Die Kunst des Krieges
- Sprache:
- Englisch
- Status:
- Vollständiges Werk
- Autorschaft:
- Vom Autor verfasst
- Zustand des Textes:
- Kein Scanrauschen festgestellt (automatische Messung über den ganzen Text, nicht von Hand geprüft)
- Umfang:
- ~100.000 Wörter · 484 Passagen
Dieses Werk zitieren
- APAMachiavelli. (n.d.). The Art of War [Die Kunst des Krieges]. Digital reproduction: SigPhi. https://sigphiai.com/de/works/machiavelli/the-art-of-war
- MLAMachiavelli. The Art of War [Die Kunst des Krieges]. Digital reproduction, SigPhi, https://sigphiai.com/de/works/machiavelli/the-art-of-war.
- ChicagoMachiavelli. The Art of War [Die Kunst des Krieges]. Digital reproduction, SigPhi. https://sigphiai.com/de/works/machiavelli/the-art-of-war.
Nachweis der wiedergegebenen Ausgabe. SigPhi ist die digitale Reproduktion. Jahr, Verlag und Übersetzer werden angegeben, soweit bekannt; „n.d.“ bedeutet unbekanntes Jahr.
Wovon es handelt
Die Kriegskunst (1521): das einzige größere Werk, das Machiavelli zu Lebzeiten veröffentlicht hat.
Kontext und Geschichte
Ein Dialog, der die Bürgermiliz gegen die Söldnerhaufen verteidigt — dieselbe politische These wie in seinem ganzen Werk: wer kein eigenes Heer hat, hat keinen eigenen Staat. Dies ist eine englische Übersetzung; das italienische Original steht nicht im Katalog.
Redaktioneller Kontext, keine zitierfähige Quelle: anders als die Passagen des Werks lassen sich diese Angaben nicht am Korpus überprüfen.
Fabritio was regal'd with as much pomp and magnificence, as were confiflencwith the time and the place: but dinner being ended, the tables taken away, and all the formalities of the Feaft over, which among perfons of great minds, whofe thoughts are employ 'd upon more honourable things, are not fo tedious as with other people, the day being long, and heat excedive, Ccfmo thought it convenient for the better fatisfaAion of his defigns, under pretence of avoiding the heat, to carry Fabritio into a clofe and fiiady Arbour in the Garden, where they might difcourfe with more leifure and ^privacy ; and having brought him and the reft of the Company to the place, fome'of them difpofed themfelves upon the grafs, (which was very pleafanr and green) and others upon feats under the ftiadow ot rhofe lofty trees; Fabntto hcgzn to applaud the deliijhtfomenefs of the place, and then looking particularly upon the trees, anci roc knowing of fome of chem, be flood ftill, as it were in fufpence; which being obfeived by CcfvnOy he told him, 'tis poffible, Sir, you may not be acquainted with thofc trees, but 'tis no wonder, for fome of them were in more requeil with our Fore-fathers than they are with us, and having told him their names, and what delight Scigior Bernado his Grand-father took in planting, Fabrttio replied, I thought they were a^ you fay ; but the pleafantnefs of this place, and the innocence of that employment puts me in mind of fome Princes in the Kingdom of Naples, who delighted themfelves exceedingly in thofe kind of diverfions, and would plant and make delicate Arbours to keep themfelves from the heat; and thereupon breaking off ftort in his difcourfe, he llood fiill…
Eine Frage zu diesem Werk stellenWorum geht es in Die Kunst des Krieges?Fassen Sie Die Kunst des Krieges kurz zusammenWas sind die Kernideen von Die Kunst des Krieges?
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