La signification sociale du drame moderne
- Langue:
- anglais
- État:
- Œuvre complète
- Paternité:
- Écrite par l'auteur
- État du texte:
- Aucun bruit de numérisation détecté (mesure automatique sur tout le texte, non vérifiée à la main)
- Étendue:
- ~73 500 mots · 349 passages
Citer cette œuvre
- APAEmma Goldman. (n.d.). The Social Significance of the Modern Drama [La signification sociale du drame moderne]. Digital reproduction: SigPhi. https://sigphiai.com/fr/works/emma-goldman/the-social-significance-of-the-modern-drama
- MLAEmma Goldman. The Social Significance of the Modern Drama [La signification sociale du drame moderne]. Digital reproduction, SigPhi, https://sigphiai.com/fr/works/emma-goldman/the-social-significance-of-the-modern-drama.
- ChicagoEmma Goldman. The Social Significance of the Modern Drama [La signification sociale du drame moderne]. Digital reproduction, SigPhi. https://sigphiai.com/fr/works/emma-goldman/the-social-significance-of-the-modern-drama.
Référence de l’édition reproduite. SigPhi est la reproduction numérique. Année, éditeur et traducteur sont indiqués lorsqu’ils sont connus ; « n.d. » signale une année inconnue.
De quoi il s'agit
Goldman lisant le théâtre de son temps — Ibsen, Strindberg, Shaw, Tchekhov, Tolstoï — comme une force sociale.
Contexte et histoire
Cela vient de ses tournées de conférences américaines, où le théâtre lui permettait d'aborder tout ce que la censure aurait coupé si elle l'avait dit directement. Comme critique théâtrale, cela a vieilli ; comme document sur la façon dont les idées voyagent dans l'art, non.
Contexte éditorial, non une source citable : contrairement aux passages de l'œuvre, ces données ne peuvent pas être vérifiées dans le corpus.
When _Nora_ closes behind her the door of her doll's house, she opens wide the gate of life for woman, and proclaims the revolutionary message that only perfect freedom and communion make a true bond between man and woman, meeting in the open, without lies, without shame, free from the bondage of duty. GHOSTS The social and revolutionary significance of Henrik Ibsen is brought out with even greater force in "Ghosts" than in his preceding works. Not only does this pioneer of modern dramatic art undermine in "Ghosts" the Social Lie and the paralyzing effect of Duty, but the uselessness and evil of Sacrifice, the dreary Lack of Joy and of Purpose in Work are brought to light as most pernicious and destructive elements in life. _Mrs. Alving_, having made what her family called a most admirable match, discovers shortly after her marriage that her husband is a drunkard and a _roué_. In her despair she flees to her young friend, the divinity student _Manders_. But he, preparing to save souls, even though they be encased in rotten bodies, sends _Mrs. Alving_ back to her husband and her duties toward her home. _Helen Alving_ is young and immature. Besides, she loves young _Manders_; his command is law to her. She returns home, and for twenty-five years suffers all the misery and torture of the damned. That she survives is due mainly to her passionate love for the child born of that horrible relationship--her boy _Oswald_, her all in life. He must be saved at any cost. To do that, she had sacrificed her great yearning for him and sent him away from the poisonous atmosphere of her home. And now he has returned, fine and free, much to the disgust of _Pastor Manders_, whose limited vision cannot conceive that out in the large world free men and women can live a decent and creative life. _Manders.…
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