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Humano, demasiado humano

Nietzsche

Idioma:
inglés
Estado:
Obra completa
Autoría:
Escrita por el autor
Estado del texto:
Texto limpio
Extensión:
~98.100 palabras · 466 pasajes
Cita esta obra
  • APANietzsche. (n.d.). Humano, demasiado humano. SigPhi. https://sigphiai.com/es/works/nietzsche/human-all-too-human-a-book-for-free-spirits-part-1
  • MLANietzsche. "Humano, demasiado humano." SigPhi, https://sigphiai.com/es/works/nietzsche/human-all-too-human-a-book-for-free-spirits-part-1.
  • ChicagoNietzsche. Humano, demasiado humano. SigPhi. https://sigphiai.com/es/works/nietzsche/human-all-too-human-a-book-for-free-spirits-part-1.

De qué trata

Humano, demasiado humano (1878), primera parte: el libro donde Nietzsche rompe con Wagner, con Schopenhauer y consigo mismo.

Contexto e historia

Cambia todo: del tratado al aforismo, del romanticismo a la sospecha, de la metafísica a la psicología. El método nuevo consiste en preguntar de dónde viene un sentimiento noble en vez de admirarlo, y de aquí sale toda la crítica posterior de la moral. Es una traducción inglesa de la edición completa dirigida por Oscar Levy (1909-1913), la que está en dominio público. Tiene más de un siglo y se le nota. El original es ALEMÁN, y al citar hay que seguir el original: en el catálogo hay dos, Also sprach Zarathustra y Der Wille zur Macht; del resto, aquí solo está la traducción.

Contexto editorial, no una fuente citable: a diferencia de los pasajes de la obra, estos datos no se pueden comprobar contra el corpus.

Cómo empieza
I have been told frequently, and always with great surprise, that there is something common and distinctive in all my writings, from the _Birth of Tragedy_ to the latest published _Prelude to a Philosophy of the Future._ They all contain, I have been told, snares and nets for unwary birds, and an almost perpetual unconscious demand for the inversion of customary valuations and valued customs. What? _Everything_ only--human-all-too-human? People lay down my writings with this sigh, not without a certain dread and distrust of morality itself, indeed almost tempted and encouraged to become advocates of the _worst_ things: as being perhaps only the _best_ disparaged? My writings have been called a school of suspicion and especially of disdain, more happily, also, a school of courage and even of audacity. Indeed, I myself do not think that any one has ever looked at the world with such a profound suspicion; and not only as occasional Devil's Advocate, but equally also, to speak theologically, as enemy and impeacher of God; and he who realises something of the consequences involved, in every profound suspicion, something of the chills and anxieties of loneliness to which every uncompromising _difference of outlook_ condemns him who is affected therewith, will also understand how often I sought shelter in some kind of reverence or hostility, or scientificality or levity or stupidity, in order to recover from myself, and, as it were, to obtain temporary self-forgetfulness; also why, when I did not find what I _needed,_ I was obliged to manufacture it, to counterfeit and to imagine it in a suitable manner (and what else have poets ever done? And for what purpose has all the art in the world existed?).…

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