SigPhi · Thoreau

Journal 02, 1850-September 15, 1851

Page 21 of 22

shines round the end of the rock. The opposite Cliff is reflected in the water. Then sit on the south side of the Cliff in the woods. One or two fireflies. Could it be a glow-worm? I thought I saw one or two in the air. That is all in this walk. I hear a whip-poor-will uttering a cluck of suspicion in my rear. He is suspicious and inquisitive.

The river stretches off southward from me. I see the sheeny portions of its western shore interruptedly for a quarter of a mile, where the moonlight is reflected from the pads, a strong, gleaming light while the water is lost in the obscurity. I hear the sound from time to time of a leaping fish, or a frog, or a muskrat, or turtle. It is even warmer, _methinks_, than it was in August, and it is perfectly clear,—the air. I know not how it is that this universal crickets’ creak should sound thus regularly intermittent, as if for the most part they fell in with one another and creaked in time, making a certain pulsing sound, a sort of breathing or panting of all nature. You sit twenty feet above the still river; see the sheeny pads, and the moon, and some bare tree-tops in the distant horizon. Those bare tree-tops add greatly to the wildness.

Lower down I see the moon in the water as bright as in the heavens; only the water-bugs disturb its disk; and now I catch a faint glassy glare from the whole river surface, which before was simply dark. This is set in a frame of double darkness on the east, _i. e._ the reflected shore of woods and hills and the reality, the shadow and the substance, bipartite, answering to each.

I see the northern lights over my shoulder, to remind me of the Esquimaux and that they are still my contemporaries on this globe, that they too are taking their walks on another part of the planet, in pursuit of seals, perchance.[356] The stars are dimly reflected in the water. The path of water-bugs in the moon’s rays is like ripples of light. It is only when you stand fronting the sun or moon that you see their light reflected in the water. I hear no frogs these nights,—bullfrogs or others,—as in the spring. It is not the season of sound.

At Conantum end, just under the wall. From this point and at this height I do not perceive any bright or yellowish light on Fair Haven, but an oily and glass-like smoothness on its southwestern bay, through a very slight mistiness. Two or three pines appear to stand in the moonlit air on this side of the pond, while the enlightened portion of the water is bounded by the heavy reflection of the wood on the east.

It was so soft and velvety a light as contained a thousand placid days sweetly put to rest in the bosom of the water. So looked the North Twin Lake in the Maine woods. It reminds me of placid lakes in the mid-noon of Indian summer days, but yet more placid and civilized, suggesting a higher cultivation, as the wild ever does, which æons of summer days have gone to make. Like a summer day seen far away. All the effects of sunlight, with a softer tone; and all this stillness of the water and the air superadded, and the witchery of the hour. What gods are they that require so fair a vase of gleaming water to their prospect in the midst of the wild woods by night? Else why this beauty allotted to night, a gem to sparkle in the zone of night? They are strange gods now out; methinks their names are not in any mythology.[357] I can faintly trace its zigzag border of sheeny pads even here. If such is then to be seen in remotest wildernesses, does it not suggest its own nymphs and wood gods to enjoy it? As when, at middle of the placid noon in Indian-summer days, all the surface of a lake is as one cobweb gleaming in the sun, which heaves gently to the passing zephyr. There was the lake, its glassy surface just distinguishable, its sheeny shore of pads, with a few pines bathed in light on its hither shore, just as in the middle of a November day, except that this was the chaster light of the moon, the cooler temperature of the night, and there were the deep shades of night that fenced it round and imbosomed. It tells of a far-away, long-passed civilization, of an antiquity superior to time, unappreciable by time.

Is there such virtue in raking cranberries that those men’s industry whom I now see on the meadow shall reprove my idleness? Can I not go over those same meadows after them, and rake still more valuable fruits? Can I not rake with my mind? Can I not rake a thought, perchance, which shall be worth a bushel of cranberries?

A certain refinement and civilization in nature which increases with the wildness. The civilization that consists with wildness, the light that is in night. A smile as in a dream on the face of the sleeping lake. There is light enough to show what we see, what _night_ has to exhibit. Any more would obscure these objects. I am not advertised of any deficiency of light.[358] The actual is fair as a vision or a dream. If ever we have attained to any nobleness, even in our imagination and intentions, that will surely ennoble the features of nature for us, that will clothe them with beauty. Of course no jeweller ever dealt with a gem so fair and suggestive as this actual lake, the scene, it may be, of so much noble and poetic life, and not merely [to] adorn some monarch’s crown.

It is remarkably still at this hour and season. No sound of bird or beast for the most part. This has none of the reputed noxious qualities of night.

On the peak. The faint sounds of birds, dreaming aloud in the night, the fresh, cool air, and sound of the wind rushing over the rocks remind me of the tops of mountains. That is, all the earth is but the outside of the planet bordering on the hard-eyed sky. Equally withdrawn and near to heaven is this pasture as the summit of the White Mountains. All the earth’s surface like a mountain-top, for I see its relation to heaven as simply, and am not imposed upon by a difference of a few feet in elevation. In this faint, hoary light, all fields are like a mossy rock and remote from the cultivated plains of day.

All is equally savage, equally solitary and cool-aired, and the slight difference in elevation is felt to be unimportant. It is all one with Caucasus, the slightest hill pasture.

The basswood had a singularly solid look and sharply defined, as by a web or film, as if its leaves covered it like scales.

Scared up a whip-poor-will on the ground on the hill. Will not my townsmen consider me a benefactor if I conquer some realms from the night, if I can show them that there is some beauty awake while they are asleep, if I add to the domains of poetry,[359] if I report to the gazettes anything transpiring in our midst worthy of man’s attention?

I will say nothing now to the disparagement of Day, for he is not here to defend himself.

The northern lights now, as I descend from the Conantum house, have become a crescent of light crowned with short, shooting flames,—or the shadows of flames, for sometimes they are dark as well as white. There is scarcely any dew even in the low lands.

Now the fire in the north increases wonderfully, not shooting up so much as creeping along, like a fire on the mountains of the north seen afar in the night. The Hyperborean gods are burning brush, and it spread, and all the hoes in heaven couldn’t stop it. It spread from west to east over the crescent hill. Like a vast fiery worm it lay across the northern sky, broken into many pieces; and each piece, with rainbow colors skirting it, strove to advance itself toward the east, worm-like, on its own annular muscles. It has spread into their choicest wood-lots. Now it shoots up like a single solitary watch-fire or burning bush, or where it ran up a pine tree like powder, and still it continues to gleam here and there like a fat stump in the burning, and is reflected in the water. And now I see the gods by great exertions have got it under, and the stars have come out without fear, in peace.

Though no birds sing, the crickets vibrate their shrill and stridulous cymbals, especially on the alders of the causeway, those minstrels especially engaged for Night’s quire.[360] It takes some time to wear off the trivial impression which the day has made, and thus the first hours of night are sometimes lost.

There were two hen-hawks soared and circled for our entertainment, when we were in the woods on that Boon Plain the other day, crossing each other’s orbits from time to time, alternating like the squirrels of the morning, till, alarmed by our imitation of a hawk’s shrill cry, they gradually inflated themselves, made themselves more aerial, and rose higher and higher into the heavens, and were at length lost to sight; yet all the while earnestly looking, scanning the surface of the earth for a stray mouse or rabbit.[361] _Sept. 8._ No fog this morning. Shall I not have words as fresh as my thoughts? Shall I use any other man’s word? A genuine thought or feeling can find expression for itself, if it have to invent hieroglyphics. It has the universe for type-metal. It is for want of original thought that one man’s style is like another’s.

* * * * * Certainly the voice of no bird or beast can be compared with that of man for true melody. All other sounds seem to be hushed, as if their possessors were attending, when the voice of man is heard in melody.

The air gladly bears the burden. It is infinitely significant. Man only sings in concert. The bird’s song is a mere interjectional shout of joy; man’s a glorious expression of the foundations of his joy.

Do not the song of birds and the fireflies go with the grass? While the grass is fresh, the earth is in its vigor. The greenness of the grass is the best symptom or evidence of the earth’s youth or health.

Perhaps it will be found that when the grass ceases to be fresh and green, or after June, the birds have ceased to sing, and that the fireflies, too, no longer in _myriads_ sparkle in the meadows. Perhaps a history of the year would be a history of the grass, or of a leaf, regarding the grass-blades as leaves, for it is equally true that the leaves soon lose their freshness and soundness, and become the prey of insects and of drought. Plants commonly soon cease to grow for the year, unless they may have a fall growth, which is a kind of second spring. In the feelings of the man, too, the year is already past, and he looks forward to the coming winter. His occasional rejuvenescence and faith in the current time is like the aftermath, a scanty crop.

The enterprise which he has not already undertaken cannot be undertaken this year. The period of youth is past. The year may be in its summer, in its manhood, but it is no longer in the flower of its age. It is a season of withering, of dust and heat, a season of small fruits and trivial experiences. Summer thus answers to manhood. But there is an aftermath in early autumn, and some spring flowers bloom again, followed by an Indian summer of finer atmosphere and of a pensive beauty. May my life be not destitute of its Indian summer, a season of fine and clear, mild weather in which I may prolong my hunting before the winter comes, when I may once more lie on the ground with faith, as in spring, and even with more serene confidence. And then I will [wrap the] drapery of summer about me and lie down to pleasant dreams. As one year passes into another through the medium of winter, so does this our life pass into another through the medium of death.

De Quincey and Dickens have not moderation enough. They never stutter; they flow too readily.

The tree-primrose and the dwarf ditto and epilobium still. Locust is heard. _Aster amplexicaulis_, beautiful blue, purplish blue (?), about twenty-four rayed. _Utricularia vulgaris_, bladderwort. Dandelion and houstonia.

_Sept. 9._ 2 A. M.—The moon not quite full. To Conantum _via_ road.

There is a low vapor in the meadows beyond the depot, dense and white, though scarcely higher than a man’s head, concealing the stems of the trees. I see that the oaks, which are so dark and distinctly outlined, are illumined by the moon on the opposite side. This as I go up the back road. A few thin, ineffectual clouds in the sky. I come out thus into the moonlit night, where men are not, as if into a scenery anciently deserted by men. The life of men is like a dream.

It is three thousand years since night has had possession. Go forth and hear the crickets chirp at midnight. Hear if their dynasty is not an ancient one and well founded. I feel the antiquity of the night.

She surely repossesses herself of her realms, as if her dynasty were uninterrupted, or she had underlain the day. No sounds but the steady creaking of crickets and the occasional crowing of cocks.

I go by the farmer’s houses and barns, standing there in the dim light under the trees, as if they lay at an immense distance or under a veil.

The farmer and his oxen now all asleep. Not even a watch-dog awake. The human slumbers. There is less of man in the world.

The fog in the lowlands on the Corner road is never still. It now advances and envelops me as I stand to write these words, then clears away, with ever noiseless step. It covers the meadows like a web. I hear the clock strike three.

Now at the clayey bank. The light of Orion’s belt seems to show traces of the blue day through which it came to us. The sky at least is lighter on that side than in the west, even about the moon. Even by night the sky is blue and not black, for we see through the veil of night into the distant atmosphere of day. I see to the plains of the sun, where the sunbeams are revelling. The cricket’s (?) song, on the alders of the causeway, not quite so loud at this hour as at evening.

The moon is getting low. I hear a wagon cross one of the bridges leading into the town. I see the moonlight at this hour on a different side of objects. I smell the ripe apples many rods off beyond the bridge. A sultry night; a thin coat is enough.

On the first top of Conantum. I hear the farmer harnessing his horse and starting for the distant market, but no man harnesses himself, and starts for worthier enterprises. One cock-crow tells the whole story of the farmer’s life. The moon is now sinking into clouds in the horizon.

I see the glow-worms deep in the grass by the little brookside in midst of Conantum. The moon shines dun and red. A solitary whip-poor-will sings.

The clock strikes four. A few dogs bark. A few more wagons start for market, their faint rattling heard in the distance. I hear my owl without a name; the murmur of the slow-approaching freight-train, as far off, perchance, as Waltham; and one early bird.

The round, red moon disappearing in the west. I detect a whiteness in the east. Some dark, massive clouds have come over from the west within the hour, as if attracted by the approaching sun, and have arranged themselves raywise about the eastern portal, as if to bar his coming.

They have moved suddenly and almost unobservedly quite across the sky (which before was clear) from west to east. No trumpet was heard which marshalled and advanced these dark masses of the west’s forces thus rapidly against the coming day. Column after column the mighty west sent forth across the sky while men slept, but all in vain.

The eastern horizon is now grown dun-colored, showing where the advanced guard of the night are already skirmishing with the vanguard of the sun, a lurid light tingeing the atmosphere there, while a dark-columned cloud hangs imminent over the broad portal, untouched by the glare. Some bird flies over, making a noise like the barking of a puppy.[362] It is yet so dark that I have dropped my pencil and cannot find it.

The sound of the cars is like that of a rushing wind. They come on slowly. I thought at first a morning wind was rising. And now (perchance at half-past four) I hear the sound of some far-off factory-bell arousing the operatives to their early labors. It sounds very sweet here. It is very likely some factory which I have never seen, in some valley which I have never visited; yet now I hear this, which is its only matin bell, sweet and inspiring as if it summoned holy men and maids to worship and not factory girls and men to resume their trivial toil, as if it were the summons of some religious or even poetic community. My first impression is that it is the matin bell of some holy community who in a distant valley dwell, a band of spiritual knights,—thus sounding far and wide, sweet and sonorous, in harmony with their own morning thoughts. What else could I suppose fitting this earth and hour? Some man of high resolve, devoted soul, has touched the rope; and by its peals how many men and maids are waked from peaceful slumbers to fragrant morning thoughts! Why should I fear to tell that it is Knight’s factory-bell at Assabet? A few melodious peals and all is still again.

The whip-poor-wills now begin to sing in earnest about half an hour before sunrise, as if making haste to improve the short time that is left them. As far as my observation goes, they sing for several hours in the early part of the night, are silent commonly at midnight,—though you may meet [them] then sitting on a rock or flitting silently about,—then sing again just before sunrise. It grows more and more red in the east—a fine-grained red under the overhanging cloud—and lighter too, and the threatening clouds are falling off to southward of the sun’s passage, shrunken and defeated, leaving his path comparatively clear. The increased light shows more distinctly the river and the fog.

5 o’clock.—The light now reveals a thin film of vapor like a gossamer veil cast over the lower hills beneath the Cliffs and stretching to the river, thicker in the ravines, thinnest on the even slopes. The distant meadows towards the north beyond Conant’s Grove, full of fog, appear like a vast lake out of which rise Annursnack and Ponkawtasset like rounded islands. Nawshawtuct is a low and wooded isle, scarcely seen above the waves. The heavens are now clear again. The vapor, which was confined to the river and meadows, now rises and creeps up the sides of the hills. I see it in transparent columns advancing down the valley of the river, ghost-like, from Fair Haven, and investing some wooded or rocky promontory, before free. So ghosts are said to advance.

Annursnack is exactly like some round, steep, distant hill on the opposite shore of a large lake (and Tabor on the other side), with here and there some low Brush Island in middle of the waves (the tops of some oaks or elms). Oh, what a sail I could take, if I had the right kind of bark, over to Annursnack! for there she lies four miles from land as sailors say. And all the farms and houses of Concord are at bottom of that sea. So I forget them, and my thought sails triumphantly over them. As I looked down where the village of Concord lay buried in fog, I thought of nothing but the surface of a lake, a summer sea over which to sail; no more than a voyager on the Dead Sea who had not read the Testament would think of Sodom and Gomorrah, once cities of the plain. I only wished to get off to one of the low isles I saw in midst of the [sea] (it may have been the top of Holbrook’s elm), and spend the whole summer day there.

Meanwhile the redness in the east had diminished and was less deep.

(The fog over some meadows looked green.) I went down to Tupelo Cliff to bathe. A great bittern, which I had scared, flew heavily across the stream. The redness had risen at length above the dark cloud, the sun approaching. And next the redness became a sort of yellowish or fawn-colored light, and the sun now set fire to the edges of the broken cloud which had hung over the horizon, and they glowed like burning turf.

_Sept. 10._ As I watch the groves on the meadow opposite our house, I see how differently they look at different hours of the day, _i. e._ in different lights, when the sun shines on them variously. In the morning, perchance, they seem one blended mass of light green. In the afternoon, distinct trees appear, separated by heavy shadows, and in some places I can see quite through the grove.

3 P. M.—To the Cliffs and the Grape Cliff beyond.

Hardhack and meadow-sweet are now all dry. I see the smoke of burning brush in the west horizon this dry and sultry afternoon, and wish to look off from some hill. It is a kind of work the farmer cannot do without discovery. Sometimes I smell these smokes several miles off, and by the odor know it is not a burning building, but withered leaves and the rubbish of the woods and swamp. As I go through the woods, I see that the ferns have turned brown and give the woods an autumnal look. The boiling spring is almost completely dry. Nothing flows (I mean without the shed), but there are many hornets and yellow wasps apparently buzzing and circling about in jealousy of one another, either drinking the stagnant water, which is the most accessible this dry parching day, or it may be collecting something from the slime,—I think the former.

As I go up Fair Haven Hill, I see some signs of the approaching fall of the white pine. On some trees the old leaves are already somewhat reddish, though not enough to give the trees a parti-colored look, and they come off easily on being touched,—the old leaves on the lower part of the twigs.

Some farmers are sowing their winter rye? I see the fields smoothly rolled. (I hear the locust still.) I see others plowing steep rocky and bushy fields, apparently for the same purpose. How beautiful the sprout-land (burnt plain) seen from the Cliff! No more cheering and inspiring sight than a young wood springing up thus over a large tract, when you look down on it, the light green of the maples shaded off into the darker oaks; and here and there a maple blushes quite red, enlivening the scene yet more. Surely this earth is fit to be inhabited, and many enterprises may be undertaken with hope where so many young plants are pushing up. In the spring I burned over a hundred acres till the earth was sere and black, and by midsummer this space was clad in a fresher and more luxuriant green than the surrounding even. Shall man then despair? Is he not a sprout-land too, after never so many searings and witherings?[363] If you witness growth and luxuriance, it is all the same as if you grew luxuriantly.

I see three smokes in Stow. One sends up dark volumes of wreathed smoke, as if from the mouth of Erebus. It is remarkable what effects so thin and subtile a substance as smoke produces, even at a distance,—dark and heavy and powerful as rocks at a distance.

The woodbine is red on the rocks.

The poke is a very rich and striking plant. Some which stand under the Cliffs quite dazzled me with their now purple stems gracefully drooping each way, their rich, somewhat yellowish, purple-veined leaves, their bright purple racemes,—peduncles, and pedicels, and calyx-like petals from which the birds have picked the berries (these racemes, with their petals now turned to purple, are more brilliant than anything of the kind),—flower-buds, flowers, ripe berries and dark purple ones, and calyx-like petals which have lost their fruit, all on the same plant. I love to see any redness in the vegetation of the temperate zone. It is the richest color. I love to press these berries between my fingers and see their rich purple wine staining my hand. It asks a bright sun on it to make it show to best advantage, and it must be seen at this season of the year. It speaks to my blood. Every part of it is flower, such is its superfluity of color,—a feast of color. That is the richest flower which most abounds in color. What need to taste the fruit, to drink the wine, to him who can thus taste and drink with his eyes? Its boughs, gracefully drooping, offering repasts to the birds. It is cardinal in its rank, as in its color. Nature here is full of blood and heat and luxuriance. What a triumph it appears in Nature to have produced and perfected such a plant,—as if this were enough for a summer.[364] The downy seeds of the groundsel are taking their flight here. The calyx has dismissed them and quite curled back, having done its part.

_Lespedeza sessiliflora_, or reticulated lespedeza on the Cliffs now out of bloom. At the Grape Cliff, the few bright-red leaves of the tupelo contrast with the polished green ones. The tupelos with drooping branches.

The grape-vines overrunning and bending down the maples form little arching bowers over the meadow, five or six feet in diameter, like parasols held over the ladies of the harem, in the East. _Cuscuta Americana_, or dodder, in blossom still. The _Desmodium paniculatum_ of De Candolle and Gray (_Hedysarum paniculatum_ of Linnæus and Bigelow), tick-trefoil, with still one blossom, by the path-side up from the meadow. The rhomboidal joints of its loments adhere to my clothes. One of an interesting family that thus disperse themselves. The oak-ball of dirty drab now.[365] _Sept. 11._ Every artisan learns positively something by his trade.

Each craft is familiar with a few simple, well-known, well-established facts, not requiring any genius to discover, but mere use and familiarity. You may go by the man at his work in the street every day of your life, and though he is there before you, carrying into practice certain essential information, you shall never be the wiser.

Each trade is in fact a craft, a cunning, a covering an ability; and its methods are the result of a long experience. There sits a stone-mason, splitting Westford granite for fence-posts. Egypt has perchance taught New England something in this matter. His hammer, his chisels, his wedges, his shims or half-rounds, his iron spoon,—I suspect that these tools are hoary with age as with granite dust. He learns as easily where the best granite comes from as he learns how to erect that screen to keep off the sun. He knows that he can drill faster into a large stone than a small one, because there is less jar and yielding. He deals in stone as the carpenter in lumber. In many of his operations only the materials are different. His work is slow and expensive. Nature is here hard to be overcome. He wears up one or two drills in splitting a single stone. He must sharpen his tools oftener than the carpenter. He fights with granite. He knows the temper of the rocks. He grows stony himself. His tread is ponderous and steady like the fall of a rock. And yet by patience and art he splits a stone as surely as the carpenter or woodcutter a log. So much time and perseverance will accomplish. One would say that mankind had much less moral than physical energy, that any day you see men following the trade of splitting rocks, who yet shrink from undertaking apparently less arduous moral labors, the solving of moral problems. See how surely he proceeds. He does not hesitate to drill a dozen holes, each one the labor of a day or two for a savage; he carefully takes out the dust with his iron spoon; he inserts his wedges, one in each hole, and protects the sides of the holes and gives resistance to his wedges by thin pieces of half-round iron (or shims); he marks the red line which he has drawn, with his chisel, carefully cutting it straight; and then how carefully he drives each wedge in succession, fearful lest he should not have a good split!

The habit of looking at men in the gross makes their lives have less of human interest for us. But though there are crowds of laborers before us, yet each one leads his little epic life each day. There is the stone-mason, who, methought, was simply a stony man that hammered stone from breakfast to dinner, and dinner to supper, and then went to his slumbers. But he, I find, is even a man like myself, for he feels the heat of the sun and has raised some boards on a frame to protect him. And now, at mid-forenoon, I see his wife and child have come and brought him drink and meat for his lunch and to assuage the stoniness of his labor, and sit to chat with him.

There are many rocks lying there for him to split from end to end, and he will surely do it. This only at the command of luxury, since stone posts are preferred to wood. But how many moral blocks are lying there in every man’s yard, which he surely will not split nor earnestly endeavor to split. There lie the blocks which will surely get split, but here lie the blocks which will surely not get split. Do we say it is too hard for human faculties? But does not the mason dull a basketful of steel chisels in a day, and yet, by sharpening them again and tempering them aright, succeed? Moral effort! Difficulty to be overcome!!! Why, men work in stone, and sharpen their drills when they go home to dinner!

Why should Canada, wild and unsettled as it is, impress one as an older country than the States, except that her institutions are old.

All things seem to contend there with a certain rust of antiquity, such as forms on old armor and iron guns, the rust of conventions and formalities. If the rust was not on the tinned roofs and spires, it was on the inhabitants.[366] * * * * * The skunk-cabbage’s checkered fruit (spadix), one three inches long; all parts of the flower but the anthers left and enlarged. _Bidens cernua_, or nodding burr-marigold, like a small sunflower (with rays) rays, in Hubbard’s Meadow. Blue-eyed grass still. Drooping neottia very common. I see some yellow butterflies and others occasionally and singly only. The smilax berries are mostly turned dark. I started a great bittern from the weeds at the swimming-place.

It is very hot and dry weather. We have had no rain for a week, and yet the pitcher-plants have water in them. Are they ever quite dry?

Are they not replenished by the dews always, and, being shaded by the grass, saved from evaporation? What wells for the birds!

The white-red-purple-berried bush in Hubbard’s Meadow, whose berries were fairest a fortnight ago, appears to be the _Viburnum nudum_, or withe-rod. Our cornel (the common) with berries blue one side, whitish the other, appears to be either the _Cornus sericea_ or _C.

stolonifera_ of Gray, _i. e._ the silky, or the red-osier cornel (_osier rouge_), though its leaves are neither silky nor downy nor rough.

This and the last four or five nights have been perhaps the most sultry in the year thus far.

_Sept. 12._ Not till after 8 A. M. does the fog clear off so much that I see the sun shining in patches on Nawshawtuct. This is the season of fogs.

Like knight, like esquire. When Benvenuto Cellini was attacked by the constables in Rome, his boy Cencio assisted him, or at least stood by, and afterward related his master’s exploits; “and as they asked him several times whether he had been afraid, he answered that they should propose the question to me, for he had been affected upon the occasion just in the same manner that I was.”

Benvenuto Cellini relates in his memoirs that, during his confinement in the castle of St. Angelo in Rome, he had a terrible dream or vision in which certain events were communicated to him which afterward came to pass, and he adds: “From the very moment that I beheld the phenomenon, there appeared (strange to relate!) a resplendent light over my head, which has displayed itself conspicuously to all that I have thought proper to show it to, but those were very few. This shining light is to be seen in the morning over my shadow till two o’clock in the afternoon, and it appears to the greatest advantage when the grass is moist with dew: it is likewise visible in the evening at sunset. This phenomenon I took notice of when I was at Paris, because the air is exceedingly clear in that climate, so that I could distinguish it there much plainer than in Italy, where mists are much more frequent; but I can still see it even here, and show it to others, though not to the same advantage as in France.” This reminds me of the halo around my shadow which I notice from the causeway in the morning,—also by moonlight,—as if, in the case of a man of an excitable imagination, this were basis enough for his superstition.[367] After I have spent the greater part of a night abroad in the moonlight, I am obliged to sleep enough more the next night to make up for it,—_Endymionis somnum dormire_ (to sleep an Endymion sleep), as the ancients expressed it.[368] And there is something gained still by thus turning the day into night. Endymion is said to have obtained of Jupiter the privilege of sleeping as much as he would. Let no man be afraid of sleep, if his weariness comes of obeying his Genius. He who has spent the night with the gods sleeps more innocently by day than the sluggard who has spent the day with the satyrs sleeps by night.

He who has travelled to fairyland in the night sleeps by day more innocently than he who is fatigued by the merely trivial labors of the day sleeps by night. That kind of life which, sleeping, we dream that we live awake, in our walks by night, we, waking, live, while our daily life appears as a dream.

* * * * * 2 P. M.—To the Three Friends’ Hill beyond Flint’s Pond, _via_ railroad, R. W. E.’s wood-path south side Walden, George Heywood’s cleared lot, and Smith’s orchard; return _via_ east of Flint’s Pond, _via_ Goose Pond and my old home to railroad.

I go to Flint’s Pond for the sake of the mountain view from the hill beyond, looking over Concord. I have thought it the best, especially in the winter, which I can get in this neighborhood. It is worth the while to see the mountains in the horizon once a day. I have thus seen some earth which corresponds to my least earthly and trivial, to my most heavenward-looking, thoughts. The earth seen through an azure, an ethereal, veil. They are the natural _temples_, elevated brows, of the earth, looking at which, the thoughts of the beholder are naturally elevated and sublimed,—etherealized. I wish to see the earth through the medium of much air or heaven, for there is no paint like the air.

Mountains thus seen are worthy of worship. I go to Flint’s Pond also to see a rippling lake and a reedy island in its midst,—Reed Island. A man should feed his senses with the best that the land affords.[369] At the entrance to the Deep Cut, I heard the telegraph-wire vibrating like an æolian harp. It reminded me suddenly,—reservedly, with a beautiful paucity of communication, even silently, such was its effect on my thoughts,—it reminded me, I say, with a certain pathetic moderation, of what finer and deeper stirrings I was susceptible, which grandly set all argument and dispute aside, a triumphant though transient exhibition of the truth. It told me by the faintest imaginable strain, it told me by the finest strain that a human ear can hear, yet conclusively and past all refutation, that there were higher, infinitely higher, planes of life which it behooved me never to forget.

As I was entering the Deep Cut, the wind, which was conveying a message to me from heaven, dropped it on the wire of the telegraph which it vibrated as it passed. I instantly sat down on a stone at the foot of the telegraph-pole, and attended to the communication. It merely said: “Bear in mind, Child, and never for an instant forget, that there are