Теэтет

In this uncertainty about the place of the Theaetetus, it seemed better, as in the case of the Republic, Timaeus, Critias, to retain the order in which Plato himself has arranged this and the two companion dialogues. We cannot exclude the possibility which has been already noticed in reference to other works of Plato, that the Theaetetus may not have been all written continuously; or the probability that the Sophist and Politicus, which differ greatly in style, were only appended after a long interval of time. The allusion to Parmenides compared with the Sophist, would probably imply that the dialogue which is called by his name was already in existence; unless, indeed, we suppose the passage in which the allusion occurs to have been inserted afterwards. Again, the Theaetetus may be connected with the Gorgias, either dialogue from different points of view containing an analysis of the real and apparent (Schleiermacher); and both may be brought into relation with the Apology as illustrating the personal life of Socrates. The Philebus, too, may with equal reason be placed either after or before what, in the language of Thrasyllus, may be called the Second Platonic Trilogy. Both the Parmenides and the Sophist, and still more the Theaetetus, have points of affinity with the Cratylus, in which the principles of rest and motion are again contrasted, and the Sophistical or Protagorean theory of language is opposed to that which is attributed to the disciple of Heracleitus, not to speak of lesser resemblances in thought and language. The Parmenides, again, has been thought by some to hold an intermediate position between the Theaetetus and the Sophist; upon this view, the Sophist may be regarded as the answer to the problems about One and Being which have been raised in the Parmenides. Any of these arrangements may suggest new views to the student of Plato; none of them can lay claim to an exclusive probability in its favour.…