The Case of Wagner, Nietzsche Contra Wagner, and Selected Aphorisms.
- Idioma:
- inglés
- Estado:
- Obra completa
- Autoría:
- Escrita por el autor
- Estado del texto:
- Texto limpio
- Extensión:
- ~25.100 palabras · 119 pasajes
Cita esta obra
- APANietzsche. (n.d.). The Case of Wagner, Nietzsche Contra Wagner, and Selected Aphorisms.. SigPhi. https://sigphiai.com/es/works/nietzsche/the-case-of-wagner-nietzsche-contra-wagner-and-selected-aphorisms
- MLANietzsche. "The Case of Wagner, Nietzsche Contra Wagner, and Selected Aphorisms.." SigPhi, https://sigphiai.com/es/works/nietzsche/the-case-of-wagner-nietzsche-contra-wagner-and-selected-aphorisms.
- ChicagoNietzsche. The Case of Wagner, Nietzsche Contra Wagner, and Selected Aphorisms.. SigPhi. https://sigphiai.com/es/works/nietzsche/the-case-of-wagner-nietzsche-contra-wagner-and-selected-aphorisms.
De qué trata
El caso Wagner y Nietzsche contra Wagner (1888): el final del divorcio más famoso de la historia de la cultura.
Contexto e historia
Wagner llevaba cinco años muerto. Nietzsche lo ataca como síntoma —de decadencia, de romanticismo, de cristianismo disfrazado de arte— y a la vez no consigue esconder que aquello fue el amor de su vida intelectual. Se lee mejor al lado de Richard Wagner en Bayreuth, del catálogo, de doce años antes. Es una traducción inglesa de la edición completa dirigida por Oscar Levy (1909-1913), la que está en dominio público. Tiene más de un siglo y se le nota. El original es ALEMÁN, y al citar hay que seguir el original: en el catálogo hay dos, Also sprach Zarathustra y Der Wille zur Macht; del resto, aquí solo está la traducción.
Contexto editorial, no una fuente citable: a diferencia de los pasajes de la obra, estos datos no se pueden comprobar contra el corpus.
I am writing this to relieve my mind. It is not malice alone which makes me praise Bizet at the expense of Wagner in this essay. Amid a good deal of jesting I wish to make one point clear which does not admit of levity. To turn my back on Wagner was for me a piece of fate, to get to like anything else whatever afterwards was for me a triumph. Nobody, perhaps, had ever been more dangerously involved in Wagnerism, nobody had defended himself more obstinately against it, nobody had ever been so overjoyed at ridding himself of it. A long history!—Shall I give it a name?—If I were a moralist, who knows what I might not call it! Perhaps a piece of _self-mastery_.—But the philosopher does not like the moralist, neither does he like high-falutin’ words.… What is the first and last thing that a philosopher demands of himself? To overcome his age in himself, to become “timeless.” With what then does the philosopher have the greatest fight? With all that in him which makes him the child of his time. Very well then! I am just as much a child of my age as Wagner—_i.e._, I am a decadent. The only difference is that I recognised the fact, that I struggled against it. The philosopher in me struggled against it. My greatest preoccupation hitherto has been the problem of _decadence_, and I had reasons for this. “Good and evil” form only a playful subdivision of this problem. If one has trained one’s eye to detect the symptoms of decline, one also understands morality,—one understands what lies concealed beneath its holiest names and tables of values: _e.g._, _impoverished_ life, the will to nonentity, great exhaustion. Morality _denies_ life.……