Société et solitude : douze chapitres
- Langue:
- anglais
- État:
- Œuvre complète
- Paternité:
- Écrite par l'auteur
- État du texte:
- Texte propre
- Étendue:
- ~66 500 mots · 316 passages
Citer cette œuvre
- APARalph Waldo Emerson. (n.d.). Société et solitude : douze chapitres. SigPhi. https://sigphiai.com/fr/works/ralph-waldo-emerson/society-and-solitude-twelve-chapters
- MLARalph Waldo Emerson. "Société et solitude : douze chapitres." SigPhi, https://sigphiai.com/fr/works/ralph-waldo-emerson/society-and-solitude-twelve-chapters.
- ChicagoRalph Waldo Emerson. Société et solitude : douze chapitres. SigPhi. https://sigphiai.com/fr/works/ralph-waldo-emerson/society-and-solitude-twelve-chapters.
De quoi il s'agit
Douze chapitres sur la vie parmi les autres et la vie à l'écart : les livres, l'art, l'éloquence, la vieillesse.
Contexte et histoire
L'Emerson des dernières années, et plus serein. Le chapitre sur les livres contient son conseil de lecture, sélectif jusqu'à la brutalité : ne jamais rien lire qui ait moins d'un an.
Contexte éditorial, non une source citable : contrairement aux passages de l'œuvre, ces données ne peuvent pas être vérifiées dans le corpus.
Entered according to Act of Congress, in the year 1870, by RALPH WALDO EMERSON, in the Clerk’s Office of the District Court of the District of Massachusetts. UNIVERSITY PRESS: WELCH, BIGELOW, & CO., CAMBRIDGE. CONTENTS. PAGE SOCIETY AND SOLITUDE 1 CIVILIZATION 15 ART 31 ELOQUENCE 53 DOMESTIC LIFE 91 FARMING 121 WORKS AND DAYS 139 BOOKS 167 CLUBS 199 COURAGE 225 SUCCESS 251 OLD AGE 279 SOCIETY AND SOLITUDE. SOCIETY AND SOLITUDE. I fell in with a humorist, on my travels, who had in his chamber a cast of the Rondanini Medusa, and who assured me that the name which that fine work of art bore in the catalogues was a misnomer, as he was convinced that the sculptor who carved it intended it for Memory, the mother of the Muses. In the conversation that followed, my new friend made some extraordinary confessions. “Do you not see,” he said, “the penalty of learning, and that each of these scholars whom you have met at S----, though he were to be the last man, would, like the executioner in Hood’s poem, guillotine the last but one?” He added many lively remarks, but his evident earnestness engaged my attention, and, in the weeks that followed, we became better acquainted. He had good abilities, a genial temper, and no vices; but he had one defect,--he could not speak in the tone of the people. There was some paralysis on his will, such that, when he met men on common terms, he spoke weakly, and from the point, like a flighty girl. His consciousness of the fault made it worse. He envied every drover and lumberman in the tavern their manly speech.…
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← Retour à Ralph Waldo Emerson