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Las cartas de amor de Mary Wollstonecraft a Gilbert Imlay

Mary Wollstonecraft

Idioma:
inglés
Estado:
Obra completa
Autoría:
Escrita por el autor
Estado del texto:
Sin ruido de escaneo detectado (medición automática sobre todo el texto, no revisada a mano)
Extensión:
~33.500 palabras · 159 pasajes
Cita esta obra
  • APAMary Wollstonecraft. (n.d.). The Love Letters of Mary Wollstonecraft to Gilbert Imlay [Las cartas de amor de Mary Wollstonecraft a Gilbert Imlay]. Digital reproduction: SigPhi. https://sigphiai.com/es/works/mary-wollstonecraft/the-love-letters-of-mary-wollstonecraft-to-gilbert-imlay
  • MLAMary Wollstonecraft. The Love Letters of Mary Wollstonecraft to Gilbert Imlay [Las cartas de amor de Mary Wollstonecraft a Gilbert Imlay]. Digital reproduction, SigPhi, https://sigphiai.com/es/works/mary-wollstonecraft/the-love-letters-of-mary-wollstonecraft-to-gilbert-imlay.
  • ChicagoMary Wollstonecraft. The Love Letters of Mary Wollstonecraft to Gilbert Imlay [Las cartas de amor de Mary Wollstonecraft a Gilbert Imlay]. Digital reproduction, SigPhi. https://sigphiai.com/es/works/mary-wollstonecraft/the-love-letters-of-mary-wollstonecraft-to-gilbert-imlay.

Referencia de la edición que reproduce SigPhi: SigPhi es su reproducción digital, no el editor. El año de la edición no consta en los metadatos (por eso «n.d.») y el traductor solo aparece cuando consta.

De qué trata

Las cartas a Gilbert Imlay, publicadas póstumas por Godwin.

Contexto e historia

Documentan la relación que la llevó a Francia, le dio una hija y la condujo a dos intentos de suicidio. Godwin las publicó convencido de que la honraban; el público de 1798 las leyó al revés, y la reputación de Wollstonecraft quedó enterrada casi un siglo.

Contexto editorial, no una fuente citable: a diferencia de los pasajes de la obra, estos datos no se pueden comprobar contra el corpus.

Cómo empieza
dogs...." Lady Kingsborough was rather selfish and uncultured, and her chief object was the pursuit of pleasure. She pampered her dogs, much to the disgust of Mary Wollstonecraft, and neglected her children. What views she had on education were narrow. She had been accustomed to submission from her governess, but she learnt before long that Mary was not of a tractable disposition. The children, at first unruly and defiant, "literally speaking, wild Irish, unformed and not very pleasing," soon gave Mary their confidence, and before long their affection. One of her pupils, Margaret King, afterwards Lady Mountcashel, always retained the warmest regard for Mary Wollstonecraft. Lady Mountcashel continued her acquaintance with William Godwin after Mary's death, and later came across Shelley and his wife in Italy. Mary won from the children the affection that they withheld from their mother, consequently, in the autumn of 1788, when she had been with Lady Kingsborough for about a year, she received her dismissal. She had completed by this time the novel to which she gave the name of "Mary," which is a tribute to the memory of her friend Fanny Blood. II And now, in her thirtieth year, Mary Wollstonecraft had concluded her career as a governess, and was resolved henceforth to devote herself to literature. Her chances of success were slender indeed, for she had written nothing to encourage her for such a venture. It was her fortune, however, to make the acquaintance of Joseph Johnson, the humanitarian publisher and bookseller of St. Paul's Churchyard, who issued the works of Priestley, Horne Tooke, Gilbert Wakefield, and other men of advanced thought, and she met at his table many of the authors for whom he published, and such eminent men of the day as William Blake, Fuseli, and Tom Paine. Mr. Johnson, who afterwards proved one of her best friends, encouraged her in her literary plans.…

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