SigPhiSigPhi

ペルシアの神秘主義者たち:ジャラール・ウッディーン・ルーミー

ルーミー

言語:
英語
状態:
抄録または部分的な作品
著者性:
著者自身による
テキストの状態:
スキャンのノイズは検出されていません (全文に対する自動測定で、人の目では確認していません)
分量:
約 19,400 語 · 92 節
この作品を引用
  • APAルーミー. (n.d.). The Persian Mystics: Jalalu'd-din Rumi [ペルシアの神秘主義者たち:ジャラール・ウッディーン・ルーミー]. Digital reproduction: SigPhi. https://sigphiai.com/ja/works/rumi/the-persian-mystics-jalalu-d-din-rumi
  • MLAルーミー. The Persian Mystics: Jalalu'd-din Rumi [ペルシアの神秘主義者たち:ジャラール・ウッディーン・ルーミー]. Digital reproduction, SigPhi, https://sigphiai.com/ja/works/rumi/the-persian-mystics-jalalu-d-din-rumi.
  • Chicagoルーミー. The Persian Mystics: Jalalu'd-din Rumi [ペルシアの神秘主義者たち:ジャラール・ウッディーン・ルーミー]. Digital reproduction, SigPhi. https://sigphiai.com/ja/works/rumi/the-persian-mystics-jalalu-d-din-rumi.

収録版の書誌情報です。SigPhi はデジタル複製です。判明している刊行年・出版社・翻訳者を記載し、年が不明の場合は「n.d.」と示します。

何についての本か

ルーミー、「ペルシアの神秘家」叢書より。

背景と歴史

ジャラールッディーン・ルーミー(一二〇七—一二七三)の『マスナヴィー』とガザルからの選集である。スーフィズムの詩人であり、旋舞教団の祖でもある。ここでの詩は思想の飾りではなく、思想の形そのものだ。『マスナヴィー』の冒頭にある、葦原から引き裂かれた葦は、一つの像であると同時に魂についての一つの主張である。

これは編集上の背景であり、引用できる典拠ではありません。作品本文の一節とは異なり、これらの記述はコーパスで検証できません。

収録版からの抜粋
Súfí poetry has greatly influenced Western thought. Many of the German mystics wrote as the Súfí poets had written before them. Particularly might be mentioned Eckhart, Tauler and Suso. Concerning the last mentioned I may quote the following passage to demonstrate my meaning: "Earthly friends must needs endure to be distinct and separate from those whom they love; but Thou, O fathomless sweetness of all true love, meltest into the heart of Thy beloved, and pourest Thyself fully into the essence of his soul, that nothing of Thee remains outside, but Thou art joined and united most lovingly with Thy beloved." There was rapturous language both with the Persian and German mystics. The great difference between them was that the German mystics, for the most part, were ascetics, the Persians were not. Then again in the nineteenth century Hegel was loud in his praise of Jalálu'd-Dín Rúmí, calling him a great thinker as well as a great poet, but somehow he seems to put Jalál's Pantheism first, his Mysticism second. Surely this was putting the cart before the horse? To trace the scope of the influence of Súfí thought in England would be extremely interesting, but the limits of this little book will not admit of our doing so. The influence was at first among the few; but optimistic lovers of the East believe that Oriental thought is daily becoming of more interest to Western minds. The student knows that Edward FitzGerald's rendering of Omar Khayyám, was anything but a faithful translation; that FitzGerald shook up Omar's words like so many dice and set them to the music of wine, roses, and pessimism. The Omar Khayyám Club read FitzGerald, but not Omar Khayyám, and in consequence they have fallen into the error of associating Omar with Bacchus. But, nevertheless, we must be grateful to FitzGerald. He has given us a great poem, and stirred, let us hope, many of his countless readers to a more faithful study of Persian poetry. The indefatigable Dr.…

この版を読む →

← ルーミーに戻る