What Is Art?
- 语言:
- 英语
- 状态:
- 完整作品
- 作者归属:
- 作者本人所著
- 文本状况:
- 未检测到扫描噪点 (对全文的自动评估,未经人工核对)
- 篇幅:
- 约 94,300 词 · 448 个段落
引用本作品
- APA列夫·托尔斯泰. (n.d.). What Is Art?. Digital reproduction: SigPhi. https://sigphiai.com/zh/works/leo-tolstoy/what-is-art
- MLA列夫·托尔斯泰. What Is Art?. Digital reproduction, SigPhi, https://sigphiai.com/zh/works/leo-tolstoy/what-is-art.
- Chicago列夫·托尔斯泰. What Is Art?. Digital reproduction, SigPhi. https://sigphiai.com/zh/works/leo-tolstoy/what-is-art.
这是 SigPhi 所复制版本的引用:SigPhi 是其数字复制品,不是出版者。元数据中没有版本年份(因此写作“n.d.”),译者只有在有记录时才列出。
内容简介
《什么是艺术?》(1897)。
背景与流传
托尔斯泰在皈依之后断定:艺术只有在传达能把人联结起来的感情时才有价值,并照这个标准把莎士比亚、瓦格纳、贝多芬以及他自己的小说一并判了罪。这是一本让人不自在而又诚实的书:很少有作者这样毫无保留地否定自己的作品。
这是编辑性背景,不是可引用的来源:与作品本身的段落不同,这些说明无法在语料库中核对。
On an elevation, between two lamps with refiectors, and in an arm-chair placed before a music-stand, sat the director of the musical part, baton in hand, managing the orchestra and singers, and, in general, the production of the whole opera. The performance had already commenced, and on the stage a procession of Indians who had brought home a bride was being represented. Besides men and women in costume, two other men in ordinary clothes bustled and ran about on the stage ; one was the director of the dramatic part, and the other, who stepped about in soft shoes and ran from place to place with unusual agility, was the dancing-master, whose salary per month exceeded what ten labourers earn in a year. These three directors arranged the singing, the orchestra, and the procession. The procession, as usual, was enacted by couples, with tinfoil halberds on their shoulders. They all came from one place, and walked round and round again. WHAT IS ARTl and then stopped. The procession took a long time to arrange : first the Indians with halberds came on too late ; then too soon ; then at the right time, hut crowded together at the exit ; then they did not crowd, but arranged themselves badly at the sides of the stage; and each time the whole performance was stopped and recommenced from the beginning. The procession was introduced by a recitative, delivered by a man dressed up like some variety of Turk, who, opening his mouth in a curious way, sang, “ Home I bring the hri-i-ide.” He sings and waves his arm (which is of course hare) from under his mantle.…