SigPhiSigPhi

マハーバーラタ (I)

マハーバーラタ

言語:
英語
状態:
完全な作品
著者性:
帰属(著者は議論あり)
テキストの状態:
良好なテキスト
分量:
約 770,000 語 · 3,680
この作品を引用
  • APAマハーバーラタ. (n.d.). マハーバーラタ (I). SigPhi. https://sigphiai.com/ja/works/mahabharata/the-mahabharata-vol-i-books-1-3-adi-sabha-vana-ganguli
  • MLAマハーバーラタ. "マハーバーラタ (I)." SigPhi, https://sigphiai.com/ja/works/mahabharata/the-mahabharata-vol-i-books-1-3-adi-sabha-vana-ganguli.
  • Chicagoマハーバーラタ. マハーバーラタ (I). SigPhi. https://sigphiai.com/ja/works/mahabharata/the-mahabharata-vol-i-books-1-3-adi-sabha-vana-ganguli.

何についての本か

『マハーバーラタ』の最初の三分の一。アーディ、サバー、ヴァナの三巻——一族の二つの系統の由来、すべての発端となる賭博の場面、そして森での流謫の年月。

背景と歴史

キサリ・モーハン・ガングリによる散文訳で、一八八三年から一八九六年にかけて成った、英語で最初の完訳である。長らく出版者プラタープ・チャンドラ・ローイの名を扉に掲げて刊行されたため、今なおローイの訳とする向きがある。この叙事詩は一人の作者のものでも一つの時代のものでもない。幾世紀もかけて成長したものであり、伝統自身が「ここに無いものは何処にも無い」と語る。筋の通った物語を求める者は、途中で丸ごとの論書に行き当たることになる。

これは編集上の背景であり、引用できる典拠ではありません。作品本文の一節とは異なり、これらの記述はコーパスで検証できません。

冒頭
Translated into English Prose from the Original Sanskrit Text by Kisari Mohan Ganguli [1883-1896] Scanned at sacred-texts.com, 2003. Proofed at Distributed Proofing, Juliet Sutherland, Project Manager. Additional proofing and formatting at sacred-texts.com, by J. B. Hare. TRANSLATOR’S PREFACE The object of a translator should ever be to hold the mirror upto his author. That being so, his chief duty is to represent so far as practicable the manner in which his author’s ideas have been expressed, retaining if possible at the sacrifice of idiom and taste all the peculiarities of his author’s imagery and of language as well. In regard to translations from the Sanskrit, nothing is easier than to dish up Hindu ideas, so as to make them agreeable to English taste. But the endeavour of the present translator has been to give in the following pages as literal a rendering as possible of the great work of Vyasa. To the purely English reader there is much in the following pages that will strike as ridiculous. Those unacquainted with any language but their own are generally very exclusive in matters of taste. Having no knowledge of models other than what they meet with in their own tongue, the standard they have formed of purity and taste in composition must necessarily be a narrow one. The translator, however, would ill-discharge his duty, if for the sake of avoiding ridicule, he sacrificed fidelity to the original. He must represent his author as he is, not as he should be to please the narrow taste of those entirely unacquainted with him. Mr. Pickford, in the preface to his English translation of the Mahavira Charita, ably defends a close adherence to the original even at the sacrifice of idiom and taste against the claims of what has been called ‘Free Translation,’

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