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Traits anglais

Ralph Waldo Emerson

Langue:
anglais
État:
Œuvre complète
Paternité:
Écrite par l'auteur
État du texte:
Texte propre
Étendue:
~67 600 mots · 321 passages
Citer cette œuvre
  • APARalph Waldo Emerson. (n.d.). Traits anglais. SigPhi. https://sigphiai.com/fr/works/ralph-waldo-emerson/english-traits
  • MLARalph Waldo Emerson. "Traits anglais." SigPhi, https://sigphiai.com/fr/works/ralph-waldo-emerson/english-traits.
  • ChicagoRalph Waldo Emerson. Traits anglais. SigPhi. https://sigphiai.com/fr/works/ralph-waldo-emerson/english-traits.

De quoi il s'agit

English Traits (1856) : ce qu'Emerson a vu en Angleterre au cours de deux voyages.

Contexte et histoire

Un livre de voyage qui est surtout un portrait de caractère national, par quelqu'un qui admirait les Anglais et s'en méfiait à la fois. On y trouve ses conversations avec Carlyle et avec Wordsworth.

Contexte éditorial, non une source citable : contrairement aux passages de l'œuvre, ces données ne peuvent pas être vérifiées dans le corpus.

Comment cela commence
I have been twice in England. In 1833, on my return from a short tour in Sicily, Italy, and France, I crossed from Boulogne, and landed in London at the Tower stairs. It was a dark Sunday morning; there were few people in the streets; and I remember the pleasure of that first walk on English ground, with my companion, an American artist, from the Tower up through Cheapside and the Strand, to a house in Russell Square, whither we had been recommended to good chambers. For the first time for many months we were forced to check the saucy habit of travellers' criticism, as we could no longer speak aloud in the streets without being understood. The shop-signs spoke our language; our country names were on the door-plates; and the public and private buildings wore a more native and wonted front. Like most young men at that time, I was much indebted to the men of Edinburgh, and of the Edinburgh Review,--to Jeffrey, Mackintosh, Hallam, and to Scott, Playfair, and De Quincey; and my narrow and desultory reading had inspired the wish to see the faces of three or four writers,--Coleridge, Wordsworth, Landor, De Quincey, and the latest and strongest contributor to the critical journals, Carlyle; and I suppose if I had sifted the reasons that led me to Europe, when I was ill and was advised to travel, it was mainly the attraction of these persons. If Goethe had been still living, I might have wandered into Germany also. Besides those I have named (for Scott was dead), there was not in Britain the man living whom I cared to behold, unless it were the Duke of Wellington, whom I afterwards saw at Westminster Abbey, at the funeral of Wilberforce. The young scholar fancies it happiness enough to live with people who can give an inside to the world; without reflecting that they are prisoners, too, of their own thought, and cannot apply themselves to yours.…

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