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Sélections des écrits de Kierkegaard

Søren Kierkegaard

Langue:
anglais
État:
Choix ou œuvre partielle
Paternité:
Écrite par l'auteur
État du texte:
Aucun bruit de numérisation détecté (mesure automatique sur tout le texte, non vérifiée à la main)
Étendue:
~100 000 mots · 496 passages
Citer cette œuvre
  • APASøren Kierkegaard. (n.d.). Selections from the writings of Kierkegaard [Sélections des écrits de Kierkegaard]. Digital reproduction: SigPhi. https://sigphiai.com/fr/works/kierkegaard/selections-from-the-writings-of-kierkegaard
  • MLASøren Kierkegaard. Selections from the writings of Kierkegaard [Sélections des écrits de Kierkegaard]. Digital reproduction, SigPhi, https://sigphiai.com/fr/works/kierkegaard/selections-from-the-writings-of-kierkegaard.
  • ChicagoSøren Kierkegaard. Selections from the writings of Kierkegaard [Sélections des écrits de Kierkegaard]. Digital reproduction, SigPhi. https://sigphiai.com/fr/works/kierkegaard/selections-from-the-writings-of-kierkegaard.

Référence de l'édition que reproduit SigPhi : SigPhi en est la reproduction numérique, pas l'éditeur. L'année de l'édition ne figure pas dans les métadonnées (d'où « n.d. ») et le traducteur n'apparaît que lorsqu'il est connu.

De quoi il s'agit

Une anthologie anglaise de Kierkegaard.

Contexte et histoire

**Attention : c'est un choix**, et Kierkegaard est un auteur que les anthologies abîment particulièrement : il écrivait sous des pseudonymes qui se contredisent à dessein, et lire des fragments détachés fait disparaître exactement cela. Le catalogue contient aussi des œuvres complètes de lui.

Contexte éditorial, non une source citable : contrairement aux passages de l'œuvre, ces données ne peuvent pas être vérifiées dans le corpus.

Comment cela commence
had had nothing to do with the world, had been neither aroused and fired, nor disquieted and disturbed. Like a sleep-walker he bore the law of his actions within himself, and the amiable, kindly expression of his countenance concerned no one, but only mirrored the disposition of his soul. Selections from the Writings of Kierkegaard 47 The other person they called the Dressmaker, and that was his occupation. Of him it was impossible to get a consistent impression. He was dressed according to the very latest fashion, with his hair curled and perfumed, fragrant with eau-de-cologne. One moment his carriage did not lack self-possession, whereas in the next it assumed a certain dancing, festive air, a certain hovering motion which, however, was kept in rather definite bounds by the robustness of his figure. Even when he was most malicious in his speech his voice ever had a touch of the smooth-tonguedness of the shop, the suaveness of the dealer in fancy-goods, which evidently was utterly disgusting to himself and only satisfied his spirit of defiance. As I think of him now I understand him better, to be sure, than when I first saw him step out of his carriage and I involuntarily laughed. At the same time there is some contradiction left still. He had transformed or bewitched himself, had by the magic of his own will assumed the appearance of one almost halfwitted, but had not thereby entirely satisfied himself; and this is why his reflectiveness now and then peered forth from beneath his disguise.

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