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Epistulae morales ad Lucilium

Lucio Anneo Seneca

Lingua:
inglese
Traduzione:
Richard M. Gummere
Stato:
Opera completa
Autorialità:
Scritta dall'autore
Stato del testo:
Nessun rumore di scansione rilevato (misura automatica su tutto il testo, non verificata a mano)
Estensione:
~240.000 parole · 1135 passi
Cita quest'opera
  • APALucio Anneo Seneca. (n.d.). Moral Letters to Lucilius (Epistulae Morales) [Epistulae morales ad Lucilium] (Richard M. Gummere, Trans.). Digital reproduction: SigPhi. https://sigphiai.com/it/works/seneca/moral-letters-to-lucilius-epistulae-morales
  • MLALucio Anneo Seneca. Moral Letters to Lucilius (Epistulae Morales) [Epistulae morales ad Lucilium]. Translated by Richard M. Gummere. Digital reproduction, SigPhi, https://sigphiai.com/it/works/seneca/moral-letters-to-lucilius-epistulae-morales.
  • ChicagoLucio Anneo Seneca. Moral Letters to Lucilius (Epistulae Morales) [Epistulae morales ad Lucilium]. Translated by Richard M. Gummere. Digital reproduction, SigPhi. https://sigphiai.com/it/works/seneca/moral-letters-to-lucilius-epistulae-morales.

Riferimento dell'edizione che SigPhi riproduce: SigPhi ne è la riproduzione digitale, non l'editore. L'anno dell'edizione non figura nei metadati (da qui «n.d.») e il traduttore compare solo quando è noto.

Di che cosa tratta

Centoventiquattro lettere a Lucilio su come vivere: il tempo sprecato, la paura della morte, l'amicizia, la ricchezza, e che cosa valga e che cosa no della filosofia.

Contesto e storia

Le scrisse negli ultimi anni, ritiratosi dalla corte di Nerone, che poco dopo l'avrebbe costretto a darsi la morte. Sembrano corrispondenza e probabilmente non lo sono del tutto: Seneca le compose per la pubblicazione, e la forma epistolare è un espediente — consente di partire da una cosa piccola e concreta e arrivare dove si vuole senza scrivere un trattato. È la ragione per cui si leggono ancora, mentre i suoi trattati formali costano di più.

Contesto editoriale, non una fonte citabile: a differenza dei passi dell'opera, questi dati non si possono verificare sul corpus.

Come comincia
after they have judged him. Ponder for a long time whether you shall admit a given person to your friendship; but when you have decided to admit him, welcome him with all your heart and soul. Speak as boldly with him as with yourself. As to yourself, although you should live in such a way that you trust your own self with nothing which you could not entrust even to your enemy, yet, since certain matters occur which convention keeps secret, you should share with a friend at least all your worries and reflections. Regard him as loyal, and you will make him loyal. Some, for example, fearing to be deceived, have taught men to deceive; by their suspicions they have given their friend the right to do wrong. Why need I keep back any words in the presence of my friend? Why should I not regard myself as alone when in his company? There is a class of men who communicate, to anyone whom they meet, matters which should be revealed to friends alone, and unload upon the chance listener whatever irks them. Others, again, fear to confide in their closest intimates; and if it were possible, they would not trust even themselves, burying their secrets deep in their hearts. But we should do neither. It is equally faulty to trust everyone and to trust no one. Yet the former fault is, I should say, the more ingenuous, the latter the more safe. In like manner you should rebuke these two kinds of men,—both those who always lack repose, and those who are always in repose. For love of bustle is not industry,—it is only the restlessness of a hunted mind. And true repose does not consist in condemning all motion as merely vexation; that kind of repose is slackness and inertia. Therefore, you should note the following saying, taken from my reading in Pomponius: “Some men shrink into dark corners, to such a degree that they see darkly by day.” No, men should combine these tendencies, and he who reposes should act and he who acts should take repose.…

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