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Assaigs de Michel de Montaigne — complets

Michel de Montaigne

Idioma:
anglès
Completesa:
Obra completa
Autoria:
Escrita per l'autor
Estat del text:
Text net
Extensió:
~540.000 paraules · 2.578 passatges
Cita aquesta obra
  • APAMichel de Montaigne. (n.d.). Assaigs de Michel de Montaigne — complets. SigPhi. https://sigphiai.com/ca/works/michel-de-montaigne/essays-of-michel-de-montaigne-complete
  • MLAMichel de Montaigne. "Assaigs de Michel de Montaigne — complets." SigPhi, https://sigphiai.com/ca/works/michel-de-montaigne/essays-of-michel-de-montaigne-complete.
  • ChicagoMichel de Montaigne. Assaigs de Michel de Montaigne — complets. SigPhi. https://sigphiai.com/ca/works/michel-de-montaigne/essays-of-michel-de-montaigne-complete.

De què tracta

Poc més de cent assaigs sobre qualsevol cosa —la por, l'amistat, els caníbals, els cotxes, la mort— on l'autor s'examina a si mateix com a únic tema que coneix de prop.

Context i història

Montaigne es va retirar de la vida pública el 1571, als 38 anys, a la torre del seu castell, i hi va escriure durant vint anys mentre les guerres de religió assolaven França. Va inventar-hi la paraula «assaig» en el sentit de prova o temptativa: cap text no pretén concloure. Va anar afegint capes a les edicions successives sense esborrar el que ja hi havia, de manera que el llibre conserva les seves pròpies contradiccions a la vista.

Context editorial, no una font citable: a diferència dels passatges de l'obra, aquestes dades no es poden contrastar amb el corpus.

Com comença
The present publication is intended to supply a recognised deficiency in our literature--a library edition of the Essays of Montaigne. This great French writer deserves to be regarded as a classic, not only in the land of his birth, but in all countries and in all literatures. His Essays, which are at once the most celebrated and the most permanent of his productions, form a magazine out of which such minds as those of Bacon and Shakespeare did not disdain to help themselves; and, indeed, as Hallam observes, the Frenchman’s literary importance largely results from the share which his mind had in influencing other minds, coeval and subsequent. But, at the same time, estimating the value and rank of the essayist, we are not to leave out of the account the drawbacks and the circumstances of the period: the imperfect state of education, the comparative scarcity of books, and the limited opportunities of intellectual intercourse. Montaigne freely borrowed of others, and he has found men willing to borrow of him as freely. We need not wonder at the reputation which he with seeming facility achieved. He was, without being aware of it, the leader of a new school in letters and morals. His book was different from all others which were at that date in the world. It diverted the ancient currents of thought into new channels. It told its readers, with unexampled frankness, what its writer’s opinion was about men and things, and threw what must have been a strange kind of new light on many matters but darkly understood. Above all, the essayist uncased himself, and made his intellectual and physical organism public property. He took the world into his confidence on all subjects.…

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