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Upanishad

Upanishads

Langue:
anglais
État:
Choix ou œuvre partielle
Paternité:
Anonyme ou composite
État du texte:
Texte propre
Étendue:
~19 400 mots · 92 passages
Citer cette œuvre
  • APAUpanishads. (n.d.). Upanishad. SigPhi. https://sigphiai.com/fr/works/upanishads/the-upanishads
  • MLAUpanishads. "Upanishad." SigPhi, https://sigphiai.com/fr/works/upanishads/the-upanishads.
  • ChicagoUpanishads. Upanishad. SigPhi. https://sigphiai.com/fr/works/upanishads/the-upanishads.

De quoi il s'agit

Les Upanishads.

Contexte et histoire

La fin des Védas et le commencement de la philosophie indienne : des dialogues et des poèmes d'entre le VIIIe et le IIIe siècle avant notre ère, qui passent du rite à la question de ce qu'il y a derrière tout. Brahman, ātman et le « tu es cela » viennent de là. Schopenhauer disait qu'ils avaient été la consolation de sa vie et qu'ils seraient celle de sa mort.

Contexte éditorial, non une source citable : contrairement aux passages de l'œuvre, ces données ne peuvent pas être vérifiées dans le corpus.

Comment cela commence
This volume is reverently dedicated to all seekers of truth and lovers of wisdom Preface The translator's idea of rendering the Upanishads into clear simple English, accessible to Occidental readers, had its origin in a visit paid to a Boston friend in 1909. The gentleman, then battling with a fatal malady, took from his library shelf a translation of the Upanishads and, opening it, expressed deep regret that the obscure and unfamiliar form shut from him what he felt to be profound and vital teaching. The desire to unlock the closed doors of this ancient treasure house, awakened at that time, led to a series of classes on the Upanishads at The Vedanta Centre of Boston during its early days in St. Botolph Street. The translation and commentary then given were transcribed and, after studious revision, were published in the Centre's monthly magazine, "The Message of the East," in 1913 and 1914.. Still further revision has brought it to its present form. So far as was consistent with a faithful rendering of the Sanskrit text, the Swami throughout his translation has sought to eliminate all that might seem obscure and confusing to the modern mind. While retaining in remarkable measure the rhythm and archaic force of the lines, he has tried not to sacrifice directness and simplicity of style. Where he has been obliged to use the Sanskrit term for lack of an exact English equivalent, he has invariably interpreted it by a familiar English word in brackets; and everything has been done to remove the sense of strangeness in order that the Occidental reader may not feel himself an alien in the new regions of thought opened to him. Even more has the Swami striven to keep the letter subordinate to the spirit.…

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