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Dialogues Concerning Natural Religion

大卫·休谟

语言:
英语
状态:
完整作品
作者归属:
作者本人所著
文本状况:
文本清晰
篇幅:
约 38,500 词 · 183 个段落
引用本作品
  • APA大卫·休谟. (n.d.). Dialogues Concerning Natural Religion. SigPhi. https://sigphiai.com/zh/works/david-hume/dialogues-concerning-natural-religion
  • MLA大卫·休谟. "Dialogues Concerning Natural Religion." SigPhi, https://sigphiai.com/zh/works/david-hume/dialogues-concerning-natural-religion.
  • Chicago大卫·休谟. Dialogues Concerning Natural Religion. SigPhi. https://sigphiai.com/zh/works/david-hume/dialogues-concerning-natural-religion.

内容简介

《自然宗教对话录》:1779年出版,在他死后三年。

背景与流传

休谟把它在抽屉里放了二十五年,因为他知道它会惹出什么,于是安排在身后发表。三个人物争论世界的秩序是否证明有神;设计论证从此再没有完全恢复过来。

这是编辑性背景,不是可引用的来源:与作品本身的段落不同,这些说明无法在语料库中核对。

开篇
It has been remarked, my HERMIPPUS, that though the ancient philosophers conveyed most of their instruction in the form of dialogue, this method of composition has been little practised in later ages, and has seldom succeeded in the hands of those who have attempted it. Accurate and regular argument, indeed, such as is now expected of philosophical inquirers, naturally throws a man into the methodical and didactic manner; where he can immediately, without preparation, explain the point at which he aims; and thence proceed, without interruption, to deduce the proofs on which it is established. To deliver a SYSTEM in conversation, scarcely appears natural; and while the dialogue-writer desires, by departing from the direct style of composition, to give a freer air to his performance, and avoid the appearance of Author and Reader, he is apt to run into a worse inconvenience, and convey the image of Pedagogue and Pupil. Or, if he carries on the dispute in the natural spirit of good company, by throwing in a variety of topics, and preserving a proper balance among the speakers, he often loses so much time in preparations and transitions, that the reader will scarcely think himself compensated, by all the graces of dialogue, for the order, brevity, and precision, which are sacrificed to them. There are some subjects, however, to which dialogue-writing is peculiarly adapted, and where it is still preferable to the direct and simple method of composition. Any point of doctrine, which is so obvious that it scarcely admits of dispute, but at the same time so important that it cannot be too often inculcated, seems to require some such method of handling it; where the novelty of the manner may compensate the triteness of the subject; where the vivacity of conversation may enforce the precept; and where the variety of lights, presented by various personages and characters,…

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