Saggi di Michel de Montaigne — completi
- Lingua:
- inglese
- Stato:
- Opera completa
- Autorialità:
- Scritta dall'autore
- Stato del testo:
- Nessun rumore di scansione rilevato (misura automatica su tutto il testo, non verificata a mano)
- Estensione:
- ~540.000 parole · 2578 passi
Cita quest'opera
- APAMichel de Montaigne. (n.d.). Essays of Michel de Montaigne — Complete [Saggi di Michel de Montaigne — completi]. Digital reproduction: SigPhi. https://sigphiai.com/it/works/michel-de-montaigne/essays-of-michel-de-montaigne-complete
- MLAMichel de Montaigne. Essays of Michel de Montaigne — Complete [Saggi di Michel de Montaigne — completi]. Digital reproduction, SigPhi, https://sigphiai.com/it/works/michel-de-montaigne/essays-of-michel-de-montaigne-complete.
- ChicagoMichel de Montaigne. Essays of Michel de Montaigne — Complete [Saggi di Michel de Montaigne — completi]. Digital reproduction, SigPhi. https://sigphiai.com/it/works/michel-de-montaigne/essays-of-michel-de-montaigne-complete.
Riferimento all’edizione riprodotta. SigPhi è la riproduzione digitale. Anno, editore e traduttore compaiono quando noti; «n.d.» indica un anno sconosciuto.
Di che cosa tratta
Poco più di cento saggi su qualunque cosa — la paura, l'amicizia, i cannibali, le carrozze, la morte — in cui l'autore esamina se stesso, l'unico soggetto che conosca da vicino.
Contesto e storia
Montaigne si ritirò dalla vita pubblica nel 1571, a 38 anni, nella torre del suo castello, e vi scrisse per vent'anni mentre le guerre di religione devastavano la Francia. Coniò la parola «saggio» nel senso di tentativo: nessun testo pretende di concludere. Aggiunse strati nelle edizioni successive senza cancellare il precedente, così il libro conserva sotto gli occhi le proprie contraddizioni.
Contesto editoriale, non una fonte citabile: a differenza dei passi dell'opera, questi dati non si possono verificare sul corpus.
the ruins of so gigantic a structure must have commanded greater reverence-it was nothing but her sepulchre. The world, jealous of her, prolonged empire, had in the first place broken to pieces that admirable body, and then, when they perceived that the remains attracted worship and awe, had buried the very wreck itself.--[Compare a passage in one of Horace Walpole’s letters to Richard West, 22 March 1740 (Cunningham’s edit. i. 41), where Walpole, speaking of Rome, describes her very ruins as ruined.]--As to those small fragments which were still to be seen on the surface, notwithstanding the assaults of time and all other attacks, again and again repeated, they had been favoured by fortune to be some slight evidence of that infinite grandeur which nothing could entirely extingish. But it was likely that these disfigured remains were the least entitled to attention, and that the enemies of that immortal renown, in their fury, had addressed themselves in the first instance to the destruction of what was most beautiful and worthiest of preservation; and that the buildings of this bastard Rome, raised upon the ancient productions, although they might excite the admiration of the present age, reminded him of the crows’ and sparrows’ nests built in the walls and arches of the old churches, destroyed by the Huguenots. Again, he was apprehensive, seeing the space which this grave occupied, that the whole might not have been recovered, and that the burial itself had been buried. And, moreover, to see a wretched heap of rubbish, as pieces of tile and pottery, grow (as it had ages since) to a height equal to that of Mount Gurson,--[In Perigord.]--and thrice the width of it, appeared to show a conspiracy of destiny against the glory and pre-eminence of that city, affording at the same time a novel and extraordinary proof of its departed greatness.…