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Brutus

Cicerón

Idioma:
inglés
Estado:
Obra completa
Autoría:
Escrita por el autor
Estado del texto:
Texto limpio
Extensión:
~83.600 palabras · 397 pasajes
Cita esta obra
  • APACicerón. (n.d.). Brutus. SigPhi. https://sigphiai.com/es/works/cicero/cicero-s-brutus-or-history-of-famous-orators-also-his-orator-or-accomplished-s
  • MLACicerón. "Brutus." SigPhi, https://sigphiai.com/es/works/cicero/cicero-s-brutus-or-history-of-famous-orators-also-his-orator-or-accomplished-s.
  • ChicagoCicerón. Brutus. SigPhi. https://sigphiai.com/es/works/cicero/cicero-s-brutus-or-history-of-famous-orators-also-his-orator-or-accomplished-s.

De qué trata

La traducción inglesa que reúne en un solo volumen el «Brutus» y el «Orator», las dos obras retóricas del 46 a. C.

Contexto e historia

Las dos obras nacieron juntas y este volumen las mantiene juntas: el «Brutus» es la historia de la oratoria romana, orador por orador, escrita cuando César ya era dictador y los tribunales no decidían nada; el «Orator» es el retrato del orador perfecto que Cicerón admite que nunca ha existido, con los tres estilos —probar, deleitar, conmover— y la gran discusión final sobre el ritmo de la prosa. Ambas son respuesta a los aticistas jóvenes que lo acusaban de hinchado, y ambas están dedicadas a Bruto. Esta versión es para el lector; los originales latinos de una y otra también están en el catálogo, y la citación académica debe apuntar a ellos.

Contexto editorial, no una fuente citable: a diferencia de los pasajes de la obra, estos datos no se pueden comprobar contra el corpus.

Cómo empieza
As the following Rhetorical Pieces have never appeared before in the English language, I thought a Translation of them would be no unacceptable offering to the Public. The character of the Author (Marcus Tullius Cicero) is so universally celebrated, that it would be needless, and indeed impertinent, to say any thing to recommend them. The first of them was the fruit of his retirement, during the remains of the _Civil War_ in Africa; and was composed in the form of a Dialogue. It contains a few short, but very masterly sketches of all the Speakers who had flourished either in Greece or Rome, with any reputation of Eloquence, down to his own time; and as he generally touches the principal incidents of their lives, it will be considered, by an attentive reader, as a _concealed epitome of the Roman history_. The conference is supposed to have been held with Atticus, and their common friend Brutus, in Cicero's garden at Rome, under the statue of Plato, whom he always admired, and usually imitated in his dialogues: and he seems in this to have copied even his _double titles_, calling it _Brutus, or the History of famous Orators_. It was intended as a _supplement_, or _fourth book_, to three former ones, on the qualifications of an Orator. The second, which is intitled _The Orator_, was composed a very short time afterwards (both of them in the 61st year of his age) and at the request of Brutus. It contains a plan, or critical delineation, of what he himself esteemed the most finished Eloquence, or style of Speaking. He calls it _The Fifth Part, or Book_, designed to complete his _Brutus_, and _the former three_ on the same subject.…

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