin, 493; and het- erogeneity, 493; sympathetic, 176; and women, 493 apathy, 20, 507 Aphrodite, 425 Apis, 28 Apuleius, Amor and Psyche, 443, 609 The Arabian Nights’ Entertainments, 657 arbitrariness, 299-300 Arethusa: and Alpheus, 440-41 Index aria(s): of Anna, 123; champagne, 133-34; of Elvira, 121; of Lepo- rello, 130-33; of Ottavio, 123 Ariadne, 400; in painting, 403 Aristophanes, 141-42; Knights, 36; Plutus, 282-83; Werke, 641 Arnim, Achim v., 72, 99; Armuth, Reichthum, Schuld und Busse der Grdafinn Dolores, 537; Novellen, 617; Owen Tudor, 617 art(s), artistic, 169, 172, 279, 376; and the beautiful, 177; and Chris- tian, 64-65; depiction of grief, 169-70, 172; Dyrehaug, 376; from Paris, London, America, 547; philosophical, 278; and poetry, 169 artist(s), 378; combination of, 239; engaged person as, 570; two un- fortunate, 30, 519 asylum, see insane asylum Athanaeus, The Deipnosophists, 610 Athens: and Copenhagen, 287 August, 318 Aunt Jette, 318 Aunt Judith, 249, 252, 257, 267; first love of, 257; as a spirit, 274 aut-aut, x autumn, 440 Axel, 47 B, 7 Babel, Tower of, 151 baby, death of, 40 Babylonian: attempt of Middle Ages, 461; confusion, 461 bachelor, 352; confirmed, 351 Index 675 Bakken, 458 balance: of power, 287, 547 ballet: Don Juan as, 106 ballroom, 330-31 bankruptcy: European, 461 baptism: Irish, 485 bashfulness, 347 Baxter, wholesaler, 346 bear(s), 34 beast: of prey, 288, 487 beauty, beauties, the beautiful, 65; artistic, 178; of girls, 29; individu- ality, 62; season, 326; womanly, 428-29 Becker, Karl Friedrich, Verdenshisto- rie, 663-64 becoming aware, xiv Bellerophon: and Pegasus, 553 Berlingske Tidende, xv Bible, New Testament: II Corinthians 12:7, 237 Ephesians 6:11, 98 James 5:2-3, 156-57 I John 2:17, 494-95 676 Bluebeard, 432 Boesen, Emil, vii Boieldieu, Francois, Hvide Dame (Dame blanche), 12, 119, 578, 605, 670 book(s), 374 bookkeeper, see analogy boots: development of, 463 Bornemann, Johan Alfred, x Bornholm, 413 bourgeois, the, 480 boy(s): development of, 331; and fishing, 332-33 Brazil, 453, 458 Brentano, Clemens, 222; Drei Niisse, 635; Mehreren Wehmiller und un- garischen Nationalgesichter, 639 bride, bridal, 157-58; veil, 340-41 bridge of sighs, 471 Brock: and Eitri, 513 Brorson, Hans Adolph, 529 brother: death of, 466 Bruun, Adolph, 320 buckwheat cereal, 26-27, 515 bugler: at Nerreport, 591 burial mound, see analogy Birger, Gottfried August, Lenore, 91, 364, 619; Gedichte, 364, 619 butter churning: dialectic of, 350 Byron, George Gordon, Don Juan, 106, 108, 619; Werke, 619 Caesar, 102, 618 café(s), 245-46 Cain, 334; and Abel, 286 caldron: and Virgilius, 516 Caligula, 470 Calypso, 567 Cambyses, 457 Canaan: land of, 458 Index cape, see analogy Cardea, 576 Carl XII, 463 carriage: steps, 313-14 Cassini, Giovanni Domenico, 611 castle, see analogy casuist: born, 423, 585 categorical imperative: external, 454, internal, 454 Cato, Marcus Porcius (the Elder), 617 cause: and effect, 25, 514; and ground, 235, 238 cave: of echoes, 214; Trophonean, 33-34. See also analogy Cerberus, 294 Cervantes Saavedra, Miguel de, Don Quixote, 639 Ceylon, 456 chain(s), 34, 523 champagne aria, see aria(s) chance, 326-27; as confidant, 561 character: comic, 251; Don Gio- vanni as, 122; Elvira as, 122; Emmeline as dominant, 253; epic, 162; esthetic, 308; ethical, 151, 568; isolated, 339; mythical, 260; perfect, 252; poetic, 241, 247, 256; portrayal, 279; Rinville’s, 273; tragic, 142-43 Index 677 Charlotte: and Mathurine, 114-15. See also Hahn, Charlotte Charlottenlund, 581 Charon, 201 chessman, 22, 510 chicken thief, see analogy childlikeness, 499 chivalry, 88; love, 94 Chladni figure, 418, 456 choosing, xii Christ, 142; life of, 150; picture of, 554. word of, 508 Christensen, Ewald Tang, Bérnerim, Remser og Lege, 652 Christensen, Peter Vilhelm, xiv Christian(s), Christianity, 88, 457, 464, 477; and Don Juan, 87; and Hegel, 478; love, 474-75; and martyrs, 470; and Middle Ages, 87; and music, 64; and the sensate, 61-62, 64, 71; as spirit, 61-62 Christmas: season, 559 Church, 437; and theater, 149 Cicero, Cato maior de senecute, 633- 34; On Divination, 625, 661; On the Nature of the Gods, 625, 631, 663; Opera, 625 circumstance(s): and occasion, 233 Citizens Volunteer Company, 457 Clirchen, 263 classic work, 49-58 Claudius, Matthias, 439; President Lars in, 439-40; ASMUS omnia sua SECUM portans oder Sdmmt- liche Werke des Wandsbecker Bothen, 659 Clavigo: as deceiver, 180-83, 185- 87; not a deceiver, 185-86, 187; love of, 186-87; and Marie Beau- marchais, 176-77, 180-83, 185-90, 192; and young girls, 187 clergy, clergymen, 141 cloud, 309 clown, see analogy collision: tragic, 162-63 color(s), 23 combat: in love, 378 comedian: spontaneous, 279 comedy, comedies, the comic, 20, 109-10, 140, 144-45, 508; and ac- tuality, 466; character, 251; Don Juan as, 109, 114; Emmeline as, 253; in Heiberg’s Don Juan, 112, heroine, 253; Holberg’s use of, 459; low, 372; modern, 112, 247; in Moliére’s Don Juan, 110-12, and repentance, 148-49; in the sit- uation, 262-63, 273; and the tragic, 459, 489 comfort: religious, 146 community: and sociality, 288 compassion, the compassionate: tragic, 147, 149 concealment: and openness, Xili