Maria, ou les torts faits à la femme

resource to escape from sorrow, and the feverish dreams of ideal wretchedness or felicity, which equally weaken the intoxicated sensibility. Writing was then the only alternative, and she wrote some rhapsodies descriptive of the state of her mind; but the events of her past life pressing on her, she resolved circumstantially to relate them, with the sentiments that experience, and more matured reason, would naturally suggest. They might perhaps instruct her daughter, and shield her from the misery, the tyranny, her mother knew not how to avoid. This thought gave life to her diction, her soul flowed into it, and she soon found the task of recollecting almost obliterated impressions very interesting. She lived again in the revived emotions of youth, and forgot her present in the retrospect of sorrows that had assumed an unalterable character. Though this employment lightened the weight of time, yet, never losing sight of her main object, Maria did not allow any opportunity to slip of winning on the affections of Jemima; for she discovered in her a strength of mind, that excited her esteem, clouded as it was by the misanthropy of despair. An insulated being, from the misfortune of her birth, she despised and preyed on the society by which she had been oppressed, and loved not her fellow-creatures, because she had never been beloved. No mother had ever fondled her, no father or brother had protected her from outrage; and the man who had plunged her into infamy, and deserted her when she stood in greatest need of support, deigned not to smooth with kindness the road to ruin. Thus degraded, was she let loose on the world; and virtue, never nurtured by affection, assumed the stern aspect of selfish independence. This general view of her life, Maria gathered from her exclamations and dry remarks.…