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Human, All-Too-Human A Book for Free Spirits, Part 1

ニーチェ

言語:
英語
状態:
完全な作品
著者性:
著者自身による
テキストの状態:
良好なテキスト
分量:
約 98,100 語 · 466
この作品を引用
  • APAニーチェ. (n.d.). Human, All-Too-Human A Book for Free Spirits, Part 1. SigPhi. https://sigphiai.com/ja/works/nietzsche/human-all-too-human-a-book-for-free-spirits-part-1
  • MLAニーチェ. "Human, All-Too-Human A Book for Free Spirits, Part 1." SigPhi, https://sigphiai.com/ja/works/nietzsche/human-all-too-human-a-book-for-free-spirits-part-1.
  • Chicagoニーチェ. Human, All-Too-Human A Book for Free Spirits, Part 1. SigPhi. https://sigphiai.com/ja/works/nietzsche/human-all-too-human-a-book-for-free-spirits-part-1.

何についての本か

『人間的、あまりに人間的』(一八七八年)第一部。ニーチェがワーグナーと、ショーペンハウアーと、そして自分自身と訣別した本。

背景と歴史

すべてが変わる。論考から箴言へ、ロマン主義から疑いへ、形而上学から心理学へ。新しい方法は、高貴な感情を讃えるかわりに、それがどこから来たのかを問うことである。そしてここから、のちの道徳批判のすべてが出てくる。 オスカー・レヴィ編の全集(一九〇九—一九一三年)からの英訳で、パブリックドメインにあるものである。一世紀以上前のもので、それは読めばわかる。原文はドイツ語であり、引用は原文によるべきである。目録にあるドイツ語の原本は『ツァラトゥストラはこう言った』と『権力への意志』の二つだけで、ほかは翻訳しかない。

これは編集上の背景であり、引用できる典拠ではありません。作品本文の一節とは異なり、これらの記述はコーパスで検証できません。

冒頭
I have been told frequently, and always with great surprise, that there is something common and distinctive in all my writings, from the _Birth of Tragedy_ to the latest published _Prelude to a Philosophy of the Future._ They all contain, I have been told, snares and nets for unwary birds, and an almost perpetual unconscious demand for the inversion of customary valuations and valued customs. What? _Everything_ only--human-all-too-human? People lay down my writings with this sigh, not without a certain dread and distrust of morality itself, indeed almost tempted and encouraged to become advocates of the _worst_ things: as being perhaps only the _best_ disparaged? My writings have been called a school of suspicion and especially of disdain, more happily, also, a school of courage and even of audacity. Indeed, I myself do not think that any one has ever looked at the world with such a profound suspicion; and not only as occasional Devil's Advocate, but equally also, to speak theologically, as enemy and impeacher of God; and he who realises something of the consequences involved, in every profound suspicion, something of the chills and anxieties of loneliness to which every uncompromising _difference of outlook_ condemns him who is affected therewith, will also understand how often I sought shelter in some kind of reverence or hostility, or scientificality or levity or stupidity, in order to recover from myself, and, as it were, to obtain temporary self-forgetfulness; also why, when I did not find what I _needed,_ I was obliged to manufacture it, to counterfeit and to imagine it in a suitable manner (and what else have poets ever done? And for what purpose has all the art in the world existed?).…

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