エンネアデス (I)
- 言語:
- 英語
- 状態:
- 完全な作品
- 著者性:
- 著者自身による
- テキストの状態:
- 良好なテキスト · 判読できない箇所 1 件は回答から除外しています
- 分量:
- 約 86,100 語 · 409 節
この作品を引用
- APAプロティノス. (n.d.). エンネアデス (I). SigPhi. https://sigphiai.com/ja/works/plotinus/plotinos-complete-works-v-1
- MLAプロティノス. "エンネアデス (I)." SigPhi, https://sigphiai.com/ja/works/plotinus/plotinos-complete-works-v-1.
- Chicagoプロティノス. エンネアデス (I). SigPhi. https://sigphiai.com/ja/works/plotinus/plotinos-complete-works-v-1.
何についての本か
ケネス・ガスリー訳プロティノス全四巻のうちの第一巻。本文庫にあるもう一方の版である。
背景と歴史
プロティノスは三世紀のローマで教えたが、公にするために書いたのではない。弟子のポルフュリオスが没後に遺稿を集め、九篇ずつ六組に配列した。「エンネアデス（九つ組）」の名はここから来る。この配列はプロティノス自身のものではない。彼の哲学はプラトンから出て、さらに先へ進む。有と思惟の彼方にある一者から、流出によって知性が生じ、知性から魂が、魂から感覚的世界が生じる。人間の魂はこの道を遡って上ることができる。師はそれを四度なしえた、とポルフュリオスは記す。新プラトン主義のすべてがここから出て、アウグスティヌスも、ディオニュシオスも、アラビアの哲学者たちも、フィチーノもルネサンスも、ここを通っていった。読者への注意：本目録には同じ材料の英訳が二種ある。『Select Works of Plotinus』（トマス・テイラー訳）と、四巻本『Plotinos Complete Works』（ケネス・ガスリー訳）で、訳文も配列も異なる。また『An Essay on the Beautiful』はエンネアス I.6 であり、両方に含まれている。誤りではない。同じ著者の別々の版である。引用の際は必ずどちらの版によるかを記し、できればエンネアスと論考の番号も添えたい。
これは編集上の背景であり、引用できる典拠ではありません。作品本文の一節とは異なり、これらの記述はコーパスで検証できません。
By PORPHYRY. (_Written when about 70 years of age, see 23._) I. PLOTINOS, LIKE PORPHYRY, DESPISED HIS PHYSICAL NATURE, BUT A PICTURE OF HIM WAS SECURED. Plotinos the philosopher, who lived recently, seemed ashamed of having a body. Consequently he never spoke of his family or home (Lycopolis, now Syout, in the Thebaid, in Egypt). He never would permit anybody to perpetuate him in a portrait or statue. One day that Amelius[1] begged him to allow a painting to be made of him, he said, "Is it not enough for me to have to carry around this image[2], in which nature has enclosed us? Must I besides transmit to posterity the image of this image as worthy of attention?" As Amelius never succeeded in getting Plotinos to reconsider his refusal, and to consent to give a sitting, Amelius begged his friend Carterius, the most famous painter of those times, to attend Plotinos's lectures, which were free to all. By dint of gazing at Plotinos, Carterius so filled his own imagination with Plotinos's features that he succeeded in painting them from memory. By his advice, Amelius directed Carterius in these labors, so that this portrait was a very good likeness. All this occurred without the knowledge of Plotinos. II. SICKNESS AND DEATH OF PLOTINOS; HIS BIRTHDAY UNKNOWN. Plotinos was subject to chronic digestive disorders; nevertheless, he never was willing to take any remedies, on the plea that it was unworthy of a man of his age to relieve himself by such means. Neither did he ever take any of the then popular "wild animal remedy," because, said he, he did not even eat the flesh of domestic animals, let alone that of savage ones. He never bathed, contenting himself, with daily massage at home. But when at the period of the plague, which was most virulent,[3] the man who rubbed him died of it, he gave up the massage.…