concrete, concretion, the: and the historical, 55; idea, 55-56; me- 678 concrete, concretion (cont.) dium, language as, 55-56 confirmation, 21 conflict, the conflicting: in love rela- tionship, 378 conformity: to age, 472 conscience: bad, 304; evil, 485 conscious, consciousness, 233-34, 533-34; folk, 538; Greek, 64, 148; higher, 308-09; of Middle Ages, 88-89; unhappy, 222 contemplation, contemplative: na- tures, 263 contemporaneity, 399 contradiction(s): in Charles, 279; and doctoral candidates, 234; be- tween inner and outer, 4, 438; principle of, x, 526, 528. See also self-contradiction conversation, 386, 399, 419 Copenhagen: and Athens, 287 environs: Blegdam, 331, 444; Bredgade, 355, 358, 409; Halm- torv, 91; Hgibroplads, 355, 359, 566; Knippelsbro, 25; Kongens Nytorv, 354, 484; Langelinie, 323, 358; Nerre- port, 331, 355, 480, 591; Ny- boder, 40, 529; @sterport, 331, 333; Ostergade, 317, 355, 393; Regensen, 379, 572; Round Tower, 528; Stormgade, 319; Stranden, 336; Strandveien, 458; Store Kongensgade, 338, 355; Store Kjobmagergade, 330; Vestergade, 320, 383 girls, 413 scholars, 456 Copenhagener, 461 Cordelia, 305, 309, 310-11, 336-37, 359-60, 570, 571-73, 577; and un- happiness, 312; and actuality, 345; affair with, 307-08; for battle, 425; boldness of, 400; as child, 374; ex- uberance of, 411; surroundings of, Index Index 338-39; family of, 337; as flower, 411; as isolated character, 339; let- ters from, 310-13; name of, 336; as flower, 360; omnipotent, 411; pride of, 309; qualities of, 340-41; reflections of, 309; as sinner, 309; as soul and spirit, 406; soul of, 377, 426; sympathy of, 571; womanliness of, 346, 353 cordiality, 34 Corsaren, xvii costume: national, 546 cowardice: suicide as, 466 coyness, 432 Creon, son of, 542 critic, critical, 236, 462 criticism, 236 Croker, Thomas Crofton, Fairy Legends, 617 crops, rotation of, see rotation crowd, the, 288 cruelty, 432 crying: and laughter, 21 cultivation: method of, 292, 296 Cupid, 403-04 custom(s): in Japan, 297 Cuvier, Georges Léopold, 314; Re-- cherches sur ossements fossiles des quadrupédes, 648 Cyrenaic, 539 daisy, 205, 419 Dane(s), Danish: facial types, 546 daring, 22, 511 daughter: Derviére’s, 248-49; fisher- man’s, 402-72; of grief, 153; King Lear's third, 336. See also analogy David, 141; flute of, 82; as mystic, 541; and Solomon, 541 Dead Sea, 37, 525 Index 679 deceit, deceitfulness: romantic love as, 501 deceiver, 185-88; Clavigo as, 180- 83, 185-87; Clavigo as no, 185-86, 187-88; Don Giovanni as, 98, 191- 92, 195-96, 198; Don Juan as, 114; and Elvira, 202-03; Faust as, 211; Johannes as, 312 Deer Park, 412; rides to, 287 Delilah, 437 delirium: tremens, 321 Delos island, 33, 521 demonic, the: music as, 65, 73; pantheism, 290; and the sensate, 90; and the spiritual, 90 Demosthenes, 36-37 Den Frisindede, xviii Denmark, 287, 288, 553; future for, 413; as happiest country, 547 Descartes, 462; and Hegel, 461-62 desire(s), 75-76, 511; of the age, 22; anxiety as, 493; awakening of, 533; and Don Giovanni, 100; of Don Juan, 107-08; as dreaming, 80; of Faust, 206; to forget, 292- 93; fulfillment of, 440; and long- ing, 533; and object, 79, 534; in all stages of immediate-erotic, 80-81, 84-85; as principle, 85; as seeking, 81; qualified by spirit, 85 desk, 4-6 despair, 459, 479, 482, 542; of El- vira, 191, 192-93, 195; of Faust, 476-77, and hope, xii; of present age, 142, 145; quiet, 195; over rel- ativity, 476; romantic, 479 despondency: as confidante, 20, 509 destruction: of world, 30 development: of boots, 463; of boys, 331; historical, 139, 499; of immediacy, 533-36; intellectual, 454; of love, 377, 533-34; of psy- che, 359; psychological, 541; of world, 460-61; of world con- sciousness, 62 devil, 547, 577; daughter of, 321; and Faust, 454-55; great-grand- mother of, 481; pact with, 485 devotedness, 432; as resistance, 388 dialectic, the dialectical, xii; of boots, 463; of butter churning, 350; of either/or, 39-40; familial, 160; game, 423; of grief and pain, 151; of guilt, 147, 160; Hegelian, 454: of life, 87; of love, 94, 381; woman’s, 199, 392 dialectician: Emmeline as, 257 Dido, 197 diet, 514 dignity: human, 28 diploma: theological, 458 disappearing: from actuality, 554 discourse: ecstatic, 38-42 distress at sea, see analogy diversion, 291 divorce, 286, 296 dizziness, 396 doctoral candidate(s): and contradic- tion, 381 680 Don Giovanni (cont.) and Elvira, 97-98, 122-23, 190-93, 194-99, 210; and erotic relation to characters, 125; as first stage of immediacy, 536; and girls, 97, 100-01; as groom, 102; as umme- diate life, 125; as incarnation of the sensate, 100-01; as individual, 96, as reflective individual, 102; and Leporello, 121, 125, 130-31, 132; as absolutely musical, 97, 102, 119; essential nature of, 134; Page as, 100; and Papageno, 81; as seducer, 98, 99-100, 116, 120; speech of, 101-02; as unfaithful, 196; and young girl, 197. See also Mozart Don Juan, 9, 22, 94, 104, 432, 454, 459, 479, 536; and the accidental, 106; as ballet, 106; and Christian- ity, 87; as comic, 109, 114; as de- ceiver, 114; desire of, 108; and the erotic, 88; as an erotic, 107; as expression for the demonic, 90; and Don Giovanni, 99; and Faust, 90, 99, 103, 205; Faust as, 460-61, 480, 536; Faust as reproduction of, 205; and girls, 91, 109; and Her- cules, 94; as idea, 92, 125; as incar- nation of the flesh, 88; and imme- diacy, 108; as individual, 92, 107, 113; as interesting, 107, 109; inter- pretation of, 106-15; legend of, 205; and Middle Ages, 88-89, as Middle Ages giant, 90; and Mo- zart, 47, 134; musical, 107-09; popularity of, 479; as power, 107; and psychical love, 95; as reflec- tive individual, 106, 108-09; re- production of, 205; and the sen- sate, 93, 113; as seducer, 91, 92- 93, 94, 106, 108, 115; and Sganar- elle, 111; and Mount Venus, 90 Don Quixote, 256-57. See also Cer- vantes door: of the chosen, 530; of fate, Index 511; of fortune, 23; of hope, 483 dowry: of Antigone, 162-63; of pain, 153; of a wife, 418, 584 dream(s), dreaming, 28; desire as, 79-80; love as content of, 42; Pharaoh's, 335; woman as, 430 dreamer: Edward as, 362; Johannes as, 366 Dresden: actress in, 410; theater in, 410 drink, see analogy ducks, see analogy Dus: drinking, 295, 473 dwarf: and Loki, 513. See also anal- ogy cagle’s nest, see analogy East, the: happy, 220 echo(es), 33; cave of, 214; as hermit, 89 Echo, 469, 489 editor(s), 243-47 effect: and cause, 25, 514 egg, sce analogy Index 681 Egmont, 263 egotistical, egotism, 179; of Johan- nes, 404 Egyptians, 28 Eichendorff, Joseph Freiherr v., Gedichte, 651; ‘Vor der Stadt,” 651 Eitri: and Brock, 513 elephant, see analogy elf-girl, 420 Elis: river in, 440 Elizabeth, 321 Elskov, 28 elves: and schoolmasters, 238; of joy, 41-42. See also analogy Elysium, 40 Emily, 390 Emmeline, 244-45, 249, 250-51, 252-77; and Charles, 243, 252, 261-62, 274-76; as comic heroine, 253-54; as dominant character, 253; as contradiction, 279; as di- alectician, 257; drivel of, 276; faithfulness of, 274-76; fantasy of, 253-54; as fool, 271; illusion of, 250-51, 254, 258-59; as irony’s darling, 271; monologue by, 274; obedience of, 257; passion of, 253-54, 279; and Rinville, 272-73; secret of, 260; sentimentality of, 261; as sensible girl, 277; sympa- thy of, 251; as theoretician, 257 emotion(s), the emotional: resume of, 481 emperor: new, 287; of Persia, 287; of Russia, 547. See also Antoninus, Marcus Aurelius emptiness: of life, 37, 508, 525; qual- ification of, 291 England, English, 21, 508, 547; cas- tle, 510; grave in, 219, 545; king of, 287; as model nation, 290; Queen of, 547; tourist, 290 enthusiast, enthusiasm, 36, 240; empty, 253; of youth, 60. See also analogy envy, 40; and doubt, 208 epic, 55, 95; character, 162; charac- ter, of music, 57; dramatic, 191; element, 143, 162; fate, 191; inter- est, 162; musical, 96; poet, Homer as, 55. See also poetry Epicurean(s), 489 epitaph, 219 Eros, 418; as god of erotic love, 62- 63 erotic, the erotic, 297; and Don Juan, 88; Don Juan as, 107; forms of, 62; immediate, 45-135; intel- lectual, 417; musical, 45-135; powers of, 384; as seduction, 93; and the sensate, 64; stages of, 72- 87. See also erotic love eroticist, 368; diary of, 588 682 erotic love (cont.) 573; in Cordelia, 386; and engage- ment, 570; the eternal in, 381; illu- sion of, 189; power of, 384; as universal power, 62-63. See also love Esau, 515 Esrom Lake, 405 esthetics, the esthetic, 13-14; Aristo- telian, 139-40; and classic works, 53; and the ethical, xii; and Hegel, 50; and the maieutic, xiii; mod- ern, 140; as profession, 237; school of, 50 etching: of penitent, 437 eternality, eternity, the eternal, 53- 54, 550, 561, 562; being, 237; con- ception of, 32; damnation, 481; in erotic love, 381; life, 223, 531; of recollection, 42; symbol for, 32; and time, xii; true, 39 ethicist, 501; Bas, 13 ethics, the ethical, 7, 13-14, 145, 367; in engagement, 367, 808; and the esthetic, xii; expression, 541; and Greek gods, 151; love, xii; and language, 64; reality, 148, 367 Europamiide, 291 Europe, European, 297, 461, 548; balance of power in, 287; litera- ture, 256-67 Eve, 286, 430; and Adam, 286; story of, 589 Evenel, earls of, 12 Everyman, John, 298 evil: of the age, 27; knowledge of, 481; root of all, 285, 289, 291 examination: theological, 458 existence, and boredom, 291; com- Index ing into, 80, 233, 381, 533; dream, 430; glory of, 28; of God, 34, 36, unhappy, 509; wretchedness of, 28. See also poet-existence existential dialectic, see dialectic existential inwardness, see inward- ness extensity: relief through, 292 exterior, the, 172-77, 183-84, 193; and the interior, 169-70, 178; face, 174-75. See also outer face(s), 174-75 fairy, 538 faith: as immediate consciousness, 464-65; Margarete’s, 209 falling in love, 24; as mystery, 334. See also love family, families, 551-52; balance of power in, 287; of Cordelia, 337, grave, 510; of Labdakos, 154, 542; of Oedipus, 227 fantasy: sorrow as, 488 farmer(s), see analogy father: guilt of, 160-61; of prodigal son, 228; and recollection, 524 Faust, Faustian, 89, 204-05, 207-08, 213, 441, 459, 475-77, 479; curios- ity of, 477; as deceiver, 211; as de- monic figure, 206; desire of, 206; as despair, 476; despair of, 476-77; and devil, 454-55; and Don Juan, 90, 99, 103, 105, 205-06; as Don Juan, 206, 460-61, 480, 536; doubter, ix; as doubter, 208-09, Index 454-55; and Edward, 350; ele- ment, 454; etching of, 586; as expression for the demonic, 90; as god, 209; Goethe’s interpretation of, 210; Goethe’s treatment of, 460; as hypocrite, 211; idea, 92, 104, 454; Johannes as, 350; as knight, 590; legend, 205, 454; and Margarete, 207, 208-12; and Mephistopheles, 207, 538; as Mid- dle Ages giant, 90; original, 476- 77; popularity of, 479; of present age, 475; and Reformation, 479; as reproduction of Don Juan, 205; sensuality of, 477; and Socrates, 479, and suicide, 479; and young girls, 206; anon., Den i den ganske Verden bekjendte Ertz-Sort-Kunsther og Trold-Karl Doctor Johan Faust, 618 fear: and compassion, 147; and hate, 424; and love, 424 feeling(s): and reason, 25 feminine, the, femininity, 88, 153; reader, 503 fencing, 318 Fichte, Johann Gottlieb, Die Anwei- sung zum seligen Leben, 610; Werke, 610 Figaro, 341 fight, fighting: cominus and eminus, 378; courage to, 512 fire: tongs, 25 first love, 254, 259. See also love fisherman, 174 fishing: boy, 332-33. See also anal- ogy flash, see analogy Flogel, Carl Friedrich, Geschichte der komischen Litteratur, 607, 667 Florine, see analogy flower, see analogy fly, flies, 25, 292. See also analogy 683 folk: literature, 22 foolishness: to the Greeks, 234 foreknowledge: of the immortals, 293 forget, forgetting, forgetfulness, 294, 531; art of, 292-95, 549; and recollecting, 292-93, 295, 549 For Literatur og Kritik, xviii Forposten, xvi: review in, 552 fortune: door of, 23 four-leaf clover, see analogy freedom, xii, 360, 384; birth of, 327, 562; of speech, 19; of thought, 19 friendship, 18, 34, 295, 473-74, 549; between Johannes and Edward, 347-48; meaning of, 295; as insur- ance, 473 Fritz, 353-54 Frydendahl, Peter Jorgen, 239, 278, 638 funnel cloud, 27 Furies, 219 future, the: for Denmark, 413; time, 222-25 Fyn: girls from, 413 Feedrelandet, xv, xviti galley slave, see analogy game(s), 287; of life, 47; war as, 385 geese, see analogy generatio aequivoca, 370 generation(s): as myth, 466 genius: audacity of, 22, 511; and boredom, 290; and child, 35; of Mozart, 131, 518; and reading, 475; of sleep, 28, 517. See also analogy ghost(s), see analogy giant(s), 471, 608 girdle: of Venus, 419 684 girl(s), 29, 38, 84, 517; conversation with, 421-23; in Deer Park, 412- 15; ideal, 340; Jansen, 338; nautch, 327, 561; pretty, 548; in seducer’s diary, 306-07; behind venetian blind, 393-60. See also young girl(s) glasses, 24, 512-13. See also analogy glory, glories: of existence, 28 Gliick, Christoph Willibald, Don Juan (ballet), 620 gnostic, gnosticism: sect, 480-81 God, 406, 494; bride of, 543; exist- ence of, 34, 36; infinite love of, 493, 495; as teacher, 492; word of, 495 god(s), 43, 234; ancient, 561; Faust as, 209; of love, 62-64; Olympian, 289; of taste, 233; wrath of, 542 golden age, see age golden harp, 343 Goldschmidt, Meir Aaron, xvii good fortune, 48, 49; of Homer, 49; of Mozart, 57 Gorres, Jakob Joseph v., Christliche Mystik, 466, 662, 664 Governance: higher, 357; wise, 238 Grabbe, Christian Dietrich, Don Juan und Faust, 144, 540, 627 Graces, the, 340 Grand Dictionnaire historique, 605 greatness, 18 Index Antigone, 153-54; culture, 62-64, love, 93-94; tragedy, 139-51, 158, 542; view of world, 47 Greenland, 483 Gretchen, see Margarete Gribs forest (Gribs-Skov, Gribskov), 405, 577 groom, 41, 531; Don Giovanni as, 102 ground: and cause, 235, 238 Gusman, 111 gypsy, gypsies: woman, 297, 551 Hagen, Friedrich Heinrich v., Er- zdhlungen und Marchen, 516, 668 Hamann, Johann Georg, 245, 472, Index 685 Hamburg, 42 Hamilton, Andrew, Sixteen Months in the Danish Isles, xiv Hamlet, 155, 210; as tragic, 542 hand, see analogy happiest, the, 545 hare (kangaroo), 38 harem, see analogy harp, 343-44 Hase, Karl, Kirkehistorie, 666-67 Hauch, Johannes Carsten, Don Juan, 105, 537, 620; Lyriske Digte, 618 heaven: seventh, 42 Hegel, George Wilhelm Friedrich, x, 3, 53, 147, 222, 461-62, 478, 532; and Christianity, 478; and Descartes, 461-62; and dialectic, 454: and esthetics, 50; and the idea, 53-54; systematic works, 222; History of Philosophy, 637-38; Phenomenology of Mind, 634, Phi- losophy of Fine Art, 147, 616-17, 623, 625-26, 627-28; Philosophy of Nature, 620-21; Philosophy of Right, 626; Science of Logic, 603, 611-13, 614-15, 621, 622-23, 632, 638, 641-42, 643-44, 645, 650-51, 658; Werke, 603 Hegelian philosophy, 50, 53-55 Hegesias, 539, 668 Heiberg, Johan Ludvig, x, xv, xvii, 620; Alferne, 638; Forste Kjerlighed, 231-79, Don Juan, 105, 109, 110, 130, 457, 538, 620; ‘‘In- dledningsforedrag til den i November 1834 begyndte logiske Cursus paa den kongelige militaire Hoiskole,” 663; ‘‘Litterer Vintersed,” x, xv; Maanedskrift for Literatur, x; “Moralske Leseovelse i Vers,” 650; Perseus, x; Prosaiske Skrifter, 604; Recensenten og Dyret, 653; Skuespil, 619. See also Intelligensblade; Paaske, Mr.
Heiberg, Johanne Luise Patges, 239, 278, 638 Heine, Heinrich, “‘Du bist wie eine Blume,” 658; Buch der Lieder, 658 Heraclitus, 632 Hercules, 164, 455, 544; and Don Juan, 94 hereditary sin, 19, 467, 542; and anxiety, 493; nature of, 493. See also sin Herodotus, History, 603-04, 634; Geschichten, 603 hero(es): eyes of, 92; Greek, 151; guilt of, 146; legends, 521; of Middle Ages, 92; tales, 542; tragic, 143-44, 546 heroine(s): Emmeline as, 253; in a novel, 364; tragic, 153 Hervor: and King Heidrek, 521 hetairias, 141 hiker, see analogy Hillered, 6 Hirsch, Emanuel, ix; Kierkegaard Studien, 662 history, the historical: as concrete, 55; and idea, 55, 57; development, 139; interior, xii, 497; and lan- guage, 55; and music, 57; stages of, 473. See also world history Hoffmann, Ernst Theodor Ama- deus, Lebens-Ansichten des Katers Murr, 606; Schriften, 606 Holberg, Ludvig, 473; use of com- edy, 459, 665-66; Barselstuen, 623; Danske Skue-Plads, 639, 665; Eras- mus Montanus, 257, 459, 470, 663; Den honnette Ambition, 666; Jeppe paa Bjerget, 459; Mester Gert West- phaler, 645; Stundeslose, 459 Hollanders, 263 Holy Scriptures, see Bible Homer: and classic work, 48; epic work of, 49-50, 57; good fortune 686 Homer (cont.) of, 49; immortality of, 47; and music, 531; as epic poet, 55; and Trojan War, 47, 48; Battle of the Frogs and the Mice, 50, 617; Iliad, 105, 656; Odyssey, 631 homesickness, 493 honorarium, 12 hope, 222-30, 482; and despair, xii, as missionary, 483; present in, 222-24; and recollection, 292, 549 horn: and Thor, 536 Hornemann, Jens Wilken, 456; For- sog til en dansk oeconomiske Plan- telere, 662 horse(s), 33, 89. See also analogy Hotho, Heinrich Gustav, 86, 97, 116; Vorstudien fiir Leben und Kunst, 618 Hottentots, the, 471; and snakes, 481 human, human being(s), 398; as ab- straction, 546; boredom of, 289, as fractions, 546; life without tears and mercy, 146; as resume, 481 human race, 35; disintegration of, 498; imperfection of, 508 humility: and pride, 549 humor, 513 Hungarian: facial types, 260, 546 Hyperboreans, darkness of, 226 hypocrisy, hypocrite: Faust as, 209, 211; inherited, 288 Hegne, 155, 543 I, 22 idea(s): abstract, 55, 56; and actual- ity, 238, 489; and classic work, 54; concrete, 55-56; of Don Giovanni, Index 57; Don Juan as, 85-86, 92, 104- 05; Faust as, 92; Faustian, 104, 454; and Hegel, 53-54; and the historical, 55, 57; and language, 67, 85; and medium, 54-55, 67; of Middle Ages, 87-88; and Mozart, 103-15; and music, 85-86; and pain, 489; and pleasure, 489; of se- ducer, 501; sensate as most ab- stract, 56 identity: mistaken, 267-68 idleness: as root of all evil, 289; as true good, 289 imagination, 391; and actuality, xiii; and reflection, 541 immanence: and transcendence, xii immediacy, the immediate, 81; and boredom, 290; and Don Juan, 108; and faith, 209, 464; and Faust, 206; grief, 172, 178; of love, 533-36; and music, 57, 64, 70-71, 95, 96, 533-36; and reflec- tion, xii; and shoes, 463; and spirit, 70-71, 81; stages of, 533-36 immortal, immortality: abstract, 472; of Homer, 47; of Mozart, 47, 48, 51, 57, 74, 532; of Scribe, 248 incarnate, incarnation: Don Juan as, 88; individual as, 63-64 Indian(s), 470 indirection, xiv individual, the, 159-60, 297, 546; Don Juan as, 92, 107; and idea, 88; incarnated, 63-64; Mozart as, 96- 97, nation, 460; representative, 63-64, 87-88; and universal, 121; and universally human, vii. See Index also single individual individuality, 475; beautiful, 62; happy or unhappy, 222-26, 553; hoping and recollecting, 222-25; and subjectivity, 144 infinitude, infinity, the infinite, 391, 531; and erotic love, 442; spu- rious, 292 Ingeborg, 534 inner, the: consciousness, 534; and the outer, xiii, 3-6, 498 innocence, the innocent: feminine, 430; in man, 445; pleasures, 514; in woman, 445 insane, the, 470; asylum, 21, 470 insanity, 470; of novelist, 482 insect(s), 20 inspiration, 233-34; concept of, 464 instar omnium, 73, 84 intellectual, the: erotic, 417; interac- tion, 473 intelligence, 480 Intelligensblade, x, xv, xvii, 604 intensity, 292 interest: Don Juan as, 107, 109 interior, the, 173, 174, 177-78; and the exterior, 4, 169-70, 178; his- tory, 497. See also inner; motion; movement(s) interrogation, interrogator, 184-85 invocation: of the muse, 233, 236 inwardness, xii; of music, 56 Irish, Irishman, 485; baptism, 485 irony, the ironic, 120, 513, 567; Don Giovanni, 122; and Echo, 469; and Emmeline, 271; of Johannes, 360, 363; reflections, 557; as world force, 273 Isis, see analogy Ismene: and Antigone, 542 isolated, isolation, 141, 144 687 Israelites, 28 Italian: bookkeeping, 516; life, 535 Jacob, 403 Janus, 396 Japan: custom in, 297 Jens, 318 Jeronimus, 131 Jerusalem, 572 Jesperson, Hansine, 409 Jesuitry: of Middle Ages, 464 Jews, Judaism, 28; nation, 150. See also Wandering Jew Joan of Arc, 345 Job: as patriarch of grief, 228 Jocasta, 154 Joseph, 324, 335 journalism, 464 joy, 20, 41; elves of, 41, 42; and grief, 169; of religion, 146 Judaism, 150 Juno, 324 Jupiter, 94, 443; forehead of, 332 justification: absolute, 212 Juvenal, Satires, 642 Jylland, 572; girls from, 413 Jocher, Christian Gottlieb, 11; Allge- meines Gelehrten-Lexicon, 605 Kallebostrand, 111 Kant, 463 Kierkegaard, Niels Andreas, 664 KIERKEGAARD, S@REN AABYE as an Alcibiades, xviii authorship, xi in Berlin, viii and contemporaries, i, vii, x conversing, xiv as doctoral candidate, 381 as ‘“‘Either/Or,” x 688 KIERKEGAARD, S@REN (cont.) proposed titles and works: “My Program Either/Or,” xi “Unhappy Love,” xi pseudonymous works, xi-xiii pseudonyms: confidant of, 33; friend of, 33; heart of, 41; and Johan- nes’s dream, 303-11; as lay- man, 65; mood of, 9; obser- vation of life, 24; papers of, 6-10, 13-14, 528; passion of, 36; philosophy of, 40; situa- tion of, 557; soul of, 37, 41, 47, as student, 34; as teacher, 33; thought of, 36, 58; wis- dom of, 39; as writer, 34 Ac Beeca, Xvi Anti-Climacus, xi Johannes, 500; as confirmed bachelor, 351; the criminal in, 309; as diary writer, 303- 10; as dreamer, 366; as eroti- cist, 368; as esthete, 368; as Faust, 350; as invisible, 380; irony of, 360, 363; as Mephi- stopheles, 350; nature of, 305, 380; papers of, 501; se- cret of, 398, 424; as son-in- law, 369; stages of, 305-06; and young girls, 324 Judge William, vii; as B, 7; pa- pers of, 6-7, 10-11, 540 Victor Eremita, xv, xvii; anxi- ety of, 310; as editor, 10-20; journey of, 5; preface by, 553; thought of, 3 and Regine Olsen, see Olsen, Regine and Schelling lectures, 641 signed works, xiii and theater, xiv Index as theological candidate, 244 travels, viii, 641 works cited: The Concept of Irony, with Con- tinual Reference to Socrates (1841), vii, ix, 608, 617, 621, 622, 629, 642, 646 Concluding Unscientific Postscript to Philosophical Fragments (1846), x, xi, xii, xvi, 619, 656, 663, 664, 665, 666 The Corsair Affair (1846), xiii, XV, Xvili, 623 The Crisis and a Crisis in the Life of an Actress (1848), xiii, 638 Either/Or (1843, 1849), vii-xix, 526, 527, 540, 589, 605, 625; elements, of, xii~xiii; as es- thetic essay, xiii; Kierke- gaard’s estimate of, xviti-xix; postscript to, xvil-xviii; pseudonyms in, xvi; pseudo- nymity of, xiv; review(s) of, Xvil, Xviii; second edition, Xv1; writing of, ix For Self-Examination (1851), xi, xvii, 665 Four Upbuilding Discourses (1843, 1844), xiii From the Papers of One Still Liv- ing (1838), xix, 666 Herr Phister as Captain Scipio (1848), 638 The Lily of the Field and the Bird Index 689 of the Air (1849), xvii “A Little Explanation” (1843), xv The Moment (1855), xvii On My Work as an Author (1851), xiv Philosophical Fragments (1844), xiil, 617, 644, 662, 663, 667, 669 The Point of View for My Work as an Author (1859), viii, xiii, xiv, 662 Practice in Christianity (1850), xvii, 606 “Public Confession” (1843), xv Repetition (1843), xi, xiii, 606, 608, 611, 621, 635, 653, 654, 666 The Sickness unto Death (1849), 606, 608, 611, 668 Stages on Life’s Way (1845), xii, 610, 613, 623, 628, 629, 632, 635, 654, 666, 667 Three Upbuilding Discourses (1843, 1844), xiii Two Ages: The Age of Revolu- tion and the Present Age. A Lit- erary Review (1846), 607, 622 Two Discourses at the Commun- ion on Fridays (1851), xi, xvii Two Upbuilding Discourses (1843, 1844), xiii Upbuilding Discourses in Various Spirits (1847), xiv “A Word of Thanks to Profes- sor Heiberg”’ (1843), xv Works of Love (1847), xvii, 633, 664, 666 on writing, vli-xvi, Xvili-xix Kierkegaard, Soren Michael, 664 king, 286, 288; without territory, 426 King David, 480 kingdom(s): of mist, 310; Mount Venus as, 90; of Norway, 275, 640-41; of sighs, 229, 521; of sin, 90 Kingfisher, see analogy King Heidrek: and Hervor, 521 King Lear: third daughter of, 336 kitchen, see royal kitchen Kjerlighed, 86 Kjobenhavnsposten, ix knight, 88; -errant, 173; Faust as, 590; Papageno as, 81. See also analogy knowledge, 18; and action, xii; of truth, 35, 523 Kongelige Theaters Repertoire, 244, 651 Kruse, Laurids, Don Juan, 195 Laban, 389, 403 Labdakos: family of, 154, 542 Lange, Frederik, 474 language: confusion of, 461; of irony, 273; as medium, 55-57, 66- 71, 95; of the Middle Ages, 508; and music, 66, 68-70, 73, 83; na- ture as, 66; painting as, 66; and poets, 395; prodigal son of, 465; and reflection, 70; sculpture as, 66; as thought, 65 Lapierre, 249, 264 Laplander, 496 Latinist, 418, 584 Latona, 66, 226 law: of occasion, 238; of thought, 38, 526 lawyer, 236 Leander, S. T., 473 leap, leaping, 392, 466; from car- riage, 313-14 690 Index left hand, see analogy Leibniz, Gottfried Wilhelm v., The Monadology, 651; Opera, 651 Leipzig, 33 Lenau, Nikolaus, Faust, 478, 480, 667 Lessing, Gotthold Ephraim, 169; Hamburg Dramaturgy, 624; “Lied aus dem Spanischen,” 631; Laocoén, 169, 631; Schriften, 605; Zerstreute Anmerkungen iiber das Epigram, 605 Lethe, 294 Leto, 34, 521 letter(s), 386, 416; from Cordelia to Johannes, 311-13; from Edward, 500; irony in, 386; from Johannes to Cordelia, 387-88, 395-99, 401- 02, 403-04, 406-07, 417-18, 419- 20, 439-41, 443-44; from the one seduced, 556. See also love letter lie(s), lying, 482; conventional, 433; naive, 521; of seducer, 99-140 lieutenant, 393-95 new, 548; in novels, 512; pleasures limitation: principle of, 292 literature: folk, 22; modern, 144, 516 living: poetically, xii, 304; responsi- bly, xii logic: and actuality, 238 Loki, 37, 525, 536; and the dwarf, 513 London: banks in, 287 longing, 395 Longinus, 531 Lord, the, 25, 26, 28; as great artist, 278 Lord’s Supper, 497 Lorelei, the, 568