Timeo
- Idioma:
- inglés
- Estado:
- Obra completa
- Autoría:
- Escrita por el autor
- Estado del texto:
- Texto limpio
- Extensión:
- ~80.400 palabras · 382 pasajes
Cita esta obra
- APAPlatón. (n.d.). Timeo. SigPhi. https://sigphiai.com/es/works/plato/timaeus
- MLAPlatón. "Timeo." SigPhi, https://sigphiai.com/es/works/plato/timaeus.
- ChicagoPlatón. Timeo. SigPhi. https://sigphiai.com/es/works/plato/timaeus.
De qué trata
El relato de cómo se hizo el mundo: un artesano divino ordenando el caos mientras mira un modelo eterno, con una cosmología, una física de los cuatro elementos y una fisiología humana.
Contexto e historia
Durante la Edad Media latina fue prácticamente el único Platón que Occidente pudo leer, y por eso marcó el pensamiento cristiano sobre la creación mucho más que el resto de su obra. Es también la fuente de la Atlántida, mencionada aquí y en el Critias y en ningún otro texto antiguo.
Contexto editorial, no una fuente citable: a diferencia de los pasajes de la obra, estos datos no se pueden comprobar contra el corpus.
Of all the writings of Plato the Timaeus is the most obscure and repulsive to the modern reader, and has nevertheless had the greatest influence over the ancient and mediaeval world. The obscurity arises in the infancy of physical science, out of the confusion of theological, mathematical, and physiological notions, out of the desire to conceive the whole of nature without any adequate knowledge of the parts, and from a greater perception of similarities which lie on the surface than of differences which are hidden from view. To bring sense under the control of reason; to find some way through the mist or labyrinth of appearances, either the highway of mathematics, or more devious paths suggested by the analogy of man with the world, and of the world with man; to see that all things have a cause and are tending towards an end—this is the spirit of the ancient physical philosopher. He has no notion of trying an experiment and is hardly capable of observing the curiosities of nature which are ‘tumbling out at his feet,’ or of interpreting even the most obvious of them. He is driven back from the nearer to the more distant, from particulars to generalities, from the earth to the stars. He lifts up his eyes to the heavens and seeks to guide by their motions his erring footsteps. But we neither appreciate the conditions of knowledge to which he was subjected, nor have the ideas which fastened upon his imagination the same hold upon us.…