SigPhiSigPhi

Fedro

Platón

Idioma:
inglés
Estado:
Obra completa
Autoría:
Escrita por el autor
Estado del texto:
Sin ruido de escaneo detectado (medición automática sobre todo el texto, no revisada a mano)
Extensión:
~37.900 palabras · 180 pasajes
Cita esta obra
  • APAPlatón. (n.d.). Phaedrus [Fedro]. Digital reproduction: SigPhi. https://sigphiai.com/es/works/plato/phaedrus
  • MLAPlatón. Phaedrus [Fedro]. Digital reproduction, SigPhi, https://sigphiai.com/es/works/plato/phaedrus.
  • ChicagoPlatón. Phaedrus [Fedro]. Digital reproduction, SigPhi. https://sigphiai.com/es/works/plato/phaedrus.

Referencia de la edición que reproduce SigPhi: SigPhi es su reproducción digital, no el editor. El año de la edición no consta en los metadatos (por eso «n.d.») y el traductor solo aparece cuando consta.

De qué trata

Una conversación a la sombra de un plátano junto al río, sobre el amor, la belleza y la retórica. Contiene la imagen del alma como un carro tirado por dos caballos y, al final, una desconfianza famosa hacia la escritura.

Contexto e historia

El único diálogo que transcurre fuera de la ciudad, y el paisaje importa. Las páginas finales —Sócrates sosteniendo que la escritura debilitará la memoria y dará apariencia de sabiduría sin la cosa— se citan cada vez que aparece una técnica nueva de la palabra, de la imprenta a las máquinas que escriben.

Contexto editorial, no una fuente citable: a diferencia de los pasajes de la obra, estos datos no se pueden comprobar contra el corpus.

Cómo empieza
animal who is guided by word and admonition only, the other an ill-looking villain who will hardly yield to blow or spur. Together all three, who are a figure of the soul, approach the vision of love. And now a fierce conflict begins. The ill-conditioned steed rushes on to enjoy, but the charioteer, who beholds the beloved with awe, falls back in adoration, and forces both the steeds on their haunches; again the evil steed rushes forwards and pulls shamelessly. The conflict grows more and more severe; and at last the charioteer, throwing himself backwards, forces the bit out of the clenched teeth of the brute, and pulling harder than ever at the reins, covers his tongue and jaws with blood, and forces him to rest his legs and haunches with pain upon the ground. When this has happened several times, the villain is tamed and humbled, and from that time forward the soul of the lover follows the beloved in modesty and holy fear. And now their bliss is consummated; the same image of love dwells in the breast of either, and if they have self-control, they pass their lives in the greatest happiness which is attainable by man--they continue masters of themselves, and conquer in one of the three heavenly victories. But if they choose the lower life of ambition they may still have a happy destiny, though inferior, because they have not the approval of the whole soul. At last they leave the body and proceed on their pilgrim's progress, and those who have once begun can never go back. When the time comes they receive their wings and fly away, and the lovers have the same wings. Socrates concludes:-- These are the blessings of love, and thus have I made my recantation in finer language than before: I did so in order to please Phaedrus. If I said what was wrong at first, please to attribute my error to Lysias, who ought to study philosophy instead of rhetoric, and then he will not mislead his disciple Phaedrus.…

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