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Nature

Ralph Waldo Emerson

Idioma:
inglés
Estado:
Obra completa
Autoría:
Escrita por el autor
Estado del texto:
Sin ruido de escaneo detectado (medición automática sobre todo el texto, no revisada a mano)
Extensión:
~15.600 palabras · 74 pasajes
Cita esta obra
  • APARalph Waldo Emerson. (n.d.). Nature. Digital reproduction: SigPhi. https://sigphiai.com/es/works/ralph-waldo-emerson/nature
  • MLARalph Waldo Emerson. Nature. Digital reproduction, SigPhi, https://sigphiai.com/es/works/ralph-waldo-emerson/nature.
  • ChicagoRalph Waldo Emerson. Nature. Digital reproduction, SigPhi. https://sigphiai.com/es/works/ralph-waldo-emerson/nature.

Referencia de la edición que reproduce SigPhi: SigPhi es su reproducción digital, no el editor. El año de la edición no consta en los metadatos (por eso «n.d.») y el traductor solo aparece cuando consta.

De qué trata

Naturaleza (1836): el texto que, escrito a los treinta años, fundó el trascendentalismo norteamericano.

Contexto e historia

Se publicó anónimo y sin ruido, pero ahí está Emerson entero: la naturaleza como lenguaje, el ojo que se vuelve transparente y la pregunta de por qué habríamos de mirar el mundo con los ojos de los muertos. **Nota sobre la edición: este texto está también dentro del volumen Miscellanies embracing Nature, addresses, and lectures, que figura en el catálogo. No son un duplicado: son dos unidades editoriales distintas y las dos se quedan.**

Contexto editorial, no una fuente citable: a diferencia de los pasajes de la obra, estos datos no se pueden comprobar contra el corpus.

Cómo empieza
petulance, when we explore the steady and prodigal provision that has been made for his support and delight on this green ball which floats him through the heavens. What angels invented these splendid ornaments, these rich conveniences, this ocean of air above, this ocean of water beneath, this firmament of earth between? this zodiac of lights, this tent of dropping clouds, this striped coat of climates, this fourfold year? Beasts, fire, water, stones, and corn serve him. The field is at once his floor, his work-yard, his play-ground, his garden, and his bed. "More servants wait on man Than he'll take notice of."-- Nature, in its ministry to man, is not only the material, but is also the process and the result. All the parts incessantly work into each other's hands for the profit of man. The wind sows the seed; the sun evaporates the sea; the wind blows the vapor to the field; the ice, on the other side of the planet, condenses rain on this; the rain feeds the plant; the plant feeds the animal; and thus the endless circulations of the divine charity nourish man. The useful arts are reproductions or new combinations by the wit of man, of the same natural benefactors. He no longer waits for favoring gales, but by means of steam, he realizes the fable of Aeolus's bag, and carries the two and thirty winds in the boiler of his boat. To diminish friction, he paves the road with iron bars, and, mounting a coach with a ship-load of men, animals, and merchandise behind him, he darts through the country, from town to town, like an eagle or a swallow through the air. By the aggregate of these aids, how is the face of the world changed, from the era of Noah to that of Napoleon! The private poor man hath cities, ships, canals, bridges, built for him.…

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