Apologie de Socrate
- Langue:
- anglais
- État:
- Œuvre complète
- Paternité:
- Écrite par l'auteur
- État du texte:
- Aucun bruit de numérisation détecté (mesure automatique sur tout le texte, non vérifiée à la main)
- Étendue:
- ~15 400 mots · 73 passages
Citer cette œuvre
- APAPlaton. (n.d.). Apology [Apologie de Socrate]. Digital reproduction: SigPhi. https://sigphiai.com/fr/works/plato/apology
- MLAPlaton. Apology [Apologie de Socrate]. Digital reproduction, SigPhi, https://sigphiai.com/fr/works/plato/apology.
- ChicagoPlaton. Apology [Apologie de Socrate]. Digital reproduction, SigPhi. https://sigphiai.com/fr/works/plato/apology.
Référence de l'édition que reproduit SigPhi : SigPhi en est la reproduction numérique, pas l'éditeur. L'année de l'édition ne figure pas dans les métadonnées (d'où « n.d. ») et le traducteur n'apparaît que lorsqu'il est connu.
De quoi il s'agit
La défense de Socrate devant le tribunal d'Athènes qui le condamna à mort : pourquoi il a passé sa vie à interroger ses concitoyens, et pourquoi il ne cessera pas de le faire, même pour se sauver.
Contexte et histoire
En 399 av. J.-C., Athènes jugea Socrate pour impiété et pour corruption de la jeunesse, et le condamna à boire la ciguë. Platon, présent au procès et âgé d'environ vingt-cinq ans, écrivit cette version du discours quelques années plus tard. Ce n'est pas un procès-verbal : c'est le portrait qui fixa pour toujours la figure du philosophe qui préfère mourir plutôt que se taire. Avec ce procès commence, de fait, la philosophie comme genre littéraire : presque tout ce que Platon écrivit ensuite en découle.
Contexte éditorial, non une source citable : contrairement aux passages de l'œuvre, ces données ne peuvent pas être vérifiées dans le corpus.
determined to refute it by finding “a wiser;” and first he went to the politicians, and then to the poets, and then to the craftsmen, but always with the same result—he found that they knew nothing, or hardly anything more than himself; and that the little advantage which in some cases they possessed was more than counter-balanced by their conceit of knowledge. He knew nothing, and knew that he knew nothing: they knew little or nothing, and imagined that they knew all things. Thus he had passed his life as a sort of missionary in detecting the pretended wisdom of mankind; and this occupation had quite absorbed him and taken him away both from public and private affairs. Young men of the richer sort had made a pastime of the same pursuit, “which was not unamusing.” And hence bitter enmities had arisen; the professors of knowledge had revenged themselves by calling him a villainous corrupter of youth, and by repeating the commonplaces about atheism and materialism and sophistry, which are the stock-accusations against all philosophers when there is nothing else to be said of them. The second accusation he meets by interrogating Meletus, who is present and can be interrogated. “If he is the corrupter, who is the improver of the citizens?” (Compare Meno.) “All men everywhere.” But how absurd, how contrary to analogy is this! How inconceivable too, that he should make the citizens worse when he has to live with them. This surely cannot be intentional; and if unintentional, he ought to have been instructed by Meletus, and not accused in the court. But there is another part of the indictment which says that he teaches men not to receive the gods whom the city receives, and has other new gods. “Is that the way in which he is supposed to corrupt the youth?” “Yes, it is.” “Has he only new gods, or none at all?” “None at all.” “What, not even the sun and moon?” “No; why, he says that the sun is a stone, and the moon earth.…