Apologia di Socrate
- Lingua:
- inglese
- Stato:
- Opera completa
- Autorialità:
- Scritta dall'autore
- Stato del testo:
- Nessun rumore di scansione rilevato (misura automatica su tutto il testo, non verificata a mano)
- Estensione:
- ~15.400 parole · 73 passi
Cita quest'opera
- APAPlatone. (n.d.). Apology [Apologia di Socrate]. Digital reproduction: SigPhi. https://sigphiai.com/it/works/plato/apology
- MLAPlatone. Apology [Apologia di Socrate]. Digital reproduction, SigPhi, https://sigphiai.com/it/works/plato/apology.
- ChicagoPlatone. Apology [Apologia di Socrate]. Digital reproduction, SigPhi. https://sigphiai.com/it/works/plato/apology.
Riferimento all’edizione riprodotta. SigPhi è la riproduzione digitale. Anno, editore e traduttore compaiono quando noti; «n.d.» indica un anno sconosciuto.
Di che cosa tratta
La difesa di Socrate davanti al tribunale di Atene che lo condannò a morte: perché ha passato la vita a interrogare i suoi concittadini e perché non smetterà di farlo nemmeno per salvarsi.
Contesto e storia
Nel 399 a.C. Atene processò Socrate per empietà e per corruzione dei giovani, e lo condannò a bere la cicuta. Platone, presente al processo e sui venticinque anni, scrisse questa versione del discorso pochi anni dopo. Non è un verbale giudiziario: è il ritratto che fissò per sempre la figura del filosofo che preferisce morire piuttosto che tacere. Con questo processo comincia, di fatto, la filosofia come genere letterario: quasi tutto ciò che Platone scrisse in seguito ne discende.
Contesto editoriale, non una fonte citabile: a differenza dei passi dell'opera, questi dati non si possono verificare sul corpus.
determined to refute it by finding “a wiser;” and first he went to the politicians, and then to the poets, and then to the craftsmen, but always with the same result—he found that they knew nothing, or hardly anything more than himself; and that the little advantage which in some cases they possessed was more than counter-balanced by their conceit of knowledge. He knew nothing, and knew that he knew nothing: they knew little or nothing, and imagined that they knew all things. Thus he had passed his life as a sort of missionary in detecting the pretended wisdom of mankind; and this occupation had quite absorbed him and taken him away both from public and private affairs. Young men of the richer sort had made a pastime of the same pursuit, “which was not unamusing.” And hence bitter enmities had arisen; the professors of knowledge had revenged themselves by calling him a villainous corrupter of youth, and by repeating the commonplaces about atheism and materialism and sophistry, which are the stock-accusations against all philosophers when there is nothing else to be said of them. The second accusation he meets by interrogating Meletus, who is present and can be interrogated. “If he is the corrupter, who is the improver of the citizens?” (Compare Meno.) “All men everywhere.” But how absurd, how contrary to analogy is this! How inconceivable too, that he should make the citizens worse when he has to live with them. This surely cannot be intentional; and if unintentional, he ought to have been instructed by Meletus, and not accused in the court. But there is another part of the indictment which says that he teaches men not to receive the gods whom the city receives, and has other new gods. “Is that the way in which he is supposed to corrupt the youth?” “Yes, it is.” “Has he only new gods, or none at all?” “None at all.” “What, not even the sun and moon?” “No; why, he says that the sun is a stone, and the moon earth.…