人性的,太人性的
- 语言:
- 英语
- 状态:
- 完整作品
- 作者归属:
- 作者本人所著
- 文本状况:
- 文本清晰
- 篇幅:
- 约 98,100 词 · 466 个段落
引用本作品
- APA尼采. (n.d.). 人性的,太人性的. SigPhi. https://sigphiai.com/zh/works/nietzsche/human-all-too-human-a-book-for-free-spirits-part-1
- MLA尼采. "人性的,太人性的." SigPhi, https://sigphiai.com/zh/works/nietzsche/human-all-too-human-a-book-for-free-spirits-part-1.
- Chicago尼采. 人性的,太人性的. SigPhi. https://sigphiai.com/zh/works/nietzsche/human-all-too-human-a-book-for-free-spirits-part-1.
内容简介
《人性的,太人性的》(1878)第一部:尼采在这本书里与瓦格纳决裂、与叔本华决裂,也与自己决裂。
背景与流传
一切都变了:从论著变成箴言,从浪漫主义变成怀疑,从形而上学变成心理学。新的做法是:面对一种高尚的感情,不去赞美它,而去问它从哪里来——此后全部的道德批判都由此而来。 英译本,出自奥斯卡·利维主编的全集(1909-1913),也就是进入公共领域的那一套。它有一百多年了,读得出来。原文是德文,引用应以原文为准:目录中有两部德文本,《查拉图斯特拉如是说》和《权力意志》;其余的这里只有译本。
这是编辑性背景,不是可引用的来源:与作品本身的段落不同,这些说明无法在语料库中核对。
I have been told frequently, and always with great surprise, that there is something common and distinctive in all my writings, from the _Birth of Tragedy_ to the latest published _Prelude to a Philosophy of the Future._ They all contain, I have been told, snares and nets for unwary birds, and an almost perpetual unconscious demand for the inversion of customary valuations and valued customs. What? _Everything_ only--human-all-too-human? People lay down my writings with this sigh, not without a certain dread and distrust of morality itself, indeed almost tempted and encouraged to become advocates of the _worst_ things: as being perhaps only the _best_ disparaged? My writings have been called a school of suspicion and especially of disdain, more happily, also, a school of courage and even of audacity. Indeed, I myself do not think that any one has ever looked at the world with such a profound suspicion; and not only as occasional Devil's Advocate, but equally also, to speak theologically, as enemy and impeacher of God; and he who realises something of the consequences involved, in every profound suspicion, something of the chills and anxieties of loneliness to which every uncompromising _difference of outlook_ condemns him who is affected therewith, will also understand how often I sought shelter in some kind of reverence or hostility, or scientificality or levity or stupidity, in order to recover from myself, and, as it were, to obtain temporary self-forgetfulness; also why, when I did not find what I _needed,_ I was obliged to manufacture it, to counterfeit and to imagine it in a suitable manner (and what else have poets ever done? And for what purpose has all the art in the world existed?).…