Cape Cod
- Idioma:
- inglés
- Estado:
- Obra completa
- Autoría:
- Escrita por el autor
- Estado del texto:
- Sin ruido de escaneo detectado (medición automática sobre todo el texto, no revisada a mano)
- Extensión:
- ~76.200 palabras · 362 pasajes
Cita esta obra
- APAHenry David Thoreau. (n.d.). Cape Cod. Digital reproduction: SigPhi. https://sigphiai.com/es/works/thoreau/cape-cod
- MLAHenry David Thoreau. Cape Cod. Digital reproduction, SigPhi, https://sigphiai.com/es/works/thoreau/cape-cod.
- ChicagoHenry David Thoreau. Cape Cod. Digital reproduction, SigPhi. https://sigphiai.com/es/works/thoreau/cape-cod.
Referencia de la edición reproducida. SigPhi es la reproducción digital. Se incluyen año, editorial y traductor cuando constan; «n.d.» indica que no consta el año.
De qué trata
El libro que Thoreau hizo de cuatro viajes a la península de Cape Cod entre 1849 y 1857: el más sombrío y el más divertido de los suyos.
Contexto e historia
Empieza con una escena que decide el tono: el día que llega, un barco de emigrantes irlandeses acaba de naufragar y la playa está llena de cadáveres que la gente va identificando. A partir de ahí Thoreau recorre a pie la costa exterior, la que da al océano abierto, y escribe sobre la arena, la fiereza del mar, los naufragios, los habitantes —pescadores, ostreros, un viejo que le cuenta mentiras magníficas— y la vegetación que aguanta donde no hay tierra. La naturaleza de aquí no es la de «Walden»: no consuela a nadie y no está hecha para nosotros. Se publicó póstumamente en 1865, y es el libro donde su humor seco es más visible.
Contexto editorial, no una fuente citable: a diferencia de los pasajes de la obra, estos datos no se pueden comprobar contra el corpus.
absorb the greater part of the old clothes of the Cape, leaving but few rags for the pedlers. The wind-mills on the hills,—large weather-stained octagonal structures,—and the salt-works scattered all along the shore, with their long rows of vats resting on piles driven into the marsh, their low, turtle-like roofs, and their slighter wind-mills, were novel and interesting objects to an inlander. The sand by the road-side was partially covered with bunches of a moss-like plant, _Hudsonia tomentosa_, which a woman in the stage told us was called “poverty-grass,” because it grew where nothing else would. I was struck by the pleasant equality which reigned among the stage company, and their broad and invulnerable good-humor. They were what is called free and easy, and met one another to advantage, as men who had at length learned how to live. They appeared to know each other when they were strangers, they were so simple and downright. They were well met, in an unusual sense, that is, they met as well as they could meet, and did not seem to be troubled with any impediment. They were not afraid nor ashamed of one another, but were contented to make just such a company as the ingredients allowed. It was evident that the same foolish respect was not here claimed for mere wealth and station that is in many parts of New England; yet some of them were the “first people,” as they are called, of the various towns through which we passed. Retired sea-captains, in easy circumstances, who talked of farming as sea-captains are wont; an erect, respectable, and trustworthy-looking man, in his wrapper, some of the salt of the earth, who had formerly been the salt of the sea; or a more courtly gentleman, who, perchance, had been a representative to the General Court in his day; or a broad, red-faced Cape Cod man, who had seen too many storms to be easily irritated; or a fisherman’s wife, who had been waiting a week for a coaster to leave Boston, and had at…