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Ensayos — segunda serie

Ralph Waldo Emerson

Idioma:
inglés
Estado:
Obra completa
Autoría:
Escrita por el autor
Estado del texto:
Texto limpio
Extensión:
~58.900 palabras · 280 pasajes
Cita esta obra
  • APARalph Waldo Emerson. (n.d.). Ensayos — segunda serie. SigPhi. https://sigphiai.com/es/works/ralph-waldo-emerson/essays-second-series
  • MLARalph Waldo Emerson. "Ensayos — segunda serie." SigPhi, https://sigphiai.com/es/works/ralph-waldo-emerson/essays-second-series.
  • ChicagoRalph Waldo Emerson. Ensayos — segunda serie. SigPhi. https://sigphiai.com/es/works/ralph-waldo-emerson/essays-second-series.

De qué trata

La segunda serie (1844): El poeta, Experiencia, Carácter, Naturaleza.

Contexto e historia

Experiencia es lo más oscuro que escribió y lo mejor: está marcado por la muerte de su hijo de cinco años, y en él dice que ni siquiera el duelo consigue enseñarnos nada. Quien solo conozca al Emerson optimista, no lo ha leído. **Una nota sobre la edición: el volumen Essays by Ralph Waldo Emerson reúne esta serie y la primera. No es un duplicado.**

Contexto editorial, no una fuente citable: a diferencia de los pasajes de la obra, estos datos no se pueden comprobar contra el corpus.

Cómo empieza
Those who are esteemed umpires of taste are often persons who have acquired some knowledge of admired pictures or sculptures, and have an inclination for whatever is elegant; but if you inquire whether they are beautiful souls, and whether their own acts are like fair pictures, you learn that they are selfish and sensual. Their cultivation is local, as if you should rub a log of dry wood in one spot to produce fire, all the rest remaining cold. Their knowledge of the fine arts is some study of rules and particulars, or some limited judgment of color or form, which is exercised for amusement or for show. It is a proof of the shallowness of the doctrine of beauty as it lies in the minds of our amateurs, that men seem to have lost the perception of the instant dependence of form upon soul. There is no doctrine of forms in our philosophy. We were put into our bodies, as fire is put into a pan to be carried about; but there is no accurate adjustment between the spirit and the organ, much less is the latter the germination of the former. So in regard to other forms, the intellectual men do not believe in any essential dependence of the material world on thought and volition.…

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