Academica by Marcus Tullius Cicero
- Idioma:
- latín
- Estado:
- Obra completa
- Autoría:
- Escrita por el autor
- Estado del texto:
- Con errores de escaneo (medición automática sobre todo el texto, no revisada a mano) · 5 pasajes ilegibles, excluidos de las respuestas
- Extensión:
- ~110.000 palabras · 510 pasajes
Cita esta obra
- APACicerón. (n.d.). Academica by Marcus Tullius Cicero. Digital reproduction: SigPhi. https://sigphiai.com/es/works/cicero/academica-by-marcus-tullius-cicero
- MLACicerón. Academica by Marcus Tullius Cicero. Digital reproduction, SigPhi, https://sigphiai.com/es/works/cicero/academica-by-marcus-tullius-cicero.
- ChicagoCicerón. Academica by Marcus Tullius Cicero. Digital reproduction, SigPhi. https://sigphiai.com/es/works/cicero/academica-by-marcus-tullius-cicero.
Referencia de la edición que reproduce SigPhi: SigPhi es su reproducción digital, no el editor. El año de la edición no consta en los metadatos (por eso «n.d.») y el traductor solo aparece cuando consta.
De qué trata
La versión inglesa de las «Académicas», para el lector; la citación académica debe apuntar al latín.
Contexto e historia
Escritas el 45 a. C., son el libro de Cicerón sobre si puede saberse algo: la defensa del escepticismo de la Nueva Academia, la escuela donde él se había formado. La disputa es con los estoicos, que sostenían que hay percepciones tan claras que no pueden engañar y que el sabio puede asentir a ellas con certeza; contra eso, Cicerón despliega los argumentos de Carnéades —los sueños, las ilusiones, los gemelos indistinguibles— para concluir que la certeza no se da, y que lo que queda no es el silencio sino lo probable: se puede vivir y decidir siguiendo lo verosímil, sin afirmarlo como cierto. Cicerón la reescribió entera al cabo de pocas semanas, y por eso hay dos ediciones, ninguna conservada completa. Es la fuente principal de todo el debate epistemológico helenístico, y cuando Agustín quiso combatir el escepticismo, fue contra este libro contra el que escribió.
Contexto editorial, no una fuente citable: a diferencia de los pasajes de la obra, estos datos no se pueden comprobar contra el corpus.
accomplished men of his time, and Cicero's feelings towards him were those of gratitude, esteem, and admiration.[8] In the year 88 B.C. the celebrated Philo of Larissa, then head of the Academic school, came to Rome, one of a number of eminent Greeks who fled from Athens on the approach of its siege during the Mithridatic war. Philo, like Diodotus, was a man of versatile genius: unlike the Stoic philosopher, he was a perfect master both of the theory and the practice of oratory. Cicero had scarcely heard him before all inclination for Epicureanism was swept from his mind, and he surrendered himself wholly, as he tells us, to the brilliant Academic.[9] Smitten with a marvellous enthusiasm he abandoned all other studies for philosophy. His zeal was quickened by the conviction that the old judicial system of Rome was overthrown for ever, and that the great career once open to an orator was now barred.[10] We thus see that before Cicero was twenty years of age, he had been brought into intimate connection with at least three of the most eminent philosophers of the age, who represented the three most vigorous and important Greek schools. It is fair to conclude that he must have become thoroughly acquainted with their spirit, and with the main tenets of each. His own statements, after every deduction necessitated by his egotism has been made, leave no doubt about his diligence as a student. In his later works he often dwells on his youthful devotion to philosophy.[11] It would be unwise to lay too much stress on the intimate connection which subsisted between the rhetorical and the ethical teaching of the Greeks; but there can be little doubt that from the great rhetorician Molo, then Rhodian ambassador at Rome, Cicero gained valuable information concerning the ethical part of Greek philosophy. During the years 88--81 B.C., Cicero employed himself incessantly with the study of philosophy, law, rhetoric, and belles lettres.…