Apologia de Sòcrates
- Idioma:
- anglès
- Completesa:
- Obra completa
- Autoria:
- Escrita per l'autor
- Estat del text:
- Sense soroll d'escaneig detectat (mesura automàtica sobre tot el text, no revisada a mà)
- Extensió:
- ~15.400 paraules · 73 passatges
Cita aquesta obra
- APAPlató. (n.d.). Apology [Apologia de Sòcrates]. Digital reproduction: SigPhi. https://sigphiai.com/ca/works/plato/apology
- MLAPlató. Apology [Apologia de Sòcrates]. Digital reproduction, SigPhi, https://sigphiai.com/ca/works/plato/apology.
- ChicagoPlató. Apology [Apologia de Sòcrates]. Digital reproduction, SigPhi. https://sigphiai.com/ca/works/plato/apology.
Referència de l’edició reproduïda. SigPhi és la reproducció digital, no l’editor. S’hi inclouen l’any, l’editorial i el traductor quan consten; «n.d.» indica que no consta l’any. La responsabilitat d’un pròleg o d’una nota es determina segons el passatge citat.
De què tracta
La defensa de Sòcrates davant del tribunal d'Atenes que el va condemnar a mort: per què ha passat la vida interrogant els seus conciutadans i per què no pensa deixar de fer-ho ni per salvar-se.
Context i història
L'any 399 aC Atenes va jutjar Sòcrates per impietat i per corrompre els joves, i el va condemnar a beure cicuta. Plató, que hi era i tenia poc més de vint-i-cinc anys, va escriure aquesta versió del discurs pocs anys després. No és una acta judicial: és el retrat que va fixar per sempre la figura del filòsof que prefereix morir abans que callar. Amb aquest judici comença, de fet, la filosofia com a gènere literari: gairebé tot el que Plató va escriure després en surt.
Context editorial, no una font citable: a diferència dels passatges de l'obra, aquestes dades no es poden contrastar amb el corpus.
determined to refute it by finding “a wiser;” and first he went to the politicians, and then to the poets, and then to the craftsmen, but always with the same result—he found that they knew nothing, or hardly anything more than himself; and that the little advantage which in some cases they possessed was more than counter-balanced by their conceit of knowledge. He knew nothing, and knew that he knew nothing: they knew little or nothing, and imagined that they knew all things. Thus he had passed his life as a sort of missionary in detecting the pretended wisdom of mankind; and this occupation had quite absorbed him and taken him away both from public and private affairs. Young men of the richer sort had made a pastime of the same pursuit, “which was not unamusing.” And hence bitter enmities had arisen; the professors of knowledge had revenged themselves by calling him a villainous corrupter of youth, and by repeating the commonplaces about atheism and materialism and sophistry, which are the stock-accusations against all philosophers when there is nothing else to be said of them. The second accusation he meets by interrogating Meletus, who is present and can be interrogated. “If he is the corrupter, who is the improver of the citizens?” (Compare Meno.) “All men everywhere.” But how absurd, how contrary to analogy is this! How inconceivable too, that he should make the citizens worse when he has to live with them. This surely cannot be intentional; and if unintentional, he ought to have been instructed by Meletus, and not accused in the court. But there is another part of the indictment which says that he teaches men not to receive the gods whom the city receives, and has other new gods. “Is that the way in which he is supposed to corrupt the youth?” “Yes, it is.” “Has he only new gods, or none at all?” “None at all.” “What, not even the sun and moon?” “No; why, he says that the sun is a stone, and the moon earth.…