Rasgos ingleses
- Idioma:
- inglés
- Estado:
- Obra completa
- Autoría:
- Escrita por el autor
- Estado del texto:
- Texto limpio
- Extensión:
- ~67.600 palabras · 321 pasajes
Cita esta obra
- APARalph Waldo Emerson. (n.d.). Rasgos ingleses. SigPhi. https://sigphiai.com/es/works/ralph-waldo-emerson/english-traits
- MLARalph Waldo Emerson. "Rasgos ingleses." SigPhi, https://sigphiai.com/es/works/ralph-waldo-emerson/english-traits.
- ChicagoRalph Waldo Emerson. Rasgos ingleses. SigPhi. https://sigphiai.com/es/works/ralph-waldo-emerson/english-traits.
De qué trata
Rasgos ingleses (1856): lo que Emerson vio en Inglaterra en dos viajes.
Contexto e historia
Un libro de viajes que es sobre todo un retrato del carácter nacional, hecho por alguien que admiraba a los ingleses y desconfiaba de ellos a la vez. Contiene sus conversaciones con Carlyle y con Wordsworth.
Contexto editorial, no una fuente citable: a diferencia de los pasajes de la obra, estos datos no se pueden comprobar contra el corpus.
I have been twice in England. In 1833, on my return from a short tour in Sicily, Italy, and France, I crossed from Boulogne, and landed in London at the Tower stairs. It was a dark Sunday morning; there were few people in the streets; and I remember the pleasure of that first walk on English ground, with my companion, an American artist, from the Tower up through Cheapside and the Strand, to a house in Russell Square, whither we had been recommended to good chambers. For the first time for many months we were forced to check the saucy habit of travellers' criticism, as we could no longer speak aloud in the streets without being understood. The shop-signs spoke our language; our country names were on the door-plates; and the public and private buildings wore a more native and wonted front. Like most young men at that time, I was much indebted to the men of Edinburgh, and of the Edinburgh Review,--to Jeffrey, Mackintosh, Hallam, and to Scott, Playfair, and De Quincey; and my narrow and desultory reading had inspired the wish to see the faces of three or four writers,--Coleridge, Wordsworth, Landor, De Quincey, and the latest and strongest contributor to the critical journals, Carlyle; and I suppose if I had sifted the reasons that led me to Europe, when I was ill and was advised to travel, it was mainly the attraction of these persons. If Goethe had been still living, I might have wandered into Germany also. Besides those I have named (for Scott was dead), there was not in Britain the man living whom I cared to behold, unless it were the Duke of Wellington, whom I afterwards saw at Westminster Abbey, at the funeral of Wilberforce. The young scholar fancies it happiness enough to live with people who can give an inside to the world; without reflecting that they are prisoners, too, of their own thought, and cannot apply themselves to yours.…
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← Volver a Ralph Waldo Emerson