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Essais von Michel de Montaigne — vollständig

Michel de Montaigne

Sprache:
Englisch
Status:
Vollständiges Werk
Autorschaft:
Vom Autor verfasst
Zustand des Textes:
Sauberer Text
Umfang:
~540.000 Wörter · 2.578 Passagen
Dieses Werk zitieren
  • APAMichel de Montaigne. (n.d.). Essais von Michel de Montaigne — vollständig. SigPhi. https://sigphiai.com/de/works/michel-de-montaigne/essays-of-michel-de-montaigne-complete
  • MLAMichel de Montaigne. "Essais von Michel de Montaigne — vollständig." SigPhi, https://sigphiai.com/de/works/michel-de-montaigne/essays-of-michel-de-montaigne-complete.
  • ChicagoMichel de Montaigne. Essais von Michel de Montaigne — vollständig. SigPhi. https://sigphiai.com/de/works/michel-de-montaigne/essays-of-michel-de-montaigne-complete.

Wovon es handelt

Gut hundert Essays über alles Mögliche – Furcht, Freundschaft, Kannibalen, Kutschen, den Tod –, in denen der Autor sich selbst als einzigen Gegenstand untersucht, den er aus der Nähe kennt.

Kontext und Geschichte

Montaigne zog sich 1571 mit 38 Jahren aus dem öffentlichen Leben in den Turm seines Schlosses zurück und schrieb dort zwanzig Jahre lang, während die Religionskriege Frankreich zerrissen. Er prägte das Wort «Essay» im Sinne von Versuch: Kein Text will abschließen. Über die Auflagen hinweg fügte er Schichten hinzu, ohne Früheres zu tilgen – so bleiben die eigenen Widersprüche des Buches sichtbar.

Redaktioneller Kontext, keine zitierfähige Quelle: anders als die Passagen des Werks lassen sich diese Angaben nicht am Korpus überprüfen.

Wie es beginnt
The present publication is intended to supply a recognised deficiency in our literature--a library edition of the Essays of Montaigne. This great French writer deserves to be regarded as a classic, not only in the land of his birth, but in all countries and in all literatures. His Essays, which are at once the most celebrated and the most permanent of his productions, form a magazine out of which such minds as those of Bacon and Shakespeare did not disdain to help themselves; and, indeed, as Hallam observes, the Frenchman’s literary importance largely results from the share which his mind had in influencing other minds, coeval and subsequent. But, at the same time, estimating the value and rank of the essayist, we are not to leave out of the account the drawbacks and the circumstances of the period: the imperfect state of education, the comparative scarcity of books, and the limited opportunities of intellectual intercourse. Montaigne freely borrowed of others, and he has found men willing to borrow of him as freely. We need not wonder at the reputation which he with seeming facility achieved. He was, without being aware of it, the leader of a new school in letters and morals. His book was different from all others which were at that date in the world. It diverted the ancient currents of thought into new channels. It told its readers, with unexampled frankness, what its writer’s opinion was about men and things, and threw what must have been a strange kind of new light on many matters but darkly understood. Above all, the essayist uncased himself, and made his intellectual and physical organism public property. He took the world into his confidence on all subjects.…

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