SigPhiSigPhi

Entweder/Oder

Søren Kierkegaard

Sprache:
Englisch
Status:
Vollständiges Werk
Autorschaft:
Vom Autor verfasst
Zustand des Textes:
Sauberer Text · 7 unlesbare Passagen, von den Antworten ausgeschlossen
Umfang:
~300.000 Wörter · 1.436 Passagen
Dieses Werk zitieren
  • APASøren Kierkegaard. (n.d.). Entweder/Oder. SigPhi. https://sigphiai.com/de/works/kierkegaard/eitheror
  • MLASøren Kierkegaard. "Entweder/Oder." SigPhi, https://sigphiai.com/de/works/kierkegaard/eitheror.
  • ChicagoSøren Kierkegaard. Entweder/Oder. SigPhi. https://sigphiai.com/de/works/kierkegaard/eitheror.

Wovon es handelt

Zwei Lebensweisen nebeneinandergestellt, ohne Schiedsrichter: die Papiere des Ästhetikers „A“ — darunter der Aufsatz über Mozarts Don Giovanni und das Tagebuch des Verführers — und die Briefe des Gerichtsrats Wilhelm, der die ethische Wahl und die Ehe verteidigt.

Kontext und Geschichte

1843 erschienen unter dem Pseudonym Victor Eremita, der die Papiere angeblich in einem alten Sekretär fand. Kierkegaard sagt nirgends, wer recht hat, und das ist keine Koketterie: entschiede das Buch für dich, so wäre die geforderte Wahl nicht mehr die deine. Der Titel ist die ganze Forderung.

Redaktioneller Kontext, keine zitierfähige Quelle: anders als die Passagen des Werks lassen sich diese Angaben nicht am Korpus überprüfen.

Wie es beginnt
It may at times have occurred to you, dear reader, to doubt somewhat the accuracy of that familiar philosophical thesis that the outer is the inner and the inner is the outer.? Perhaps you yourself have concealed a secret that in its joy or in its pain you felt was too intimate to share with others. Perhaps your life has put you in touch with people about whom you suspected that something of this nature was the case, although neither by force nor by inveiglement were you able to bring out into the open that which was hidden. Perhaps neither case applies to you and your life, and yet you are not unacquainted with that doubt; like a fleeting shape, it has drifted through your mind now and then. A doubt such as this comes and goes, and no one knows whence it comes or whither it goes.? I myself have always been rather heretically minded on this philosophical point and therefore early in my life developed the habit of making observations and investigations as well as possible. For guidance, I have consulted the authors whose view I shared in this respect—in brief, I have done all I could to make up for what has been left undone in the philosophical writings. Gradually, then, hearing became my most cherished sense, for just as the voice is the disclosure of inwardness incommensurable with the exterior, so the ear is the instrument that apprehends this inwardness, hearing the sense by which it

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