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La evolución creadora

Henri Bergson

Idioma:
inglés
Estado:
Obra completa
Autoría:
Escrita por el autor
Estado del texto:
Texto limpio · 10 pasajes ilegibles, excluidos de las respuestas
Extensión:
~180.000 palabras · 844 pasajes
Cita esta obra
  • APAHenri Bergson. (n.d.). La evolución creadora. SigPhi. https://sigphiai.com/es/works/henri-bergson/creative-evolution
  • MLAHenri Bergson. "La evolución creadora." SigPhi, https://sigphiai.com/es/works/henri-bergson/creative-evolution.
  • ChicagoHenri Bergson. La evolución creadora. SigPhi. https://sigphiai.com/es/works/henri-bergson/creative-evolution.

De qué trata

La propuesta de Bergson de que la evolución no se explica ni por el azar ni por un plan previo, sino por un impulso —el élan vital— que va probando caminos y se reparte en direcciones divergentes.

Contexto e historia

Publicado en 1907, tuvo un éxito enorme fuera de la filosofía y lo convirtió en una celebridad; en 1927 le dieron el Nobel de literatura. La parte que ha resistido mejor no es el élan vital, que la biología nunca aceptó, sino la crítica del modo en que el entendimiento fabrica el tiempo: Bergson sostiene que el pensamiento, hecho para la acción, convierte la duración en una sucesión de instantes inmóviles, y que por eso no puede pensar lo que cambia.

Contexto editorial, no una fuente citable: a diferencia de los pasajes de la obra, estos datos no se pueden comprobar contra el corpus.

Cómo empieza
The history of the evolution of life, incomplete as it yet is, already reveals to us how the intellect has been formed, by an uninterrupted progress, along a line which ascends through the vertebrate series up to man. It shows us in the faculty of understanding an appendage of the faculty of acting, a more and more precise, more and more complex and supple adaptation of the consciousness of living beings to the conditions of existence that are made for them. Hence should result this consequence that our intellect, in the narrow sense of the word, is intended to secure the perfect fitting of our body to its environment, to represent the relations of external things among themselves--in short, to think matter. Such will indeed be one of the conclusions of the present essay. We shall see that the human intellect feels at home among inanimate objects, more especially among solids, where our action finds its fulcrum and our industry its tools; that our concepts have been formed on the model of solids; that our logic is, pre-eminently, the logic of solids; that, consequently, our intellect triumphs in geometry, wherein is revealed the kinship of logical thought with unorganized matter, and where the intellect has only to follow its natural movement, after the lightest possible contact with experience, in order to go from discovery to discovery, sure that experience is following behind it and will justify it invariably. But from this it must also follow that our thought, in its purely logical form, is incapable of presenting the true nature of life, the full meaning of the evolutionary movement. Created by life, in definite circumstances, to act on definite things, how can it embrace life, of which it is only an emanation or an aspect? Deposited by the evolutionary movement in the course of its way, how can it be applied to the evolutionary movement itself?…

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