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Ensayos de Michel de Montaigne — completos

Michel de Montaigne

Idioma:
inglés
Estado:
Obra completa
Autoría:
Escrita por el autor
Estado del texto:
Texto limpio
Extensión:
~540.000 palabras · 2578 pasajes
Cita esta obra
  • APAMichel de Montaigne. (n.d.). Ensayos de Michel de Montaigne — completos. SigPhi. https://sigphiai.com/es/works/michel-de-montaigne/essays-of-michel-de-montaigne-complete
  • MLAMichel de Montaigne. "Ensayos de Michel de Montaigne — completos." SigPhi, https://sigphiai.com/es/works/michel-de-montaigne/essays-of-michel-de-montaigne-complete.
  • ChicagoMichel de Montaigne. Ensayos de Michel de Montaigne — completos. SigPhi. https://sigphiai.com/es/works/michel-de-montaigne/essays-of-michel-de-montaigne-complete.

De qué trata

Poco más de cien ensayos sobre cualquier cosa —el miedo, la amistad, los caníbales, los coches, la muerte— donde el autor se examina a sí mismo como único tema que conoce de cerca.

Contexto e historia

Montaigne se retiró de la vida pública en 1571, a los 38 años, a la torre de su castillo, y escribió allí durante veinte años mientras las guerras de religión asolaban Francia. Inventó la palabra «ensayo» en el sentido de prueba o tentativa: ningún texto pretende concluir. Fue añadiendo capas en las ediciones sucesivas sin borrar lo anterior, de modo que el libro conserva sus propias contradicciones a la vista.

Contexto editorial, no una fuente citable: a diferencia de los pasajes de la obra, estos datos no se pueden comprobar contra el corpus.

Cómo empieza
The present publication is intended to supply a recognised deficiency in our literature--a library edition of the Essays of Montaigne. This great French writer deserves to be regarded as a classic, not only in the land of his birth, but in all countries and in all literatures. His Essays, which are at once the most celebrated and the most permanent of his productions, form a magazine out of which such minds as those of Bacon and Shakespeare did not disdain to help themselves; and, indeed, as Hallam observes, the Frenchman’s literary importance largely results from the share which his mind had in influencing other minds, coeval and subsequent. But, at the same time, estimating the value and rank of the essayist, we are not to leave out of the account the drawbacks and the circumstances of the period: the imperfect state of education, the comparative scarcity of books, and the limited opportunities of intellectual intercourse. Montaigne freely borrowed of others, and he has found men willing to borrow of him as freely. We need not wonder at the reputation which he with seeming facility achieved. He was, without being aware of it, the leader of a new school in letters and morals. His book was different from all others which were at that date in the world. It diverted the ancient currents of thought into new channels. It told its readers, with unexampled frankness, what its writer’s opinion was about men and things, and threw what must have been a strange kind of new light on many matters but darkly understood. Above all, the essayist uncased himself, and made his intellectual and physical organism public property. He took the world into his confidence on all subjects.…

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