宇宙现象,或为建立哲学而作的自然史
- 语言:
- 英语
- 状态:
- 完整作品
- 作者归属:
- 作者本人所著
- 文本状况:
- 未检测到扫描噪点 (对全文的自动评估,未经人工核对)
- 篇幅:
- 约 3,160 词 · 15 个段落
引用本作品
- APA弗朗西斯·培根. (n.d.). Phenomena of the Universe Or Natural History for the Building Up of Philosophy [宇宙现象,或为建立哲学而作的自然史]. Digital reproduction: SigPhi. https://sigphiai.com/zh/works/francis-bacon/phenomena-of-the-universe-or-natural-history-for-the-building-up-of-philosophy
- MLA弗朗西斯·培根. Phenomena of the Universe Or Natural History for the Building Up of Philosophy [宇宙现象,或为建立哲学而作的自然史]. Digital reproduction, SigPhi, https://sigphiai.com/zh/works/francis-bacon/phenomena-of-the-universe-or-natural-history-for-the-building-up-of-philosophy.
- Chicago弗朗西斯·培根. Phenomena of the Universe Or Natural History for the Building Up of Philosophy [宇宙现象,或为建立哲学而作的自然史]. Digital reproduction, SigPhi. https://sigphiai.com/zh/works/francis-bacon/phenomena-of-the-universe-or-natural-history-for-the-building-up-of-philosophy.
这是 SigPhi 所复制版本的引用:SigPhi 是其数字复制品,不是出版者。元数据中没有版本年份(因此写作“n.d.”),译者只有在有记录时才列出。
内容简介
《宇宙之现象》:《伟大的复兴》第三部分,即自然史。
背景与流传
培根的规划要求在任何理论之前,先有一大批经过观察的事实。这是它的开头,也是他所做成的全部。这是他自己认为最必要的一部分,也是留得最不完整的一部分。
这是编辑性背景,不是可引用的来源:与作品本身的段落不同,这些说明无法在语料库中核对。
But the chemists and the whole pack of mechanics and empirics, should they have the temerity to attempt contemplation and philosophy, being accustomed to meticulous subtlety in a few things, they twist by extraordinary means all the rest into conformity with them and promote opinions more odious and unnatural than those advanced by the very rationalists. For the latter take for the matter of philosophy very little out of many things, the former a great deal out of a few, but in truth those courses are weak and past cure. But the Natural History which has been accumulated hitherto may seem abundant on casual inspection, while in reality it is sketchy and useless, and not even of the kind I am seeking. For it has not been stripped of fables and ravings, and it rushes into antiquity, philology and superfluous narratives, neglectful and high-handed in matters of weight, overscrupulous and immoderate in matters of no importance. But the worst thing about this abundance is that it has embraced the inquiry into things natural but largely spurned that into things mechanical. Now the latter are far better than the former for examining nature's recesses; for nature of its own accord, free and shifting, disperses the intellect and confuses it with its variety, but in mechanical operations the judgment is concentrated, and we see nature's modes and processes, not just its effects. Yet, on the other hand, all the subtlety of mechanics stops short of what I am seeking. For the craftsman, intent on his work and its end, does not direct his mind or put his hand to other things, things which perhaps do more for the inquiry into nature.