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Pierre-Joseph Proudhon

Proudhon

Idioma:
inglés
Estado:
Obra completa
Autoría:
Escrita por el autor
Estado del texto:
Sin ruido de escaneo detectado (medición automática sobre todo el texto, no revisada a mano)
Extensión:
~180.000 palabras · 844 pasajes
Cita esta obra
  • APAProudhon. (n.d.). What is Property? An Inquiry into the Principle of Right and of Government [Pierre-Joseph Proudhon]. Digital reproduction: SigPhi. https://sigphiai.com/es/works/proudhon/what-is-property-an-inquiry-into-the-principle-of-right-and-of-government
  • MLAProudhon. What is Property? An Inquiry into the Principle of Right and of Government [Pierre-Joseph Proudhon]. Digital reproduction, SigPhi, https://sigphiai.com/es/works/proudhon/what-is-property-an-inquiry-into-the-principle-of-right-and-of-government.
  • ChicagoProudhon. What is Property? An Inquiry into the Principle of Right and of Government [Pierre-Joseph Proudhon]. Digital reproduction, SigPhi. https://sigphiai.com/es/works/proudhon/what-is-property-an-inquiry-into-the-principle-of-right-and-of-government.

Referencia de la edición que reproduce SigPhi: SigPhi es su reproducción digital, no el editor. El año de la edición no consta en los metadatos (por eso «n.d.») y el traductor solo aparece cuando consta.

De qué trata

El libro que empieza con la pregunta del título y la responde con la frase que se ha citado siempre: la propiedad es un robo.

Contexto e historia

Publicado en 1840. La frase pide una precisión que el libro hace y que casi nunca se le añade: Proudhon no ataca la posesión —el derecho de alguien a usar lo que trabaja— sino la propiedad entendida como el derecho a cobrar por una cosa sin trabajarla, la renta y el interés. También es el primer libro donde alguien se llama anarquista a sí mismo y lo reivindica. Marx lo elogió cuando salió y lo atacó duramente siete años después, en otro libro que también está en este catálogo.

Contexto editorial, no una fuente citable: a diferencia de los pasajes de la obra, estos datos no se pueden comprobar contra el corpus.

Cómo empieza
There are those to whom letter-writing is a bore, and who, assailed with questions and compliments, reply in the greatest haste, solely that the job may be over with, and who return politeness for politeness, mingling it with more or less wit. This kind of correspondence, though coming from celebrated people, is insignificant and unworthy of collection and classification. "After those who write letters in performance of a disagreeable duty, and almost side by side with them in point of insignificance, I should put those who write in a manner wholly external, wholly superficial, devoted only to flattery, lavishing praise like gold, without counting it; and those also who weigh every word, who reply formally and pompously, with a view to fine phrases and effects. They exchange words only, and choose them solely for their brilliancy and show. You think it is you, individually, to whom they speak; but they are addressing themselves in your person to the four corners of Europe. Such letters are empty, and teach as nothing but theatrical execution and the favorite pose of their writers. "I will not class among the latter the more prudent and sagacious authors who, when writing to individuals, keep one eye on posterity. We know that many who pursue this method have written long, finished, charming, flattering, and tolerably natural letters. Beranger furnishes us with the best example of this class. "Proudhon, however, is a man of entirely different nature and habits. In writing, he thinks of nothing but his idea and the person whom he addresses: ad rem et ad hominem. A man of conviction and doctrine, to write does not weary him; to be questioned does not annoy him.…

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